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"Roth Family Foundation music in America imprint"--Prelim. p.
In April 1945, Jean Améry was liberated from the Bergen Belsen concentration camp. A Jewish and political prisoner, he had been brutally tortured by the Nazis, and had also survived both Auschwitz and other infamous camps. His experiences during the Holocaust were made famous by his book At the Mind's Limits: Contemplations by a Survivor of Auschwitz and Its Realities. Essays on Antisemitism, Anti-Zionism, and the Left features a collection of essays by Améry translated into English for the first time. Although written between 1966 and 1978, Améry's insights remain fresh and contemporary, and showcase the power of his thought. Originally written when leftwing antisemitism was first on the rise, Améry's searing prose interrogates the relationship between anti-Zionism and antisemitism and challenges the international left to confront its failure to think critically and reflectively.
Robert Stalnaker draws together in this volume the extent of his work in metaphysics. The central theme is the role of possible worlds in articulating our various metaphysical commitments. The essays presented reflect on the nature of metaphysics, with two of the essays featured being published for the first time.
Together for the first time: two masterworks on the undercurrents of the American mind by one of our greatest historians Richard Hofstadter's Anti-Intellectualism in American Life and The Paranoid Style in American Politics are two essential works that lay bare the worrying trends of irrationalism, demagoguery, destructive populism, and conspiratorial thinking that have long influenced American politics and culture. Whether underground or--as in our present moment--out in the open, these currents of resentment, suspicion, and conspiratorial delusion received their authoritative treatment from Hofstadter, among the greatest of twentieth-century American historians, at a time when many public intellectuals and scholars did not take them seriously enough. These two masterworks are joined here by Sean Wilentz's selection of Hofstadter's most trenchant uncollected writings of the postwar period: discussions of the Constitution's framers, the personality and legacy of FDR, higher education and its discontents, the relationship of fundamentalism to right-wing politics, and the advent of the modern conservative movement.
For the past thirty years, Hal Foster has pushed the boundaries of cultural criticism, establishing a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. In The Anti-Aesthetic, preeminent critics such as Jean Baudrillard, Rosalind Krauss, Fredric Jameson, and Edward Said consider the full range of postmodern cultural production, from the writing of John Cage, to Cindy Sherman's film stills, to Barbara Kruger's collages. With a redesigned cover and a new afterword that situates the book in relation to contemporary criticism, The Anti-Aesthetic provides a strong introduction for newcomers and a point of reference for those already engaged in discussions of postmodern art, culture, and criticism. Includes a new afterword by Hal Foster and 12 black and white photographs.
The very best of Barbourrsquo;s criticism over the past two decades.
A "New York Times" political cartoonist and writer presents a collection of his most popular essays and drawings about life and government hypocrisy.
This volume collects together the author's pioneering essays on "quasi-realism", a philosophical position he first introduced in 1980 which has become a distinctive and much discussed option in metaphysics and ethics
In this contemporary retelling of The Canterbury Tales, a group of teens on a bus ride to Washington, DC, each tell a story—some fantastical, some realistic, some downright scandalous—in pursuit of the ultimate prize: a perfect score. Jeff boards the bus for the Civics class trip to Washington, DC, with a few things on his mind: -Six hours trapped with his classmates sounds like a disaster waiting to happen. -He somehow ended up sitting next to his ex-best friend, who he hasn’t spoken to in years. -He still feels guilty for the major part he played in pranking his teacher, and the trip’s chaperone, Mr. Bailey. -And his best friend Cannon, never one to be trusted and banned from the trip, has something “big” planned for DC. But Mr. Bailey has an idea to keep everyone in line: each person on the bus is going to have the chance to tell a story. It can be fact or fiction, realistic or fantastical, dark or funny or sad. It doesn’t matter. Each person gets a story, and whoever tells the best one will get an automatic A in the class. But in the middle of all the storytelling, with secrets and confessions coming out, Jeff only has one thing on his mind—can he live up to the super successful story published in the school newspaper weeks ago that convinced everyone that he was someone smart, someone special, and someone with something to say. In her debut novel, Kim Zarins breathes new life into Chaucer’s The Canterbury Tales in a fresh and contemporary retelling that explores the dark realities of high school, and the ordinary moments that bring us all together.