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AN NPR BEST BOOK OF THE YEAR • An absorbing, deeply felt book about our anxious present tense—and coming to grips with the future, by the author of the award-winning To Be a Machine. “Deeply funny and life-affirming, with a warm, generous outlook even on the most challenging of subjects.” —Esquire We’re alive in a time of worst-case scenarios: The weather has gone uncanny. A pandemic draws our global community to a halt. Everywhere you look there’s an omen, a joke whose punchline is the end of the world. How is a person supposed to live in the shadow of such a grim future? What might it be like to live through the worst? And what on earth is anybody doing about it? Dublin-based writer Mark O’Connell is consumed by these questions—and, as the father of two young children, he finds them increasingly urgent. In Notes from an Apocalypse, he crosses the globe in pursuit of answers. He tours survival bunkers in South Dakota. He ventures to New Zealand, a favored retreat of billionaires banking on civilization’s collapse. He engages with would-be Mars colonists, preppers, right-wing conspiracists. And he bears witness to places, like Chernobyl, that the future has already visited—real-life portraits of the end of the world as we know it. What emerges is an absorbing, funny, and deeply felt book about our anxious present tense—and coming to grips with what’s ahead.
DigiCat Publishing presents to you this special edition of "Notes on the Apocalypse" by David Steele. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The collective belief in Armageddon has become more powerful and widespread in the wake of recent terrorist attacks. Edward Edinger looks at the chaos predicted by the Book of Revelation and relates it to current trends including global violence, AIDS, and apocalyptic cults.
Apocalypticism arose in ancient Judaism in the last centuries BCE and played a crucial role in the rise of Christianity. It is not only of historical interest: there has been a growing awareness, especially since the 2001 terrorist attacks on the United States, of the prevalence of apocalyptic beliefs in the contemporary world. To understand these beliefs, it is necessary to appreciate their complex roots in the ancient world, and the multi-faceted character of the phenomenon of apocalypticism. The Oxford Handbook of Apocalyptic Literature is a thematic and phenomenological exploration of apocalypticism in the Judaic and Christian traditions. Most of the volume is devoted to the apocalyptic literature of antiquity. Essays explore the relationship between apocalypticism and prophecy, wisdom and mysticism; the social function of apocalypticism and its role as resistance literature; apocalyptic rhetoric from both historical and postmodern perspectives; and apocalyptic theology, focusing on phenomena of determinism and dualism and exploring apocalyptic theology's role in ancient Judaism, early Christianity, and Gnosticism. The final chapters of the volume are devoted to the appropriation of apocalypticism in the modern world, reviewing the role of apocalypticism in contemporary Judaism and Christianity, and more broadly in popular culture, addressing the increasingly studied relation between apocalypticism and violence, and discussing the relationship between apocalypticism and trauma, which speaks to the underlying causes of the popularity of apocalyptic beliefs. This volume will further the understanding of a vital religious phenomenon too often dismissed as alien and irrational by secular western society.
When the Internet suddenly stops working, society reels from the loss of flowing data and streaming entertainment in Wayne Gladstone's provactive novel, Notes from the Internet Apocalypse. Addicts wander the streets talking to themselves in 140 characters or forcing cats to perform tricks for their amusement, while the truly desperate pin their requests for casual encounters on public bulletin boards. The economy tumbles and the government passes the draconian NET Recovery Act. For Gladstone, the Net's disappearance comes particularly hard, following the loss of his wife, leaving his flask of Jamesons and grandfather's fedora as the only comforts in his Brooklyn apartment. But there are rumors that someone in New York is still online. Someone set apart from this new world where Facebook flirters "poke" each other in real life and members of Anonymous trade memes at secret parties. Where a former librarian can sell information as a human search engine and the perverted fulfill their secret fetishes at the blossoming Rule 34 club. With the help of his friends---a blogger and a webcam girl, both now out of work---Gladstone sets off to find the Internet. But is he the right man to save humanity from this Apocalypse? For those of you wondering if you have WiFi right now, Wayne Gladstone's Notes from the Internet Apocalypse examines the question "What is life without the Web?"
'It may be the most lucid account of the strain of epic moviemaking that we'll ever get. At it's center there's a great artist-hero caught in a trap - struggling to find the theme of the picture he's already shooting.' Pauline Kael, New YorkerIn the Spring of 1976, Eleanor Coppola, her husband, Francis Ford Coppola, and their children left California for the Philippines, where Apocalypse Now was to be filmed.As the months stretched into years, Eleanor Coppola's Notes became an extraordinary record not only of the making of a movie, but of the emotional and physical price exacted from all who participated in it.
The Book of Revelation has fired the imaginations of theologians, preachers, artists, and ordinary Christians across the centuries. The resulting number of commentaries on the book is enormous, and most studies can only touch upon, at most, a representative sample of this vast literature. As a consequence, many focus largely on the interpretation of the Apocalypse only within specific periods, such as the patristic period or during the Reformation. One result of this severe limitation given the vast literary corpus is how historical interpretations in critical commentaries of the Book of Revelations tend to prioritize authors from the modern period. In The Book of Revelation and Its Interpreters: Short Studies and an Annotated Bibliography, editors Richard Tresley and Ian Boxall fill a significant gap in the scholarly literature. At its heart is an extensive annotated bibliography, covering commentaries on the book up to 1700, including most of the early illuminated Apocalypses. Supporting the presentation of this survey of the historical interpretations of the Book of Revelation is an extended overview of Revelation’s often-colorful reception history by Christopher Rowland, together with a number of short studies on various aspects of the book. These include discussions of specific commentators, such as Sean Michael Ryan’s look at Tyconius and Francis X. Gumerlock exploration of Chromatius of Aquileia, alongside a more general treatment of Revelation’s impact on the figure of John of Patmos in an essay by Ian Boxall and the visual reception of Revelation in Natasha O’Hear’s article. The Book of Revelation and Its Interpreters provides a valuable bibliographical resource for those working in the field of Biblical Studies, history of Christianity, eschatology and apocalyptic studies. The accompanying essays orient the authors recorded in the bibliography within a larger context, offering specific examples of the Apocalypse’s capacity to speak in fresh and often surprising ways to diverse audiences throughout history.