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Another View is a study of revelation in which a fictional setting is used to explore revealed religion and its background. The fictional setting provides a narrative structure to what is otherwise a journey from the infinite past to the current situation as regards revelation in history and in philosophical/theological conceptual development. This book is not an exercise of exegesis but a source material is never treated lightly. Only the fictional setting has a patina of entertainment and some grounding in the world of solids. To wit, there are no footnotes—scholarship is not intrusive, but it does build the book.
In #1 New York Times bestselling author Rosamunde Pilcher’s Another View—now a major motion picture—a woman’s estrangement from her family affects her love life. There were only two men in Emma’s life—her father, a remote artist in Cornwall who left her in boarding school and saw her every few years, and Christo, who had been her stepbrother for a few months, and now wanted to get to know her. But until Emma can understand what she means to them, there will never be room for love.
These poems represent the musings of a man: an intelligent man, a world traveler, a man in his fifties going slightly mad from booze and grief and a perception of a world in a headlong rush to a future he does not understand and has no wish to. We know him only as "Tweed." But we're never sure whether he is speaking of Tweed himself, or Tweed as alter ego, and we see his world, perhaps our world, through his eyes. We wander with him in the past, sometimes in the present, and very rarely in the future. For him, there is no future, only the daily task of living it through, and this collection is a journey with him.
In April 1994, the Army War College and the Strategic Studies Institute hosted the Fifth Annual Strategy Conference. The theme of this year's conference was "The Revolution in Military Affairs (RMA): Defining an Army for the 21st Century." Jeffrey R. Cooper presented the following paper as part of an opening panel which sought to define the RMA. He urges defense planners to determine what strategic--as opposed to operational-- benefits might be derived from the RMA. He contends that making the internal reforms that will be required will be as challenging as coming to terms with the operational and strategic implications of the new technologies. The first requirement is to understand the parameters and dynamics of this particular revolution in military affairs. Mr. Cooper puts the RMA in historical perspective by discussing the relationships among technology, socioeconomic, and political change, and their implications for warfare during the Napoleonic era, the mid-19th century, and World Wars I and II. He argues that, in the past, dramatic technological change affected warfare in different ways. Mr. Cooper warns that by using the RMA to define a "technical legacy" we make three errors. First, such an approach could lead to a fruitless search for a "silver bullet" technology on which to build the RMA. Second, the focus on technology could shift attention away from the critical issues of purpose, strategy, doctrine, operational innovation, and organizational adaptation. Finally, committing the first two errors will compound the problem by wasting very scarce defense resources on new programs and projects which may have little or nothing to do with the strategic situation. Military professionals and defense planners alike need to remind themselves that while technology can provide new capabilities, the strategic equation is not necessarily driven by technological innovation.
This paper investigates the role of exchange rates in balance of payments theories. It explores the sixteen approaches to the balance of payments, the concept of an “equilibrium” trade balance and sequential “stages” of the current account. It examines fiscal and demographic influences on the U.S. deficit. The final section considers the breakdown of the international monetary system after World Wars I and II; an evaluation of alternative proposals to correct the defects of the system; and an examination of the extent to which deficits of reserve countries have their origins in systemic problems.
Roberto Benigni's romantic comedy Life is Beautiful enjoyed tremendous success everywhere it was shown. In addition to winning almost every possible film award, including three Oscars, lavish praise and film reviews, it grossed over a quarter of a billion dollars—the most profitable Italian movie ever. Very few have questioned the movie—until now. With sharp, uncompromising logic and eye-opening insight, Niv analyzes the film and its script scene-by-scene to show why Life is Beautiful is very far from being the innocent, charming, and heartwarming film it appears to be. The author argues that the film not only lends support to the central arguments of Holocaust deniers, but is actually a quasi-theological, Christian parable which seeks to justify the extermination of Jews in the 20th century as divine punishment for the sin of the crucifixion of Jesus two thousand years ago. Life is Beautiful, But Not for Jews is a riveting book that simply and concisely raises some important and complex ideas about film and psychology in post-Holocaust civilization. It also serves as an elementary course in the appreciation of films and artistic texts in general and in deciphering their deeper meanings, teaching the reader to more clearly grasp the hidden significance of cultural processes. This is the first English translation of the Hebrew text.
This book offers readers a comprehensive introduction to the economy of attention from the perspective of the basic motive of the pursuit of attention: self-esteem. As a jumping-off point, it states the stark equation at the heart of this economy— that the self-esteem one can afford depends on one’s income of appreciative attention. The information markets in which participants compete to play a role in the consciousness of others are described as ‘vanity fairs’. Since the pursuit of self-esteem is highly effective when it comes to mobilizing human energies, vanity fairs are not just playgrounds of individual passions, but have been utilized by society since time immemorial as markets for particularly challenging demands. Starting with an analysis of the interface that connects the social economy of attention with the intra-psychic economy of self-esteem, the book then examines two main cases in point: modern science and the post-modern media culture. On the one hand we have scientists working for a ‘wage of fame’, who invest their own attention into getting the attention of others. On the other, today’s dominant media have left the sale of information behind to focus solely on the attraction of attention, which is sold as a service to the advertising industry. In each case the use of attention as a means of payment is key to its phenomenal success. But success comes at a price: the dark side of this monetization of attention is a kind of ’climate change’ in the collective mental sphere which threatens the very existence of our social fabric.
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