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Beginning from the notion of finite life, Another Finitude takes this staple subject from post-Heideggerian philosophy and opposes it to the onto-theological concept of infinity, represented by an eternal absolute. Although critical of Heidegger and his definition of finitude as 'being-towards-death', this book does not revert to the ontological idea of infinity secured in the sacred image of immortality. But it also does not want to give up on infinity altogether; the infinite is transposed, so it can become a necessary moment of the finite life. A theological framework for the new elaboration of the concept of finitude is crucial; but instead of following the Lutheran formula, Agata Bielik-Robson turns to the sources of Judaism. Taking inspiration from the Jewish idea of torat hayim, the principle of finite life, which found the best expression in the biblical sentence: love strong as death; love emerges as the alternative marker of finitude, allowing to us redefine it in an affirmative way. By tracing the avatars of love in the group of 20th-century thinkers, or 'messianic vitalists'–Benjamin, Rosenzweig, Arendt, Derrida, and (deeply revised) Freud–the book attempts to demonstrate the possibility of such affirmation. Love becomes the new 'infinite-in-the-finite'; love in all its forms, from the original libidinal endowment of the human psyche to the last metamorphoses of agape, the Greco-Christian divine love.
Philosophers are accustomed to thinking about human existence as finite and deathbound. Anne O'Byrne focuses instead on birth as a way to make sense of being alive. Building on the work of Heidegger, Dilthey, Arendt, and Nancy, O'Byrne discusses how the world becomes ours and how meaning emerges from our relations to generations past and to come. Themes such as creation, time, inheritance, birth and action, embodiment, biological determinism, and cloning anchor this sensitive and powerful analysis. O'Byrne's thinking advances and deepens important discussions at the intersections of feminism, continental philosophy, philosophy of religion, and social and political thought.
Suspending the distinction between headline news and high theory, Avital Ronell examines the diverse figures of finitude in our modernity: war, guerrilla video, trauma TV, AIDS, music, divorce, sadism, electronic tagging, rumor. Her essays address such questions as, How do rumors kill? How has video become the conscience of TV? How have the police come to be everywhere, even where they are not? Is peace possible? “[W]riting to the community of those who have no community—to those who have known the infiniteness of abandonment,” her work explores the possibility, one possibility among many, that “this time we have gone too far”: “One last word. It is possible that we have gone too far. This possibility has to be considered if we, as a species, as a history, are going to get anywhere at all.”
Robert R. Williams offers a bold new account of divergences and convergences in the work of Hegel and Nietzsche. He explores four themes - the philosophy of tragedy; recognition and community; critique of Kant; and the death of God - and explicates both thinkers' critiques of traditional theology and metaphysics.
After Finitude provides readings of the history of philosophy and sets out a critique of the unavowed fideism at the heart of post-Kantian philosophy. Author Quentin Meillassoux introduces a philosophical alternative to the forced choice between dogmatism and critique. After Finitude proposes a new alliance between philosophy and science and calls for an unequivocal halt to the creeping return of religiosity in contemporary philosophical discourse.
Examining the legacies of Heidegger, along with Derrida, Levinas and Nietzsche, Rafael Winkler argues that it is not the search for truth or even contradictions that stimulates philosophical thought. Instead, it is our exposure to the unthinkable or the impossible – to thought's own limits. An experience of the unthinkable is possible in our encounter with the uniqueness of death, the singularity of being, and of the self and the other. This 'thinking of finitude' also has political implications, as it provides us with a way to talk about, and evaluate, absolute strangeness and, by implication, the absolute stranger or foreigner. Illuminating Heidegger's writings on the question of ontology, ethics and history, Winkler proves that this encounter with thought's limits is one of the mainstays of the philosophies of difference of Heidegger, Levinas, and Nietzsche.
This book probes the relationship between Martin Heidegger and theology in light of the discovery of his Black Notebooks, which reveal that his privately held Antisemitism and anti-Christian sentiments were profoundly intertwined with his philosophical ideas. Heidegger himself was deeply influenced by both Catholic and Protestant theology. This prompts the question as to what extent Christian anti-Jewish motifs shaped Heidegger’s own thinking in the first place. A second question concerns modern theology’s intellectual indebtedness to Heidegger. In this volume, an array of renowned Heidegger scholars – both philosophers and theologians –investigate Heidegger’s animosity toward the biblical legacy in both its Jewish and Christian interpretations, and what it means for the future task and identity of theology.
Takes Heidegger’s later thought as a point of departure for exploring the boundaries of post-conceptual thinking.
In his philosophical project, aesthetic orientation and political leanings, Alain Badiou is a product of, and a leading advocate for, European modernism. From the milieu of May 1968 to the contemporary 'postmodern' ethos, Badiou returns, time and again, to avant-garde modernist texts – aesthetic, political, philosophical and scientific – as inspiration for his response to present situations. Drawing upon disciplines as varied as architecture, cinema, theatre, music, history, mathematics, poetry and philosophy, Understanding Badiou, Understanding Modernism shows how Badiou's contribution to philosophy must be understood within the context of his decades-long conversation with modernist thinking. As with other volumes in the series, Understanding Badiou, Understanding Modernism follows a three part structure. The first section explores Badiou's readings of aesthetic, political and scientific modernities; both introducing his system and pointing to how Badiou offers manifold readings of modernism. The middle portion of the book connects Badiou's thought with the various strands of aesthetic, philosophical, amorous and political modernisms in relation to which it can be extended. The final section is a glossary of key concepts and categories that Badiou uses in his interface with modernism.