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A recent wave of research has explored the link between wh- syntax and prosody, breaking with the traditional generative conception of a unidirectional syntax-phonology relationship. In this book, Jason Kandybowicz develops Anti-contiguity Theory as a compelling alternative to Richards' Contiguity Theory to explain the interaction between the distribution of interrogative expressions and the prosodic system of a language. Through original and highly detailed fieldwork on several under-studied West African languages (Krachi, Bono, Wasa, Asante Twi, and Nupe), Kandybowicz presents empirically and theoretically rich analyses bearing directly on a number of important theories of the syntax-prosody interface. His observations and analyses stem from original fieldwork on all five languages and represent some of the first prosodic descriptions of the languages. The book also considers data from thirteen additional typologically diverse languages to demonstrate the theory's reach and extendibility. Against the backdrop of data from eighteen languages, Anti-contiguity offers a new lens on the empirical and theoretical study of wh- prosody.
Vols. 3-8, 3d ser., include the 16th-21st annual reports of the British and foreign anti-slavery society. The 22d-24th annual reports are appended to v. 9-11, 3d ser. Series 4 contains annual reports of the British and Foreign Anti-Slavery Society. Series 5 contains annual reports of the Anti-Slavery and Aborigines Protection Society.
Contemporary experimental poetry? By women? But is this women's writing? The type of poetry that is central to this book has long been met with surprise, if not rejection, by both critics and the general public. This volume is an introduction to recent developments in women's poetic experiments, an area that has grown from rather marginalized and isolated beginnings into a thriving and highly visible field. Women's experimental texts can no longer be ignored, but they remain a challenge to readers and critics: this study examines some of the reasons why recognition has been delayed, and it also provides a range of new readings. With particular focus on poetry by Rosmarie Waldrop, Lyn Hejinian, and Susan Howe, women's poetic experiments are shown to be a critique of current practices of cultural representation that relegate women's poetry and experimental writing to separate spheres.