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This volume investigates the plots of the Genesis stories. Rather than fragmenting Genesis into hypothetical sources and reading each in isolation from the others, as has often been the case in scholarship, this final-form reading exposes the coherence and complexity of the book. In particular, the initial announcements of plot, prefacing each major block of the book are shown to exercise an intimate yet surprising influence over the narratives they govern. The seemingly naive stories of Genesis, when read wholistically, offer profound insights into the interplay between divine providence and human free will.
This volume investigates the plots of the Genesis stories. Rather than fragmenting Genesis into hypothetical sources and reading each in isolation from the others, as has often been the case in scholarship, this final-form reading exposes the coherence and complexity of the book. In particular, the initial "announcements of plot", prefacing each major block of the book are shown to exercise an intimate yet surprising influence over the narratives they govern. The seemingly naive stories of Genesis, when read wholistically, offer profound insights into the interplay between divine providence and human free will.
In The Plot-structure of Genesis Todd L. Patterson argues that Genesis is organized by a development from complication to dénouement. The question 'Will the righteous seed survive?' drives the narrative to climax. Gen 4 sets up the complication. Cain and Abel are the seed of the woman who should lead humanity back to God's creation-sanctuary. Because Cain does not master sin, his unrighteousness threatens the survival of the seed. Each narrative tôlĕdôt division develops this theme until dénouement in the Joseph narrative when God ensures the survival of the promised seed. By showing how plot integrates with the widely recognized tôlĕdôt structure, prominent motifs, and enigmatic features of the text, Todd L. Patterson provides a surprisingly novel interpretation of Genesis.
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
The genesis of evil. The book of Genesis recites the beginnings of the cosmos and its inhabitants. It also reveals the beginning of evil. Before long, evil infests God's good creation. From there, good and evil coexist and drive the plot of Genesis. In Evil in Genesis, Ingrid Faro uncovers how the Bible's first book presents the meaning of evil. Faro conducts a thorough examination of evil on lexical, exegetical, conceptual, and theological levels. This focused analysis allows the Hebrew terminology to be nuanced and permits Genesis' own distinct voice to be heard. Genesis presents evil as the taking of something good and twisting it for one's own purposes rather than enjoying it how God intended. Faro illuminates the perspective of Genesis on a range of themes, including humanity's participation in evil, evil's consequences, and God's responses to evil.
Throughout the Bible, divine interaction with humanity is portrayed in almost embarrassingly human terms. He sees, hears, thinks, feels, runs, rides chariots, laughs, wields weapons, gives birth, and even repents. Many of these expressions, taken at face value, seem to run afoul of much classical theology, including divine simplicity, transcendence, omniscience, omnipotence, omnipresence, and especially immutability. Traditionally, these texts have been seen as "accommodations" to human intellectual and moral limitations. That is, they were deemed as giving God a more approachable feel, but not as representing any "real" part of his character, being, or interaction with humanity. For example, references to God seeing or hearing are not deemed to represent real acts, as God already knows everything. However, this view is largely based on an Aristotelian conception of metaphors as rhetorical devices, not vehicles that carry any truth content. Since the 1970s, the understanding of how metaphors convey meaning has taken great strides. These advances can help unlock how divine action--often inadvertently flattened under theological presuppositions--functions within a text. This book aims to explore the biblical metaphor of divine sight and how current understandings of metaphorical function can enrich our reading of the text and its theology.
After creating man and woman, God's first recorded blessing upon them is "be fruitful and multiply." Like the blessings of food and health, the human experience of procreation is so common that we may overlook its importance within the biblical narrative. However, I Will Surely Multiply Your Offspring, a comprehensive examination of the progeny blessing, demonstrates that this motif is both prevalent and significant within the Old Testament by tracing its development throughout the redemptive-historical narrative. Viands identifies different progeny blessing traditions associated with the Abrahamic covenant, the Sinai covenant, and the new covenant, and describes their interrelationships as well as their relationship to the universal blessing first found in Genesis 1. This study lays the foundation for a biblical worldview of human proliferation, contributing to contemporary discussions concerning whether humans are obligated to bear children as well as procreation ethics.
Based on the conviction that the Old Testament texts are a vital and dynamic part of the Christian canon and pertinent to Christian practice, this stimulating volume offers guidance for expository preaching and practical suggestions for understanding the message of its diverse literature.
A provocative new interpretation of the Adam and Eve story from an expert in Biblical literature. The Garden of Eden story, one of the most famous narratives in Western history, is typically read as an ancient account of original sin and humanity’s fall from divine grace. In this highly innovative study, Ziony Zevit argues that this is not how ancient Israelites understood the early biblical text. Drawing on such diverse disciplines as biblical studies, geography, archaeology, mythology, anthropology, biology, poetics, law, linguistics, and literary theory, he clarifies the worldview of the ancient Israelite readers during the First Temple period and elucidates what the story likely meant in its original context. Most provocatively, he contends that our ideas about original sin are based upon misconceptions originating in the Second Temple period under the influence of Hellenism. He shows how, for ancient Israelites, the story was really about how humans achieved ethical discernment. He argues further that Adam was not made from dust and that Eve was not made from Adam’s rib. His study unsettles much of what has been taken for granted about the story for more than two millennia—and has far-reaching implications for both literary and theological interpreters. “Classical Hebrew in the hands of Ziony Zevit is like a cello in the hands of a master cellist. He knows all the hidden subtleties of the instrument, and he makes you hear them in this rendition of the profoundly simple story of Adam, Eve, the Serpent, and their Creator in the Garden of Eden. Zevit brings a great deal of other biblical learning to bear in a surprisingly light-hearted book.”―Jack Miles, author of God: A Biography