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Lyric and prose poems on the anthropocene. The poems of Anthropocene Lullaby move from the micro to the macro, from dragonflies to galaxies, from the intersecting forces of climate change, capitalism, and digital technologies to intersecting anxieties of selfhood and motherhood. These lyric and prose poems track change--underway and inevitable, personal and impersonal, generative and apocalyptic.
Who do we think we are? In a world teetering on the brink of ecological thresholds, REIMAGINING EDEN emerges as a clarion call to envision a new era -- The Symbiocene. This thought-provoking collection of poems not only navigates through the tumultuous landscapes sculpted by human influence but also seeks solace in the possibility of symbiosis between humanity and nature. Within these pages, readers are invited to embark on a journey that traverses desolation yet always carries within it seeds of hope. As humanity stands at this crucial juncture, these verses serve as poignant reflections on our shared responsibility and potential for forging sustainable futures. REIMAGINING EDEN offers more than mere contemplation; it is an ode to resilience, urging us towards harmonious coexistence with Earth. These poems breathe life into visions where human actions align with Earth's rhythms -- harboring regenerative whispers calling forth from beneath cracked pavements toward lush horizons yet unclaimed. Let each poem resonate as an echo -- a reverberation from today carrying timeless truths into tomorrow. We stand at the threshold; may this book inspire both introspection and action towards shaping an enduring legacy for generations to follow.
The purpose of Communicating in the Anthropocene: Intimate Relations is to tell a different story about the world. Humans, especially those raised in Western traditions, have long told stories about themselves as individual protagonists who act with varying degrees of free will against a background of mute supporting characters and inert landscapes. Humans can be either saviors or destroyers, but our actions are explained and judged again and again as emanating from the individual. And yet, as the coronavirus pandemic has made clear, humans are unavoidably interconnected not only with other humans, but with nonhuman and more-than-human others with whom we share space and time. Why do so many of us humans avoid, deny, or resist a view of the world where our lives are made possible, maybe even made richer, through connection? In this volume, we suggest a view of communication as intimacy. We use this concept as a provocation for thinking about how we humans are in an always-already state of being-in-relation with other humans, nonhumans, and the land.
A poetic response to the joint crises of climate change and biodiversity loss. Featuring the work of internationally-renowned and bestselling poets including Gabriela Marie Milton, Ivor Steven and Sherry Marr. Voices from five continents join in song to protest the damage we are doing to our only home, planet earth: these 'songs of a self-defining era' are the poems which comprise The Anthropocene Hymnal. The editor Ingrid Wilson was voted Spillwords Author of the Month in February 2021. Her poetry has been widely published both online and in print. She is the owner and editor of www.experimentsinfiction.com.
Anthropocene Poetry: Place, Environment and Planet argues that the idea of the Anthropocene is inspiring new possibilities for poetry. It can also change the way we read and interpret poems. If environmental poetry was once viewed as linked to place, this book shows how poets are now grappling with environmental issues from the local to the planetary: climate change and the extinction crisis, nuclear weapons and waste, plastic pollution and the petroleum industry. This book intervenes in debates about culture and science, traditional poetic form and experimental ecopoetics, to show how poets are collaborating with environmental scientists and joining environmental activist movements to respond to this time of crisis. From the canonical work of Ted Hughes and Seamus Heaney, to award-winning poets Alice Oswald, Pascale Petit, Kei Miller, and Karen McCarthy Woolf, this book explores major figures from the past alongside acclaimed contemporary voices. It reveals Seamus Heaney’s support for conservation causes and Ted Hughes’s astonishingly forward-thinking research on climate change; it discusses how Pascale Petit has given poetry to Extinction Rebellion and how Karen McCarthy Woolf set sail with scientists to write about plastic pollution. This book deploys research on five poetry archives in the UK, USA and Ireland, and the author’s insider insights into the commissioning processes and collaborative methods that shaped important contemporary poetry publications. Anthropocene Poetry finds that environmental poetry is flourishing in the face of ecological devastation. Such poetry speaks of the anxieties and dilemmas of our age, and searches for paths towards resilience and resistance.
This is an invitation to readers to ponder universal questions about human relations with rivers and water for the precarious times of the Anthropocene. The book asks how humans can learn through sensory embodied encounters with local waterways that shape the architecture of cities and make global connections with environments everywhere. The book considers human becomings with urban waterways to address some of the major conceptual challenges of the Anthropocene, through stories of trauma and healing, environmental activism, and encounters with the living beings that inhabit waterways. Its unique contribution is to bring together Australian Aboriginal knowledges with contemporary western, new materialist, posthuman and Deleuzean philosophies, foregrounding how visual, creative and artistic forms can assist us in thinking beyond the constraints of western thought to enable other modes of being and knowing the world for an unpredictable future. Riverlands of the Anthropocene will be of particular interest to those studying the Anthropocene through the lenses of environmental humanities, environmental education, philosophy, ecofeminism and cultural studies.
This new critical volume presents various perspectives on teaching and teacher education in the face of the global climate crisis, environmental degradation, and social injustice. Teaching in the Anthropocene calls for a reorientation of the aims of teaching so that we might imagine multiple futures in which children, youths, and families can thrive amid a myriad of challenges related to the earth’s decreasing habitability. Referring to the uncertainty of the time in which we live and teach, the term Anthropocene is used to acknowledge anthropogenic contributions to the climate crisis and to consider and reflect on the emotional responses to adverse climate events. The text begins with the editors’ discussion of this contested term and then moves on to make the case that we must decentre anthropocentric models in teacher education praxis. The four thematic parts include chapters on the challenges to teacher education practice and praxis, affective dimensions of teaching in the face of the global crisis, relational pedagogies in the Anthropocene, and ways to ignite the empathic imaginations of tomorrow’s teachers. Together the authors discuss new theoretical eco-orientations and describe innovative pedagogies that create opportunities for students and teachers to live in greater harmony with the more-than-human world. This incredibly timely volume will be essential to pre- and in-service teachers and teacher educators. FEATURES: - Offers critical reflections on anthropocentrism from multiple perspectives in education, including continuing education, educational organization, K–12, post-secondary, and more - Includes accounts that not only deconstruct the disavowal of the climate crisis in schools but also articulate an ecosophical approach to education - Features discussion prompts in each chapter to enhance student engagement with the material
This book explores the development and significance of an Earth-oriented progressive approach to fostering global wellbeing and inclusive societies in an era of climate change and uncertainty. Developing Earthly Attachments in the Anthropocene examines the ways in which the Earth has become a source of political, social, and cultural theory in times of global climate change. The book explains how the Earth contributes to the creation of a regenerative culture, drawing examples from the Netherlands and Iceland. These examples offer understandings of how legacies of non-respectful exploitative practices culminating in the rapid post-war growth of global consumption have resulted in impacts on the ecosystem, highlighting the challenges of living with planet Earth. The book familiarizes readers with the implied agencies of the Earth which become evident in our reliance on the carbon economy – a factor of modern-day globalized capitalism responsible for global environmental change and emergency. It also suggests ways to inspire and develop new ways of spatial sense making for those seeking earthly attachments. Offering novel theoretical and practical insights for politically active people, this book will appeal to those involved in local and national policy making processes. It will also be of interest to academics and students of geography, political science, and environmental sciences.
In order to demonstrate that speculative fiction provides a valuable contribution to the discussion about the challenges of the Anthropocene, Images of the Anthropocene in Speculative Fiction investigates a range of novels whose subject matter pertains to various aspects of the Anthropocene. These include the destruction and protection of the natural environment, the relationship between human and non-human inhabitants of the planet, the role of myth in the shaping of and combat against the Anthropocene, the political dimensions of the Anthropocene, the ensuing threat of the Apocalypse, and the role of post-apocalyptic narratives. To explore these topics our authors examine the works of Patricia Briggs, M.R. Carey, Dmitry Glukhovsky, Ursula K. Le Guin, N.K. Jemisin, Stephenie Meyer, China Miéville, James Patterson, Maggie Stiefvater, J.R.R. Tolkien, and Scott Westfield. Their essays demonstrate that speculative fiction, given its ability to pursue scenarios of alternative history and present familiar things in an unfamiliar way, can alter the readers’ perception of their duties and responsibilities towards their communities and the world, so that the threat of human-wrought destruction might ultimately be averted.
The words 'Anthropocene animals' conjure pictures of dead albatrosses' bodies filled with plastic fragments, polar bears adrift on melting ice sheets, solitary elephants in the savannah. Suspended between the impersonal nature of the Great Extinction and the singularity of exotic individuals, these creatures appear remote, disconnected from us. But animals in the Anthropocene are not simply 'out there.' Threatening and threatened, they populate cities and countryside, often trapped in industrial farms, zoos, labs. Among them, there are humans, too. Italo Calvino's Animals explores Anthropocene animals through the visionary eyes of a classic modern author. In Calvino's stories, ants, cats, chickens, rabbits, gorillas, and other critters emerge as complex subjects and inhabitants of a world under siege. Beside them, another figure appears in the mirror: that of an anthropos without a capital A, epitome of subaltern humans with their challenges and inequalities, a companion species on the difficult path of co-evolution.