Download Free Annual Report Of The University Of Mysore Book in PDF and EPUB Free Download. You can read online Annual Report Of The University Of Mysore and write the review.

This book provides an account of the organisation, practices and history of the Daśanāmī-Saṃnyāsīs, one of the largest sects of sādhu-s (‘holy men’) in South Asia, founded, according to tradtion, by the legendary philosopher Śaṅkarācārya.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. How did the patronage activities of India’s Vijayanagara Empire (c. 1346–1565) influence Hindu sectarian identities? Although the empire has been commonly viewed as a Hindu bulwark against Islamic incursion from the north or as a religiously ecumenical state, Valerie Stoker argues that the Vijayanagara court was selective in its patronage of religious institutions. To understand the dynamic interaction between religious and royal institutions in this period, she focuses on the career of the Hindu intellectual and monastic leader Vyasatirtha. An agent of the state and a powerful religious authority, Vyasatirtha played an important role in expanding the empire’s economic and social networks. By examining his polemics against rival sects in the context of his work for the empire, Stoker provides a remarkably nuanced picture of the relationship between religious identity and sociopolitical reality under Vijayanagara rule.
This contextual study of narrative reliefs depicting Hindu epics and puranas on specific South Indian Hoysal a temples provides a detailed exposition of narrative episodes paired with photographs, illustrating and reviewing the stories and exploring techniques of Indian visual narrative.
This volume is a detailed exposition of the visual retellings from the Rāmāyaṇa, Mahābhārata and Bhāgavata Purāṇa on specific South Indian Hoysaḷa temples. The first part of the book deals with the Amṛteśvara temple, particularly its narrative panels depicting the Rāmāyaṇa, Mahābhārata and Bhāgavata Purāṇa. The text is a résumé of episodes paired with photographs which illustrate and review the visual retellings and explore Indian techniques of visual narrative. Corollary material from other Hoysaḷa temples with narrative reliefs, including new sites, is presented in the second part. There are very few published contextual studies of Indian narrative sculptures, and so the book is a contribution to the documentation of Indian medieval art, examining visual narratives within the context of the Hindu temple. The book is illustrated with 150 photographs.
Reports for 1958-1970 include catalogues of newspapers published in each state and Union Territory.