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Anthology of Significant Events in Indian Modern Art and Socio-Cultural History is designed as a career-oriented educational book that includes prominent as well as less known, yet relevant socio-cultural events of modern Indian history. This book is particularly useful for faculty and students of art and culture, research scholars and individuals preparing for competitive exams at State and Union level in India. The book can be a valuable addition to the collection of any art, culture, and history enthusiast. The authors have endeavored to keep the content succinct and brief, to maintain the focus on context of events and the related dates and places. The broad subjects covered are Fine Arts, Painting, Music, Poetry, Dance, Sculpture, Theatre, Architecture, Photography, Cinema, and Literature. This anthology offers a comprehensive understanding of events beginning from the colonial era in 1850 and until 2015.
This is a product of my life-long reseach to unearth the facts that Lord Indra, the King of the Gods o Hindu Gods Pantheon was a human being only, and was a proven historical person of the 15th Cenrury BC, which so far remained covered under the imposed Indian Mythology of millennium after millennium. This is the first-time unearthing of the top-most Vedic Hindu God, Indra, from the Myth of Celescial figure to the real facts of proven and recorded history of Mesopotamia, and duly corroborated by the TEXT OF RIG-VEDA, the most ancient Holy Book, written in a language of Pre-Sanskrit Indo-Aryan Language, an written in the Cunneiform Scripts, and later on shited in Sanskrit Devanagari Scripts. This Research Publicaton of the present author is a Flagship-Book, on the other revelations, that [1] Rig-Veda was a sudden and forced creation to give birth to a totally NEW RELIGION, now called " Vedic Hinduism" just started in 1432 BC: [2] and all the major Gods of Rig-Veda, except Agni, Vayu etc, were all living humans of the 15th Cenrury BC, two of them, namely Varuna, the Emperor of Babylon, whose Emperial Title in Mesopotamia History was" Burna Buriash" and other God, Mitra, [ alternative name of Sun] was King of Mitanni Kingdom, having official title, Paratarrna Parashastra, and all the 13 New Gods, rarrated in the 62% Hymns of 1028 Hymns of Rig-Veda were used to make them king, [ Vide, the next book of this Series, written by this Aouthor, titled as " All Indo-Aryan Vedic Hindu Gods were of Mesopotamina Origin", followed by the " Life and Career of Indra as per Rig-Veda" re-created with the help of recovered and well-preserved historcal records, and ancient archaelogical evidences, including Indra's own Inscription, statue, Royal Seal, Indra's Clay tablets, and traced out locations of his lifes [the Mesopotamian Part] and Indra life and Career in the-then Greater India, including Afghanisthan and Eastern Iran, has been re-constructed by the well-preserved oldest Text of Rig-Vedic Hymns, wriiten in the life-time of Lord Indra as trustable tesimonies as good as wriiten Inscriptions on the stones. The last 10-years of labors of the author on studies of the Oldest Religious Text of Rig-Veda and contemporary historical and archaeological records, brough a fresh new revealations on the begining of the Hinduism in it's first phase, and threw new lights of Indilogy of India and it's polical history and kingdoms of that relevant times, massive destructions of Pre-Arryan people and their civilisation and culture, and fisrt big-bang of the Arryanisation of India, that controlled the remaining history of Indian political, religious, cultural, social life in the mainstream of Indian till today.
Counterculture, while commonly used to describe youth-oriented movements during the 1960s, refers to any attempt to challenge or change conventional values and practices or the dominant lifestyles of the day. This fascinating three-volume set explores these movements in America from colonial times to the present in colorful detail. "American Countercultures" is the first reference work to examine the impact of countercultural movements on American social history. It highlights the writings, recordings, and visual works produced by these movements to educate, inspire, and incite action in all eras of the nation's history. A-Z entries provide a wealth of information on personalities, places, events, concepts, beliefs, groups, and practices. The set includes numerous illustrations, a topic finder, primary source documents, a bibliography and a filmography, and an index.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
When first published, Marshall McLuhan's Understanding Media made history with its radical view of the effects of electronic communications upon man and life in the twentieth century.
Vols. 11-25 issued in parts: America, history and life. Part A, Article abstracts and citations; America history and life. Part B, Index to book reviews; America, history and life. Part C, American history bibliography, books, articles and dissertations; and America, history and life. Part D, Annual index.
Robert Hughes has trained his critical eye on many major subjects, from the city of Barcelona to the history of his native Australia. Now he turns that eye inward, onto himself and the world that formed him. Hughes analyzes his experiences the way he might examine a Van Gogh or a Picasso. From his relationship with his stern and distant father to his Catholic upbringing and school years; and from his development as an artist, writer, and critic to his growing appreciation of art and his exhilaration at leaving Australia to discover a new life, Hughes’ memoir is an extraordinary feat of exploration and celebration.
A wide-ranging survey of the Indian sub-continent, Modern South Asia gives an enthralling account of South Asian history. After sketching the pre-modern history of the subcontinent, the book concentrates on the last three centuries from c.1700 to the present. Jointly written by two leading Indian and Pakistani historians, Modern South Asia offers a rare depth of understanding of the social, economic and political realities of this region. This comprehensive study includes detailed discussions of: the structure and ideology of the British raj; the meaning of subaltern resistance; the refashioning of social relations along lines of caste class, community and gender; and the state and economy, society and politics of post-colonial South Asia The new edition includes a rewritten, accessible introduction and a chapter by chapter revision to take into account recent research. The second edition will also bring the book completely up to date with a chapter on the period from 1991 to 2002 and adiscussion of the last millennium in sub-continental history.
Native American literature has always been uniquely embattled. It is marked by divergent opinions about what constitutes authenticity, sovereignty, and even literature. It announces a culture beset by paradox: simultaneously primordial and postmodern; oral and inscribed; outmoded and novel. Its texts are a site of political struggle, shifting to meet external and internal expectations. This Cambridge History endeavors to capture and question the contested character of Indigenous texts and the way they are evaluated. It delineates significant periods of literary and cultural development in four sections: “Traces & Removals” (pre-1870s); “Assimilation and Modernity” (1879-1967); “Native American Renaissance” (post-1960s); and “Visions & Revisions” (21st century). These rubrics highlight how Native literatures have evolved alongside major transitions in federal policy toward the Indian, and via contact with broader cultural phenomena such, as the American Civil Rights movement. There is a balance between a history of canonical authors and traditions, introducing less-studied works and themes, and foregrounding critical discussions, approaches, and controversies.