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Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.
God cares a great deal more about our money than most of us imagine. The sheer enormity of Scripture’s teaching on this subject screams for our attention. In fact, Jesus says more about how we are to view and handle money and possessions than about any other topic—including both heaven and hell. In Managing God's Money, Randy Alcorn breaks down exactly what the Bible has to say about how we are to handle our money and posessions in a simple, easy-to-follow format. Filled with Scripture references, Managing God's Money is the perfect reference tool for anyone who is interested in gaining a solid biblical understanding of money, possessions, and eternity.
“Waniek is a poet of intelligence, passion, and gentleness with a fine sense of the comic and unfailing judgment about what constitutes a poetic line. She creates a rich mixture of impressions about the speaker of these poems as a woman who is at the same time in her mid-twenties and her mid-fifties, who is black and white and red, who is both trapped by and freed by motherhood.” —Miller Williams Marilyn Nelson Waniek writes with great wisdom and compassion. Grounded but never earthbound, her poems speak honestly and eloquently about giving birth, nurturing life, and facing death; they inhabit the present, fully aware of their responsibilities to the past and the future. Waniek leaves us with the affecting strength and assurance of lasting things, as in the poem “Mama’s Promise.” But the dangerous highway curves through blue evenings when I hold his yielding hand and snip his minuscule nails with my vicious-looking scissors. I carry him around like an egg in a spoon, and I remember a porcelain fawn, a best friend’s trust, my broken faith in myself. It’s not my grace that keeps me erect as the sidewalk clatters downhill under my rollerskate wheels. Then I think of Mama, her bountiful breasts. When I was a child, I really swear, Mama’s kisses could heal. I remember her promise, and whisper it over my sweet son’s sleep: When you float to the bottom, child, like a mote down a sunbeam, you’ll see me from a trillion miles away: my eyes looking upon you, my arms outstretched for you like night. From “Mama’s Promise” published in Mama’s Promises by Marilyn Nelson. Copyright © 1985 by Marilyn Nelson Waniek. All rights reserved.
Comedy / Characters: 7 male, 5 female Set Requirements: Interior Produced in New York City. Three young men and three young women share an apartment in all innocence; they are would be stage folk and they are doing this for economic security. Their apartment is immediately above that of a Broadway producer who is about to cast a road company. They rehearse the play but how can they get him upstairs to see it? It happens that the producer is an amateur chef and, right in the middle of a culi
Examines the development of the Scrooge McDuck comics using the comic strips which have appeared in newspapers and comic books over the years.
This technical note reports on the attitude determination of Air Force Rocket No. A31.603 on which an ion emission experiment was performed. Two orthogonal magnetometers, one facing forward along the rocket spin axis and the other facing sideways, provide magnetic field component data. The bias-offset and scaling (signal conversion) factor are not given, but can be determined in a sinusoidal approximation. The algorithm used for generating magnetic pitch angles is discussed and an error analysis is provided. In a local vertical coordinate system, two sets of elevation angles are found for the tumbling rocket, and the set that satisfies an initial condition exactly is the correct one. The deviation of the rocket tumbling plane from the vertical plane can be determined at the times of closest encounter of the magnetic field vector and rocket vector. The deviation at all times can be approximately determined by sinusoidal curve fitting with tumbling frequency. The angles between the rocket vector and moonlight vector during the instants of moonviews at the onboard camera are also calculated. (Author).