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I wanted to write and speak with the voice of a child, dream like a child dreams, and fantasize like only a child can.I wanted to search the world over and look for differences in the children's stories. I wanted transient time and spaces and to traverse a world that only children understand.I wanted to speak the language of children in many different languages.And so I did it, with my stories.But in so doing, I too became a child; and like a child have learned. The lesson? Ho! Ever so simple: I learned that it is in the fantastic world of a child's dream that we find our soul, the true and pristine meaning of the word love.Such is the beauty and simplicity to be found in Anthology of a Childhood Dream. Stories for adults to read with children, stories for children to read on their own. Born in Italy, Urbano Salvati now resides in Las Vegas and works as an executive chef in Portland, Oregon. He believes true happiness comes from love and from good food. "There is a certain magic about children's stories that I have I always loved. I have always dreamed of beautifully written proses that will elicit in readers all of the best that our heart can produce. I believe that there is beauty in simplicity: That inspiration is all around us. I also believe that the greatest teacher is history."Publisher's Website: http: //sbpra.com/UrbanoSalvati
This anthology is a collection of fascinating dreams experienced by famous authors and their characters, drawn from various sources, including classical literature, novels, and poetry. Selections from the Brontë sisters, Dostoyevsky, Poe, Shakespeare, and other dreamers.
One day, Song Shuhang was suddenly added to a chat group with many seniors that suffered from chuuni disease. The people inside the group would call each other ¡®Fellow Daoist¡¯ and had all different kinds of titles: Palace Master, Cave Lord, True Monarch, Immortal Master, etc. Even the pet of the founder of the group that had run away from home was called ¡®monster dog¡¯. They would talk all day about pill refining, exploring ancient ruins, or share their experience on techniques. However, after lurking inside the group for a while, he discovered that not all was what it seemed...
What if your own father and his mistress were behind your mother¡¯s death? What if you were about to be sold off to a scumbag? What would you do? In the nick of time, a tall, rich, and handsome guy descended from the sky and came to her rescue with a piece of contract. Xin Qing glowered at the man before her. At first, she had thought of him as her Prince Charming. In the end, he turned out to be an evil demon. ¡°You¡¯re not allowed to go. You can only marry me!¡± the man said viciously to the woman who was about to leave. Xin Qing sneered. ¡°Isn¡¯t the ancestral behest the only reason you¡¯re keeping me around? I¡¯m just your tool,¡± she said. ¡°Who told you that?¡± said the man, his eyes filled with profound emotions. ¡°You¡¯re the mother of my child!¡±
"Some are single, some are married, some have kids, some do not, some are twenty-four, some are sixty-four...We are not straight out of high school living four more years of playfulness...some of us are in college to improve our future or the future of our children, many of us are changing an academic legacy by being the first in our families to graduate from college. Others are starting again after military service or making a new path out of a dead-end job or relationship..." "...I was tired of having spaghetti every night...sick of living in a dump of an apartment. The thought of having children was out of the question. I couldn't believe this was my life. An education was the only way to change that." "...Hearing those phrases "It's a girl" and "You may now kiss the bride" made me think, "I am now a wife and a mother...never again a student"." "The desks sure hadn't changed, but in the past 20 years, I sure had." Non-traditional students face challenges well beyond academia. In this anthology, adult learners share their personal journeys. Facing fears, overcoming obstacles, to graduation day, these stories will inspire anyone considering their own education endeavor.
In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. For the second edition of this volume a number of changes have been made. Elizabeth Gaskell’s “Our Society at Cranford” has been added, as has Anthony Trollope’s “A Turkish Bath.” Charles Dickens is now represented with a number of short selections. The selection of poems by D.G. Rossetti has been expanded considerably (the entire 1870 House of Life sequence is included), as has that by Michael Field. A selection of poems by two key figures who also appear in the anthology’s twentieth century volume (Thomas Hardy and W.B. Yeats) is also now included. Several of the Contexts sections in the volume have been expanded—notably “The Place of Women in Society,” which now includes material concerning the Contagious Diseases Acts) and “Britain, Empire, and a Wider World,” which now includes a section on the Great Exhibition of 1851. The volume will also include additional visual material—including four more pages of full color illustrations. Inevitably, some selections have been dropped from the bound book; these will all remain available, however, on the anthology’s website component. The most significant change in that direction is Dickens’s A Christmas Carol. As well as remaining available on the website, that work—like Hard Times, Great Expectations, and approximately 100 other titles from the Victorian period, is available as a stand-alone volume in the Broadview Editions series, and may be added (at little or no additional cost to the student) in a shrink-wrapped combination package.
Drawing on rare sources and archival material, Helen Barolini has here collected 56 works by Italian American women writers. The volume features: prose, poetry, one play and a large section of fiction.
Single volume edition of: Time for poetry, Time for fairy tales, and Time for true tales.