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Paul Hedley Jones presents a coherent reading of 1 Kings 13 that is attentive to literary, historical and theological concerns. Beginning with a summary and evaluation of Karl Barth's overtly theological exposition of the chapter – as set out in his Church Dogmatics – Jones explores how this analysis was received and critiqued by Barth's academic peers, who focused on very different questions, priorities and methods. By highlighting substantive material in the text for further investigation, Jones sheds light on a range of hermeneutical issues that support exegetical work unseen, and additionally provides a wider scope of opinion into the conversation by reviewing the work of other scholars whose methods and priorities also diverge from those of Barth and his contemporaries. After evaluating four additional in-depth readings of 1 Kings 13, Jones presents a more theoretical discussion about perceived dichotomies in biblical studies that tend to surface regularly in methodological debates. This volume culminates with Jones' original exposition of the chapter, which offers an interpretation that reads 1 Kings 13 as a narrative analogy, where the figure of Josiah functions as a hermeneutical key to understanding the dynamics of the story.
This book is an examination of characters in the books of Kings; showing how understanding and interpretation of key characters affects readings of the story. The volume begins with more general pieces addressing how the study of characters can shed light on the composition history of Kings and on how characters and characterization can be considered with respect to ethics, particularly with respect to the moral complexity of biblical characters. Contributors then consider key characters within the Kings narrative in depth, such as Nathan, Bathsheba, Solomon and Jezebel. The contributors use their own specific expertise to analyze these characters and more, drawing on insights from literary theory and considering such approaches as questioning our view of a particular character with based on the character within the text with whom we identify. Contributors also assess whether or not characters as portrayed in the biblical text necessarily match up to their possible counterparts in history.
This book surveys the current landscape of Old Testament studies, offering readers a concise guide to contemporary academic discussions. Bringing together a diverse group of experts, it provides an informed introduction to the many fields of Old Testament research by recognized scholars, presents basic questions in each subfield, surveys the primary methods of answering these questions, engages prominent solutions, and evaluates relevant and up-to-date resources. It is an extensive guide to current research and an ideal supplemental textbook for a variety of courses on the Old Testament. Contributors include Samuel Boyd, Mark Brett, Aubrey Buster, M. Daniel Carroll R., Stephen Chapman, Stephen L. Cook, Matthew Coomber, Katherine Davis, Katharine Dell, Stephen Dempster, Christopher J. Fresch, Diedre Fulton, Rachelle Gilmour, Jamie Grant, H. H. Hardy II, Ralph Hawkins, Richard S. Hess, John W. Hilber, Brad E. Kelle, Will Kynes, David Lamb, Bo Lim, Drew Longacre, Tremper Longman III, Sandra Richter, Ken Ristau, Jordan Ryan, Cynthia Shafer-Elliott, Jason M. Silverman, Brent A. Strawn, C. A. Strine, Heath Thomas, Daniel Timmer, and Eric J. Tully.
Works created in the period from the Babylonian conquest of Judea through the takeover and rule of Judea and Samaria by imperial Persia reveal a profound interest in the religious responses of individuals and an intimate engagement with the nature of personal experience. Using the rich and varied body of literature preserved in the Hebrew Bible, Susan Niditch examines ways in which followers of Yahweh, participating in long-standing traditions, are shown to privatize and personalize religion. Their experiences remain relevant to many of the questions we still ask today: Why do bad things happen to good people? Does God hear me when I call out in trouble? How do I define myself? Do I have a personal relationship with a divine being? How do I cope with chaos and make sense of my experience? What roles do material objects and private practices play within my religious life? These questions deeply engaged the ancient writers of the Bible, and they continue to intrigue contemporary people who try to find meaning in life and to make sense of the world. The Responsive Self studies a variety of phenomena, including the use of first-person speech, seemingly autobiographic forms and orientations, the emphasis on individual responsibility for sin, interest in the emotional dimensions of biblical characters, and descriptions of self-imposed ritual. This set of interests lends itself to exciting approaches in the contemporary study of religion, including the concept of “lived religion,” and involves understanding and describing what people actually do and believe in cultures of religion.
1 and 2 Kings, like each volume in the Brazos Theological Commentary on the Bible, is designed to serve the church--through aid in preaching, teaching, study groups, and so forth--and demonstrate the continuing intellectual and practical viability of theological interpretation of the Bible.
Using a canonical-agrarian approach, Stulac demonstrates the rhetorical and theological contribution of the Elijah narratives to the Book of Kings.
Who were the prophets of Israel? Historically spoken the prophets have become elusive personalities. In this volume they are rediscovered as literary characters drawn by the gifted artists and theologians who shaped the prophetic books of the Old Testament.
In this book Helen Paynter offers a radical re-evalution of the central section of Kings. Reading with attention to the literary devices of carnivalization and mirroring, she demonstrates that it contains a florid satire on kings, prophets and nations. Building on the work of humorists, literary critics and biblical scholars, the author constructs diagnostic criteria for carnivalization (seriocomedy), and identifies an abundance of these features within the Elijah/Elisha and Aram narratives, showing how literary mirroring further enhances their satirical effect. This book will be of particular interest to students and scholars concerned with the Hebrew Bible as literature but will be valued by those who favour more historical approaches for its insights into the Hebrew text.
The Israelite prophets as historical persons, as literary characters and as anonymous artists. Whereas modern methods of literary analysis have brought the artistic qualities of the books of the Prophets increasingly into focus during the past century, various modes of deconstruction have made the historical prophets themselves an ever more elusive phenomenon. Passages in the Old Testament describing their work and experiences are not read as biography anymore, but as literary fiction intended to picture the prophets as heroes of faith. The real ‘prophets’ were the anonymous artists who were responsible for the final editing of the legacy of the historical prophets and who often used the authority of their predecessors to promulgate their own theological views. This volume brings together studies about this theme by members of the British and Dutch societies for Old Testament study. Attempts to recover some of the biographical data and authentic experiences of the prophets alternate with penetrating analyses of the theological depth and stylistic virtuosity of the prophetic books.The volume will be particularly useful to all those interested in the interpretation of the prophetic books of the Old Testament.
In this study, Blake Wassell applies new Roman and Jewish contexts to a Johannine ambiguity, which is Pilate declaring Jesus both innocent and guilty of making himself King of the Ἰουδαῖοι. Pilate repeats that he finds in Jesus no basis for the accusation, and yet he also writes the content of the accusation in the inscription on the cross. The paradox leads readers into another paradox: the Ἰουδαῖοι make themselves the accused as they make the accusation, and Jesus conquers as he is conquered. The author analyses how they destroy the temple of his body, so that he can raise it and how they exalt him, so that he can reveal himself.