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The poets of North-East India, though belonging to diverse spaces, cultures, languages and religions, share a common bond. It is a sensibility defined by a deep connection with the land; the overarching presence of nature in their lives; the predominance of myths and tribal folklore; and the search for an identity. All this informs their poetry and gives it a unique flavour. Much of the distinctiveness of their work is also the consequence of contemporary events, often marked by violence. Like its title poem The Dancing Earth , the anthology too, is a celebration of this life, in all its unpredictable variety, richness and contradictions. So while Thangjam Ibopishak writes I Want to be Killed By an Indian Bullet and Chandrakanta Murasingh speaks of a minister with neither inside nor outside , there are also Temsula Ao s poems about her stone-people ancestors; Mamang Dai s portraits of swift rivers and primeval forests; and the Shillong poets with their mist-shrouded pine slopes, red cherries and gridlocked streets.
Land of Three Rivers is a celebration of North-East England in poetry, featuring its places and people, culture, history, language and stories in poems and songs with both rural and urban settings. Taking its bearings from the Tyne, Wear and Tees of the title (from Vin Garbutt's song 'John North'), the book maps the region in poems relating to past and present, depicting life from Roman times through medieval Northumbria and the industrial era of mining and shipbuilding up to the present-day. The anthology has modern perspectives on historical subjects, such as W.H. Auden's 'Roman Wall Blues' and Alistair Elliot on the aftermath of the Battle of Heavenfield in the 7th century, as well as poets from past ages, starting with Caedmon, the first English poet, writing in the 8th century. There are classic North-East songs from the oral tradition of balladeers and pitmen poets alongside the work of literary chroniclers like Mark Akenside from the 18th century, followed by evocations of Northumberland by decadent gentry poet Algernon Charles Swinburne contrasting with grim tales of life down the pit by Tommy Armstrong, Joseph Skipsey and Thomas Wilson in the 19th century. The region's favourite tipple is championed by 18th-century poet John Cunningham in his eulogy 'Newcastle Beer', while 200 years later, Tony Harrison's defences are 'broken down / on nine or ten Newcastle Brown' in his 'Newcastle Is Peru' (1969). Durham is celebrated in a 12th-century priest's poem but is a trinity of 'University, Cathedral, Gaol' for Tony Harrison. The River Tyne flows through poems by Wilfrid Gibson, James Kirkup, Michael Roberts, Francis Scarfe from early to mid-20th century, while the region's dialects (from Northumbrian to Geordie and Pitmatic) are heard in poems by Basil Bunting, William Martin, Tom Pickard, Katrina Porteous and Fred Reed. Other modern and contemporary poets and songwriters featured include Gillian Allnutt, Peter Armstrong, Peter Bennet, Robyn Bolam, George Charlton, Julia Darling, Richard Dawson, the Elliotts of Birtley, W.N. Herbert, Alan Hull, James Kirkup, Mark Knopfler, Barry MacSweeney, Sean O'Brien, Rodney Pybus, Kathleen Raine, Jon Silkin and Anne Stevenson, as well as poets who've spent time in the North-East, such as Fleur Adcock, David Constantine, Fred D'Aguiar, Frances Horovitz, Philip Larkin, Michael Longley and Carol Rumens, writing highly memorable poems in response to the place, its people and their stories. The book's introduction is in two parts, with Rodney Pybus covering the historical background and Neil Astley the last 50 years. This emphasises the importance of the oral tradition during the centuries when little written poetry of note was produced in the region. There are also fascinating commentaries on key historical figures by the late Alan Myers.
A new revision of the classic anthology presents 195 poets and 1,596 poems representing the range of English language modern and contemporary poetry.
"Re-Imagining Northeast Writings and Narratives: Language, Culture, and Border Identity" presents a collaborative effort to critically examine the concept of Northeast India, focusing on its linguistic, geographical, cultural, and social dimensions. Through a compilation of articles and essays, the volume delves into various aspects such as language, literature, culture, challenges, and the complexities of identity within the region. Each contribution offers detailed insights and findings, enhancing our understanding of Northeast India's diverse cultural landscape and the experiences of its people. By addressing themes of spatiality, movement, and responses to representations of the Northeast, the volume aims to deepen scholarly engagement with the region and stimulate discourse on its unique linguistic, cultural, and border dynamics. It serves as a valuable resource for researchers, scholars, and anyone interested in gaining a nuanced understanding of Northeast India and its intricate interplay of language, culture, and identity.
The book looks at the impact that the idea and institution of nationhood have had on the constituents of India in the contemporary postcolonial period. It provides a critical analysis through a variety of perspectives––historical, philosophical, literary, and gendered, and locates the nation and its “discontents”, along with its nationalist agenda firmly within the context of the contemporary perceived modernity. The book also engages with the colonial legacy that the ‘nation’ had to endure for two hundred years. It discusses key themes such as nationalism in the contemporary Indian context, the concept of Hindutva, Islam nationalism, and queer nationalism. An important contribution, this book will be of interest to students and scholars of India studies, Indian politics, Third World studies, postcolonial studies, gender studies, nation studies, and history.
Ramnika Gupta's Indigenous Writers Of India: Introduction And Contribution Vol.1: North-East India makes a valuable contribution in introducing literatis of North East who weave an amazing fabric with different hues and colors, patterns & symbolic motifs of the fascinating culture of the North East India
Routledge Readings on Northeastern India: Colonial Encounters, Customary Practices, Gender, Livelihoods presents some of the finest essays on a region that stretches across the Northeastern Himalaya, eight Indian States and many tribal and non-tribal peoples. With a lucid new Introduction, it covers a vast range of issues and offers a compelling guide to understanding the northeastern India, from colonial and missionary encounter to contemporary security and developmental issues in South Asia. The book covers several critical themes and unravels the complexities fraught by the unique biogeography and socio-political history of the region. The fifteen chapters in the volume, divided into three sections, examine gender, community: customary law and practices, land, agriculture, livelihoods, work, health, and education. This multi-disciplinary volume interweaves geography and history, culture and politics; the contested construction of identities, communities and nationalities; the political interplay of ethnicities and resource appropriation in a modernizing, globalizing economy; conflicts and violence in highly-militarized spaces. It includes engaged and insightful perspectives from major authors who have contributed to the academic and/or policy discourse of the subject. Routledge Readings on Northeastern India brings together a cluster of key readings to capture important research directions, policy suggestions, current trends, and aspects of history and future trajectories in the humanities and social sciences. It will serve as essential reading for students, scholars, policymakers, practitioners and the general reader interested in a nuanced understanding of India’s northeastern region, and especially those in South Asian studies, Northeast India studies, area studies, history, politics and international relations, labour studies, conflict and peace studies, gender studies, sociology and social anthropology. It will also appeal to those interested in public administration, development studies, environmental studies, law and human rights, regional literature, cultural studies, population studies, geography, and economics.
As well as representing many of the most important poets of the last 100 years, Strong Words charts many different stances and movements, from modernism to postmodernism, from futurism to the future theories of poetry.