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Gathers the best work of flourishing but often-neglected avant-garde southern poets Another South is an anthology of poetry from contemporary southern writers who are working in forms that are radical, innovative, and visionary. Highly experimental and challenging in nature, the poetry in this volume, with its syntactical disjunctions, formal revolutions, and typographic playfulness, represents the direction of a new breed of southern writing that is at once universal in its appeal and regional in its flavor. Focusing on poets currently residing in the South, the anthology includes both emerging and established voices in the national and international literary world. From the invocations of Andy Young’s “Vodou Headwashing Ceremony” to the blues-informed poems of Lorenzo Thomas and Honorée Jeffers, from the different voicings of John Lowther and Kalamu ya Salaam to the visual, multi-genre art of Jake Berry, David Thomas Roberts, and Bob Grumman, the poetry in Another South is rich in variety and enthusiastic in its explorations of new ways to embody place and time. These writers have made the South lush with a poetic avant-garde all its own, not only redefining southern identity and voice but also offering new models of what is possible universally through the medium of poetry. Hank Lazer’s introductory essay about “Kudzu textuality” contextualizes the work by these contemporary innovators. Like the uncontrollable runaway vine that entwines the southern landscape, their poems are hyperfertile, stretching their roots and shoots relentlessly, at once destructive and regenerative. In making a radical departure from nostalgic southern literary voices, these poems of polyvocal abundance are closer in spirit to "speaking in tongues" or apocalyptic southern folk art—primitive, astonishing, and mystic.
Yarbrough examines the life and career of Judge J. Waties Waring, a southern segregationist who in 1945 turned civil rights advocate, and assesses the controversy and motivating forces behind this seminal figure in the civil rights movement.
East Asian Screen Industries is a guide to the film industries of Japan, South Korea, Taiwan, Hong Kong and the PRC. The authors examine how local production has responded to global trends and explore the effects of widespread de-regulation and China's accession to the World Trade Organisation.
I read this book based on my reading of General Walker and the Murder of President Kennedy by Dr. Jeffry Caulfield. As portrayed in the Caulfield book, Dombrowski was in the eye of the segregationist hurricane which swept the South in the 1950's and 1960's following the Brown decision by the Supreme Court. This book gives a different perspective on the civil rights movement in the South. Such classics as Where Rebels Roost by Susan Klopfer and Gothic Politics in the Deep South by Robert Sherrill tend to give a condescending attitude toward the South. By contrast, Dombrowski describes a different version of events, a version which shows that the "behind the scenes" activities for Southern liberalization were very methodical and proceeded at a businesslike pace and with very steady progress all the way from the New Deal right up until the more radical 1970's. The book makes a case that, if there were actually such a thing as The New South, then Dombrowski had a very strong case for its paternity. Dombrowski, as many may already know, had close personal links to Justice Hugo Black of Alabama who was himself a pioneer of a more open-minded attitude to the race problem in the South.