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Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
An Annotated Anthology of Hymns is a selection of 250 of the best-known hymns in the English language, including texts translated from Greek, Latin, German, and other languages. The selection includes hymns from the earliest years of the Christian church to the present day. This is not a book for worship: the hymns are printed in a chronological sequence and not by Christian season or subject, as they would be in a church hymn book. It is an anthology for those who would like to understand more about hymns: each one is given a commentary which sets it in context, identifies significant sources, and provides explanatory and critical material. An introductory essay discusses the hymn as a historical and literary form, and the way in which it appeals to so many people. This is a book which shows how, in the words of the foreword by Timothy Dudley-Smith, 'hymns lift the heart'. It will be treasured by those who already know something about hymns and it will delight all those who enjoy hymns and would like to know more about them.
Understanding the culture of living with hymnbooks offers new insight into the histories of poetry, literacy, and religious devotion. It stands barely three inches high, a small brick of a book. The pages are skewed a bit, and evidence of a small handprint remains on the worn, cheap leather covers that don’t quite close. The book bears the marks of considerable use. But why—and for whom—was it made? Christopher N. Phillips’s The Hymnal is the first study to reconstruct the practices of reading and using hymnals, which were virtually everywhere in the eighteenth and nineteenth centuries. Isaac Watts invented a small, words-only hymnal at the dawn of the eighteenth century. For the next two hundred years, such hymnals were their owners’ constant companions at home, school, church, and in between. They were children's first books, slaves’ treasured heirlooms, and sources of devotional reading for much of the English-speaking world. Hymnals helped many people learn to memorize poetry and to read; they provided space to record family memories, pass notes in church, and carry everything from railroad tickets to holy cards to business letters. In communities as diverse as African Methodists, Reform Jews, Presbyterians, Methodists, Roman Catholics, and Unitarians, hymnals were integral to religious and literate life. An extended historical treatment of the hymn as a read text and media form, rather than a source used solely for singing, this book traces the lives people lived with hymnals, from obscure schoolchildren to Emily Dickinson. Readers will discover a wealth of connections between reading, education, poetry, and religion in Phillips’s lively accounts of hymnals and their readers.
The Complete Book of Hymns brings to life the stories behind more than 600 hymns and worship songs. With background on the composer, the inspiration behind the lyrics, scriptural references for devotional consideration, and a sampling of the song lyrics, this book brings forth the message of these great songs of the faith like never before!
Poetry. THE COURIER'S ARCHIVE & HYMNAL navigates a purgatory made nearly pastoral by a necrotic vision of consumptive rivers, ghost mazes, corpsethieves, and stalkerish moons. With an exacting, halted diction, Joshua Marie Wilkinson swerves us deeper toward the source of this dark archive, stirring our courier to contemplate Basho, Beckett, Kafka, Matta-Clark in hope of materializing a "name for no becoming, stammering through wind." The result is a hypnotizing meditation of mood, mind, perdition, and image. In other words, book three of Wilkinson's No Volta pentology picks up exactly where its predecessors SELENOGRAPHY and SWAMP ISTHMUS leave off. That is to say, beyond the good myths, to a decidedly singular poetic territory "recasting the future freshly black."
The Homeric Hymns is a collection of thirty-three ancient Greek hymns celebrating individual gods. The hymns employ the same epic meter—dactylic hexameter—as the Iliad and Odyssey, use many similar formulas and are couched in the same dialect. Contents: To Dionysus To Demeter To Apollo To Hermes To Aphrodite To Aphrodite To Dionysus To Ares To Artemis To Aphrodite To Athena To Hera To Demeter To the Mother of the Gods To Heracles With the Heart of a Lion To Asclepius To the Dioscuri To Hermes To Pan To Hephaestus To Apollo To Poseidon To Zeus To Hestia To the Muses and Apollo To Dionysus To Artemis To Athena To Hestia To Gaia, Mother of All To Helios To Selene To the Dioscuri