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Sullivanesque offers a visual and historical tour of a unique but often overlooked facet of modern American architecture derived from Louis Sullivan.Highly regarded in architecture for inspiring the Chicago School and the Prairie School, Sullivan was an unwilling instigator of the method of facade composition--later influenced by Frank Lloyd Wright, William Gray Purcell, and George G. Elmslie--that came to be known as Sullivanesque. Decorative enhancements with botanical and animal themes, Sullivan's distinctive ornamentation mitigated the hard geometries of the large buildings he designed, coinciding with his "form follows function" aesthetic.Sullivan's designs offered solutions to problems presented by new types and scales of buildings. Widely popular, they were also widely copied, and the style proliferated due to a number of Chicago-based interests, including the Radford Architectural Company and several decorative plaster and terra-cotta companies. Stock replicas of Sullivan's designs manufactured by the Midland Terra Cotta Company and others gave distinction and focus to utilitarian buildings in Chicago's commercial strips and other confined areas, such as the downtown districts of smaller towns. Mass-produced Sullivanesque terra cotta endured as a result of its combined economic and aesthetic appeal, blending the sophistication of high architectural art with the pragmatic functionality of building design.Masterfully framed by the author's photographs of Sullivanesque buildings in Chicago and throughout the Midwest, Ronald E. Schmitt's in-depth exploration of the Sullivanesque tells the story of its evolution from Sullivan's intellectual and aesthetic foundations to its place as a form of commercial vernacular. The book also includes an inventory of Sullivanesque buildings.Honorable Mention recipient of the 2002 PSP Awards for Excellence in Professional/Scholarly Publishing
During the past decade there has been a tremendous growth in daylighting analysis methods, allowing designers to meet ever higher standards. But in relying too heavily on these methods, there is a risk of reducing daylighting design to a quantitative exercise, overlooking the qualitative, aesthetic, and experiential aspects of design. This book reveals how architects have bridged the poetic and practical potential of daylighting to create exquisitely illuminated spaces. In the book, 12 buildings are examined, using photographs, drawings, and plans. Each case study also includes technical analysis diagrams, specially created using specialist software. Featured architects include Renzo Piano, David Chipperfield, and Steven Holl. The Art of Architectural Daylighting will be invaluable for professionals and students alike.
R. Buckminster Fuller kept a basic biography at his office for official purposes. This is that document.
"Why do affluent, liberal, and design-rich cities like Minneapolis have some of the biggest racial disparities in the country? How can designers help to create more equitable communities? Introduction to Design Equity, an open access book for students and professionals, maps design processes and products against equity research to highlight the pitfalls and potentials of design as a tool for building social justice."-- from https://open.lib.umn.edu/designequity/
Complex Housing introduces an architectural type called complex housing, common to the Netherlands and found in other Northern European countries. Eight fully illustrated case studies show successful approaches to designing for density, which reflect values such as long-term planning, a right to housing, and access to light and air. The case studies demonstrate a wide range of applications including a mixture of urban and suburban sites, various numbers of dwelling units, low- to high-density approaches, different architectural styles, and organizational strategies that can be adopted in projects elsewhere. More than 350 color images.
Reports for 1980-19 also include the Annual report of the National Council on the Arts.