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In recent times, whenever ancient Sanskrit works are discussed or translated into English, the focus is usually on the lofty, religious and dramatic works. Due to the interest created by Western audiences, the Kama Sutra and love poetry has also been in the limelight. But, even though the Hasya Rasa or the humorous sentiment has always been an integral part of our ancient Sanskrit literature, it is little known today. Anthology of Humorous Sanskrit Verses is a collection of about 200 verse translations drawn from various Sanskrit works or anthologies compiled more than 500 years ago. Several such anthologies are well-known although none of them focus exclusively on humor. A.N.D. Haksar's translation of these verses is full of wit, earthy humor and cynical satire, and an excellent addition of the canon of Sanskrit literature.
In recent times, whenever ancient Sanskrit works are discussed or translated into English, the focus is usually on the lofty, religious and dramatic works. Due to the interest created by Western audiences, the Kama Sutra and love poetry has also been in the limelight. But, even though the Hasya Rasa or the humorous sentiment has always been an integral part of our ancient Sanskrit literature, it is little known today. Anthology of Humorous Sanskrit Verses is a collection of about 200 verse translations drawn from various Sanskrit works or anthologies compiled more than 500 years ago. Several such anthologies are well-known although none of them focus exclusively on humor. A.N.D. Haksar's translation of these verses is full of wit, earthy humor and cynical satire, and an excellent addition of the canon of Sanskrit literature.
In Indian aesthetics, the 'rasa' is the juice or sap that pervades through our art, culture, and guide our primal human emotions. The Navarasas first mentioned in the ancient Hindu text the Natya Shastra, have defined the core of Indian aesthetics; our art, dance, theatre, and literature are based on these nine human emotions. A first of its kind, this collection of verses from the original Sanskrit, moves away from a mere interpretation of the rasas to an actual translation from ancient texts such as the Subhashitavali by Vallabhadeva (15th century Kashmir), the Sharngdharapaddhati by Sharngadhara (14th century Rajasthan), and the Suktimuktavali by Jalhana (13th century Deccan). Navarasa: The Nine Flavors of Sanskrit Poetry brings to us for the first time, 99 verse translations on the nine rasas of ancient Hindu history.
This poem recounts the life and deeds of the god-hero Rama. Legend has it that it was first inscribed on rocks by his devotee Lord Hanuman but was then thrown away into the sea on the advice of the sage Valmiki. Discovered centuries later in King Bhoja's time, its verses were carefully transcribed and fashioned into what became Hanumannataka, composed by Bhoja's court poet Damodara Mishra. This beautiful work has now been translated into English by A.N.D. Haksar and will appeal to lovers of mythology, poetry and philosophy.
This selection from the 'Subhashitavali', a celebrated verse anthology compiled by Vallabhadeva in 15th-century Kashmir, offers a rich variety of erotic poetry and a wealth of lyrical and gnomic verse. One section is given to earthy humour and cynical satire seldom available in English renditions."
The subhashita verse is a popular feature of Sanskrit literature. Composed in isolation or as part of a larger work, it is essentially a miniature poem which encapsulates a complete thought, mood or image in a single stanza. These verse epigrams have a wide range of themes. This selection from the Subhashitavali, a celebrated verse anthology compiled by Vallabhadeva in c. fifteenth-century Kashmir, offers a rich variety of erotic poetry and a wealth of lyrical and gnomic verse. One section is given to earthy humour and cynical satire seldom available in English renditions. Also included are invocations and allegories, panegyrics and pen-pictures, sage observations and stark musings. The sweep of these verses is matched by the eclectic array of contributors from illustrious poets like Vyasa and Valmiki, Kalidasa and Bana to others now mostly forgotten. These verses of jollity and wit, ribaldry and bawdiness, snide sarcasm and wry comment showcase the fact that Sanskrit literature, generally perceived as staid and serious, can also be flippant and fun.
"An amazing book . . . There is nothing remotely like it anywhere in the world. I am in awe at the skill with which the many different voices in this collection have been kept alive. It is a terrific and stunningly interesting read."—Wendy Doniger, author of The Bedtrick: Tales of Sex and Masquerade "This is a superb collection, which presents to the English reading public for the first time a literature of great beauty and importance. There is no similar or comparable anthology for any Indian language let alone Telugu. All of the translations of the poems are exquisite and learned. The introduction is both a much needed history of Telugu poetry and also a guide to the aesthetics of Telugu poetry and the art of reading it."—Phyllis Granoff, translator of The Journey: Stories by K.C. Das