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On New Year Eve 2013, Pittsburgh Cobras co-coaches Annie Vaughn and Karen Gettinger were just two girls sitting in a reconstructed bar at Pittsburgh's South Side reflecting on the 2013 season of the American Little Ladies Basketball League. The ALLBL, a professional basketball league for 12-year-old girls, was still popular, completing its third season with four new teams. Over 200 girls were living the dream as professional basketball players, making money, traveling all around the country and playing games at 8 o'clock at night and shooting for a trip to the Ladies Cup at Knoxville, Tennessee. While counting down to the New Year, Annie and Karen talked about stories that include Hannah Storms interview with ALLBL president/founder Scottie Rogers, the league's first ever Midnight Madness game, trailer trash triplets moving from Minnesota to Florida to join the Tampa Bay Trojans, a steamy love affair between a head coach and general manager in Des Moines that ended on a sad note, Las Vegas Lions coach Jenny Hendricks' road as born again evangelist and the Birmingham Wildcats still having that "girl power" as 8-year-old Carol Swank comes back for another year as cheerleader. It was just another exciting year in the ALLBL.
Stuck with little money and divorced, rising media star Grace Stanton moves in with her widowed mother and attends court-mandated group therapy where she bonds with three fellow patients who she helps plot respective pursuits of justice and closure.
Amp Anthony is strong-willed, ruggedly handsome, with a body that women will pay just to look at. He is also a recently freed felon. It's not easy to make things whole again under the rules of the halfway house to which he's been released, especially since his parole officer would like nothing more than to send him back to prison. Amp is bound and determined to make sure that will never happen. Like most felons, Amp has a hell of a time finding and keeping a job because of his record. When all else fails, he uses his body, letting women look for a price. If they're willing to pay more, they can even touch. Under the supervision of savvy club owner Madam Fox, Amp becomes one of the hottest male exotic dancers at Club Eden. Everything is strictly business until the club's attractive female DJ catches Amp's attention. Will either one of them be able to avoid the taboo of mixing business with pleasure? Ladies Night is an intense, thrilling, scandalous, and, at times, funny look at the transition of Amp Anthony from ex-con to exotic dancer, as he struggles to put the pieces of his life back together and escape the past that put him in prison in the first place.
From the "Essence" bestselling author of "Paper Chasers" comes an unforgettable urban tale about a young girl who gets caught up in the game . . . until it's almost too late.
Ladies' Night is a non-stop rollercoaster ride of sheer nerve rattling terror, previously deemed too violent for mass market publication. In this modern tale of the ages-old battle of the sexes carried to the extreme, Jack Ketchum again provides readers with an excursion into horror as relentless as a John Woo film. Tom Braun and his wife Susan aren't exactly a picturesque couple. Thus it comes as no surprise that Tom continually spends late evenings in bars and cheats on his wife. Unfortunately, their son Andy is caught in the middle of his parent's childish banter and family chaos. One life-altering evening turns this family's, along with most of New York's, perceptions on the nuclear family and male/female relationships upside down. When a tanker trunk with "Ladies Inc." emblazoned on the side crashes in a quiet area in New York, an area it doesn't have authorization to be in, it liberally spills its contents all over the road and into the surrounding atmosphere. The local authorities deem the contents of the spill to be safe, based merely on the assumption that products coming from a women's label are more than likely benign. Moreover, the smell emanating from the spill is one of sweet cherry, similar to lollipops, which must of course be harmless if not favorable. This aforementioned assumption proves fatally incorrect. The chemical load the truck was hauling procures a discomfiting, bestial effect in women, forcing them to savagely attack males in their vicinity. Be they former friend or foe. Tom, while at a local bar, absorbs the evening's strange turn of events with traumatizing clarity as he witnesses first hand the metamorphosis of surrounding women into gruesomely instinctual brutes and mantis-like predators. He must get home to his son Andy, who is currently alone with his wife Susan. Hopefully before it is too late.
From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings "An undeniable success.” — The New York Times Book Review A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breath­takingly daring and wholly in command of his craft.
Each story stands alone but also makes up the vivid picture of life in Dublin's newly refurbished Finbar's Hotel . . . funny and poignant' Sunday Mirror 'Finbar's Hotel is back, this time with a stellar cast of women writers and a lick of paint . . . But what's it all about? Well, it would be all too easy to give the game away, so let's just say that there's a hilarious reworking of the old immaculate conception theme, a bittersweet confrontation between a daughter and her loopy father, a poignant encounter involving a long-married couple, and a cracking finish . . . it doesn't matter who wrote what: together they've produced a playful, light, highly entertaining book' Irish Times 'Beneath the humour, whimsy and outright craziness, Ladies' Night at Finbar's Hotel hits at the shallowness of current social pretensions and offers a cautious optimism about women's lives today' Times Literary Supplement
A New York Times Notable Book for 2011 Since the 1960s, ideas developed during the civil rights movement have been astonishingly successful in fighting overt discrimination and prejudice. But how successful are they at combating the whole spectrum of social injustice-including conditions that aren't directly caused by bigotry? How do they stand up to segregation, for instance-a legacy of racism, but not the direct result of ongoing discrimination? It's tempting to believe that civil rights litigation can combat these social ills as efficiently as it has fought blatant discrimination. In Rights Gone Wrong, Richard Thompson Ford, author of the New York Times Notable Book The Race Card, argues that this is seldom the case. Civil rights do too much and not enough: opportunists use them to get a competitive edge in schools and job markets, while special-interest groups use them to demand special privileges. Extremists on both the left and the right have hijacked civil rights for personal advantage. Worst of all, their theatrics have drawn attention away from more serious social injustices. Ford, a professor of law at Stanford University, shows us the many ways in which civil rights can go terribly wrong. He examines newsworthy lawsuits with shrewdness and humor, proving that the distinction between civil rights and personal entitlements is often anything but clear. Finally, he reveals how many of today's social injustices actually can't be remedied by civil rights law, and demands more creative and nuanced solutions. In order to live up to the legacy of the civil rights movement, we must renew our commitment to civil rights, and move beyond them.
For estranged friends Ashley, Natalie, and Lauren, it's time to heal the old wounds between them. Where better to repair those severed ties than on a getaway to the beautiful paradise of Tulum, Mexico? But even after they're reunited, no one is being completely honest about the past or the secrets they're hiding. When Ashley disappears on their girls' night out, Natalie and Lauren have to try to piece together their hazy memories to figure out what could have happened to her, while also reconciling their feelings of guilt over their last moments together.
NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE “A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.