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The son of a convicted bank robber and con artist describes their complicated relationship, relating how his father, while in jail, sent the author letters throughout his childhood and turned up in a Boston homeless shelter where the author was a caseworker.
A searing memoir on how childhood spills into parenthood from the critically acclaimed author of Another Bullshit Night in Suck City. When Nick Flynn was seven years old, his mother set fire to their house. The event loomed large in his imagination for years, but it’s only after having a child of his own that he understands why. He returns with his young daughter to the landscape of his youth, reflecting on how his feral childhood has him still in its reins, and forms his memories into lyrical bedtime stories populated by the both sinister and wounded Mister Mann. With the spare lyricism and dark irony of his classic, Another Bullshit Night in Suck City, Flynn excavates the terrain of his traumatic upbringing and his mother’s suicide. This Is the Night Our House Will Catch Fire unravels the story of the fire that Flynn had to escape, and the ways in which, as an adult, he has carried that fire with him until it threatens to burn down his own house. Here Nick confronts his failings with fierce candor, even as they threaten to tear his family apart. His marriage in crisis, Flynn seeks answers from his therapist, who tells him he has “the ethics of a drowning man.” This Is the Night Our House Will Catch Fire takes us on the journey of a man struggling to hold himself together in prose that is raw and moving, sharp-edged and wry. Alternating literary analysis and philosophy with intimate memoir, Flynn probes his deepest ethical dilemmas.
Winner of a "Discovery"/The Nation Award Winner of the 1999 PEN/Joyce Osterweil Award for Poetry Some Ether is one of the more remarkable debut collections of poetry to appear in America in recent memory. As Mark Doty has noted, "these poems are more than testimony; in lyrics of ringing clarity and strange precision, Flynn conjures a will to survive, the buoyant motion toward love which is sometimes all that saves us. Some Ether resonates in the imagination long after the final poem; this is a startling, moving debut."
"A beautiful, intelligent book that renders pain both ordinary and extraordinary into art."—Susanna Sonnenberg, San Francisco Chronicle In 2007, during the months before Nick Flynn’s daughter’s birth, his growing outrage and obsession with torture, exacerbated by the Abu Ghraib photographs, led him to Istanbul to meet some of the Iraqi men depicted in those photos. Haunted by a history of addiction, a relationship with his unsteady father, and a longing to connect with his mother who committed suicide, Flynn artfully interweaves in this memoir passages from his childhood, his relationships with women, and his growing obsession—a questioning of terror, torture, and the political crimes we can neither see nor understand in post-9/11 American life. The time bomb of the title becomes an unlikely metaphor and vehicle for exploring the fears and joys of becoming a father. Here is a memoir of profound self-discovery—of being lost and found, of painful family memories and losses, of the need to run from love, and of the ability to embrace it again.
The newest collection from Nick Flynn, whose “songs of experience hum with immediacy” (The New York Times) Beginning with a poem called “Confessional” and ending with a poem titled “Saint Augustine,” Nick Flynn's I Will Destroy You interrogates the potential of art to be redemptive, to remake and reform. But first the maker of art must claim responsibility for his past, his actions, his propensity to destroy others and himself. “Begin by descending,” Augustine says, and the poems delve into the deepest, most defeating parts of the self: addiction, temptation, infidelity, and repressed memory. These are poems of profound self-scrutiny and lyric intensity, jagged and probing. I Will Destroy You is an honest accounting of all that love must transcend and what we must risk for its truth.
Lacy Johnson's rich and poetic memoir, The Other Side, chronicles her brutal kidnapping and imprisonment at the hands of an ex-boyfriend, her dramatic escape, and her hard-fought struggle to recover. Lacy Johnson bangs on the glass doors of a sleepy local police station in the middle of the night. Her feet are bare; her body is bruised and bloody; U-bolts dangle from her wrists. She has escaped, but not unscathed. The Other Side is the haunting account of a first passionate and then abusive relationship; the events leading to Johnson’s kidnapping, rape, and imprisonment; her dramatic escape; and her hard-fought struggle to recover. At once thrilling, terrifying, harrowing, and hopeful, The Other Side offers more than just a true crime record. In language both stark and poetic, Johnson weaves together a richly personal narrative with police and FBI reports, psychological records, and neurological experiments, delivering a raw and unforgettable story of trauma and transformation.
A memoir of addiction and grief, forgiveness, and survival from a poet who recovers from alcoholism only after she sees her child die of leukemia.
Stay brings together nearly thirty years of work (poetry, memoir, essays, interviews, plays, film), in a mixed-media retrospective that shows nothing is created in isolation. Threads in the artist's life are presented alongside many of the artistic collaborations that have led to--or come out of--his own work, including a selection of images from an ongoing daily collage practice, which Flynn considers a type of meditation. Like Flynn's life, Stay is populated by examples of his collaborations with artists he has worked with since the 1980s: Amy Arbus, John Baldessari, Guy Barash, William Blake, Robert De Niro (performance), Marilyn Minter (photograph), Josh Neufeld (comic art), Catherine Opie (photograph), Sarah Sentilles (drone alert sutras), Bill Shuck (installation), Paul Weitz (film). A full color, hardcover edition, Stay is a wide-ranging and personal journey through the public and private spaces of an artist at the peak of his powers.
New poetry by the acclaimed writer Nick Flynn, author of Another Bullshit Night in Suck City and The Ticking Is the Bomb electrocution, no—the boy stood in the hot-hot room stammering I did stammering I did stammering I did stammering I did stammering everything you say I did I did. —from "Fire" The Captain Asks for a Show of Hands is Nick Flynn's first new poetry collection in nearly a decade. What begins as a meditation on love and the body soon breaks down into a collage of voices culled from media reports, childhood memories, testimonies from Abu Ghraib detainees, passages from documentary films, overheard conversations, and scraps of poems and song, only to reassemble with a gathering sonic force. It's as if all the noise that fills our days were a storm, yet at the center is a quiet place, but to get there you must first pass through the storm, with eyes wide open, singing. Each poem becomes a hallucinatory, shifting experience, through jump cut, lyric persuasion, and deadpan utterance. This is an emotional, resilient response to some of the essential issues of our day by one of America's riskiest and most innovative writers.
Award-winning poet Nick Flynn takes readers into the dangerous and irresistible center of the hive I sit in a body & think of a body, I picture Burnens' hands, my words make them move. I say, plunge them into the hive, & his hands go in.-from "Blind Huber" Blindness does not deter François Huber-the eighteenth-century beekeeper-in his quest to learn about bees through their behavior. Through an odd, but productive arrangement, Huber's assistant Burnens becomes his eyes, his narrator as he goes about his work. In Nick Flynn's extraordinary new collection, Huber and Burnens speak and so do the bees. The strongest virgin waits silently to kill the other virgins; drones are "made of waiting"; the swarm attempts to protect the queen. It is a cruel existence. Everyone sacrifices for the sweet honey, except the human hand that harvests it all in a single afternoon. Blind Huber is about the body, love, and devotion and also about the limits of what can be known and what will forever be unknown. Nick Flynn's bees and keepers-sometimes in a state of magnificent pollen-drunk dizziness-view the world from a striking and daring perspective.