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This volume investigates the plots of the Genesis stories. Rather than fragmenting Genesis into hypothetical sources and reading each in isolation from the others, as has often been the case in scholarship, this final-form reading exposes the coherence and complexity of the book. In particular, the initial announcements of plot, prefacing each major block of the book are shown to exercise an intimate yet surprising influence over the narratives they govern. The seemingly naive stories of Genesis, when read wholistically, offer profound insights into the interplay between divine providence and human free will.
This volume investigates the plots of the Genesis stories. Rather than fragmenting Genesis into hypothetical sources and reading each in isolation from the others, as has often been the case in scholarship, this final-form reading exposes the coherence and complexity of the book. In particular, the initial "announcements of plot", prefacing each major block of the book are shown to exercise an intimate yet surprising influence over the narratives they govern. The seemingly naive stories of Genesis, when read wholistically, offer profound insights into the interplay between divine providence and human free will.
The genesis of evil. The book of Genesis recites the beginnings of the cosmos and its inhabitants. It also reveals the beginning of evil. Before long, evil infests God's good creation. From there, good and evil coexist and drive the plot of Genesis. In Evil in Genesis, Ingrid Faro uncovers how the Bible's first book presents the meaning of evil. Faro conducts a thorough examination of evil on lexical, exegetical, conceptual, and theological levels. This focused analysis allows the Hebrew terminology to be nuanced and permits Genesis' own distinct voice to be heard. Genesis presents evil as the taking of something good and twisting it for one's own purposes rather than enjoying it how God intended. Faro illuminates the perspective of Genesis on a range of themes, including humanity's participation in evil, evil's consequences, and God's responses to evil.
Working from the conviction that Genesis can be read as a coherent whole, this commentary foregrounds the sophistication of Hebrew narrative art, in particular its depiction of plot and character, and the interpretative possibilities raised by its intertextuality. Apparently simple and independent episodes emerge as complex and interconnected, constantly challenging readers to readjust their assessments of characters and expectations of plot development. Approaching the text predominantly from a 'first-time' reader's perspective, the narrative's surprises, ironies and innovations are underscored.
In The Plot-structure of Genesis Todd L. Patterson argues that Genesis is organized by a development from complication to dénouement. The question 'Will the righteous seed survive?' drives the narrative to climax. Gen 4 sets up the complication. Cain and Abel are the seed of the woman who should lead humanity back to God's creation-sanctuary. Because Cain does not master sin, his unrighteousness threatens the survival of the seed. Each narrative tôlĕdôt division develops this theme until dénouement in the Joseph narrative when God ensures the survival of the promised seed. By showing how plot integrates with the widely recognized tôlĕdôt structure, prominent motifs, and enigmatic features of the text, Todd L. Patterson provides a surprisingly novel interpretation of Genesis.
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
During its 2,500-year life, the book of Genesis has been the keystone to important claims about God and humanity in Judaism and Christianity, and it plays a central role in contemporary debates about science, politics, and human rights. The authors provide a panoramic history of this iconic book, exploring its impact on Western religion, philosophy, literature, art, and more.
To read Genesis intelligently, we must consider the questions, the literature, and the times in which Genesis was written. In How to Read Genesis Tremper Longman III provides a welcome guide to reading, studying, understanding, and savoring this panorama of beginnings—of both the world and of Israel. And importantly for Christian readers, we gain insight into how Genesis points to Christ and can be read in light of the gospel.
This book deals with the so-called "Blessing of Jacob" (Genesis 49) in all its aspects, discussing philological, literary and historical problems. After an introductory chapter a thoroughly discussed translation of Genesis 49 and an analysis of its poetical structure are presented, followed by the discussion of the genre-definition "tribal saying" (Stammesspruch), and a synchronic and diachronic analysis of Genesis 49 in its literary context (Gen. 47:29-49:33). The remarkable results of this analysis are finally discussed in relation to Israel's history. It is suggested that only part of the "Blessing" functioned within the (originally much shorter) deathbed account (Gen. 47:29-49:33*), reflecting the historical situation of the time of origin. Afterwards it was thoroughly worked up into its present shape to meet the conditions of later political development.