Download Free Annie Reilly Or The Fortunes Of An Irish Girl In New York Book in PDF and EPUB Free Download. You can read online Annie Reilly Or The Fortunes Of An Irish Girl In New York and write the review.

Excerpt from Annie Reilly, or the Fortunes of an Irish Girl in New York: A Tale Founded on Fact There is to-day another class of land owners in Ireland who are neither foreign nor wealthy, but who, by some means or other, have acquired sufficient to purchase a townland or two which have dropped Off from some decayed estate, and who, in order to follow strictly the example Of their exalted brothers, generally excel them in Oppression and brutality.\ So little has been said or written Of this class in proportion to the magnitude of their evil-doings that I deemed it quite in place to draw John G. Ryan from their number. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In this study, Charles Fanning has written the first general account of the origins and development of a literary tradition among American writers of Irish birth or background who have explored the Irish immigrant or ethnic experience in works of fiction. The result is a portrait of the evolving fictional self-consciousness of an immigrant group over a span of 250 years. Fanning traces the roots of Irish-American writing back to the eighteenth century and carries it forward through the traumatic years of the Famine to the present time with an intensely productive period in the twentieth century beginning with James T. Farrell. Later writers treated in depth include Edwin O'Connor, Elizabeth Cullinan, Maureen Howard, and William Kennedy. Along the way he places in the historical record many all but forgotten writers, including the prolific Mary Ann Sadlier. The Irish Voice in America is not only a highly readable contribution to American literary history but also a valuable reference to many writers and their works. For this second edition, Fanning has added a chapter that covers the fiction of the past decade. He argues that contemporary writers continue to draw on Ireland as a source and are important chroniclers of the modern American experience.
Of immense value to anyone interested in the Irish story in America.--The Boston Globe. This collection of three generations of Irish immigrant fiction excerpted from novels, magazines, and newspapers provides new insight into the nineteenth-century immigrant experience. It captures the spirit of those who were experiencing the traumas of adjustment and assimilation. The men and women authors of these pieces vividly render the details of immigrant life in a variety of settings, from Virginia and Nebraska to San Francisco, Chicago, New York City, Philadelphia, and Boston, from 1820 to 1906. Fanning places each selection in its historical and cultural context by means of introductory notes. Together, they provide the most extended, continuous body of literature available to us by members of a single American ethnic group. This new edition provides some additional selections as well as new background material. Charles Fanning is Professor of English at Southern Illinois University, Carbondale
The Famine Diaspora and Irish American Women’s Writing considers the works of eleven North American female authors who wrote for or descended from the Irish Famine generation: Anna Dorsey, Christine Faber, Elizabeth Gurley Flynn, Mother Jones, Kate Kennedy, Margaret Dixon McDougall, Mary Meaney, Alice Nolan, Fanny Parnell, Mary Anne Sadlier, and Elizabeth Hely Walshe. This collection examines the ways the writings of these women contributed significantly to the construction of Irish North-American identities, and played a crucial role in the dissemination of Famine memories transgenerationally as well as transnationally. The included annotated excerpts from these women writers’ works and the accompanying essays by prominent international scholars offer insights on the sociopolitical position of the Irish in North America, their connections with the homeland, women’s activities in transnational (often Catholic) publishing networks and women writers’ mediation of Ireland’s cultural heritage. Furthermore, the volume illustrates the generic variety of Irish American women’s writing of the Famine generation, which comprises political treatises, novels, short stories and poetry, and bears witness to these female authors’ profound engagement with political and social issues, such as the conditions of the poor and woman’s vote.
The writing of Irish American history has been transformed since the 1960s. This volume demonstrates how scholars from many disciplines are addressing not only issues of emigration, politics, and social class but also race, labor, gender, representation, historical memory, and return (both literal and symbolic) to Ireland. This recent scholarship embraces Protestants as well as Catholics, incorporates analysis from geography, sociology, and literary criticism, and proposes a genuinely transnational framework giving attention to both sides of the Atlantic. This book combines two special issues of the journal Éire-Ireland with additional new material. The contributors include Tyler Anbinder, Thomas J. Archdeacon, Bruce D. Boling, Maurice J. Bric, Mary P. Corcoran, Mary E. Daly, Catherine M. Eagan, Ruth-Ann M. Harris, Diane M. Hotten-Somers, William Jenkins, Patricia Kelleher, Líam Kennedy, Kerby A. Miller, Harvey O'Brien, Matthew J. O'Brien, Timothy M. O'Neil, and Fionnghuala Sweeney.
In The Shamrock and the Cross: Irish American Novelists Shape American Catholicism, Eileen P. Sullivan traces changes in nineteenth-century American Catholic culture through a study of Catholic popular literature. Analyzing more than thirty novels spanning the period from the 1830s to the 1870s, Sullivan elucidates the ways in which Irish immigration, which transformed the American Catholic population and its institutions, also changed what it meant to be a Catholic in America. In the 1830s and 1840s, most Catholic fiction was written by American-born converts from Protestant denominations; after 1850, most was written by Irish immigrants or their children, who created characters and plots that mirrored immigrants’ lives. The post-1850 novelists portrayed Catholics as a community of people bound together by shared ethnicity, ritual, and loyalty to their priests rather than by shared theological or moral beliefs. Their novels focused on poor and working-class characters; the reasons they left their homeland; how they fared in the American job market; and where they stood on issues such as slavery, abolition, and women’s rights. In developing their plots, these later novelists took positions on capitalism and on race and gender, providing the first alternative to the reigning domestic ideal of women. Far more conscious of American anti-Catholicism than the earlier Catholic novelists, they stressed the dangers of assimilation and the importance of separate institutions supporting a separate culture. Given the influence of the Irish in church institutions, the type of Catholicism they favored became the gold standard for all American Catholics, shaping their consciousness until well into the next century.
'...from time to time a study comes along that truly can be called ‘path breaking,’ ‘seminal,’ ‘essential,’ a ‘must read.’ How the Irish Became White is such a study.' John Bracey, W.E.B. Du Bois Department of Afro-American Studies, University of Massachussetts, Amherst The Irish came to America in the eighteenth century, fleeing a homeland under foreign occupation and a caste system that regarded them as the lowest form of humanity. In the new country – a land of opportunity – they found a very different form of social hierarchy, one that was based on the color of a person’s skin. Noel Ignatiev’s 1995 book – the first published work of one of America’s leading and most controversial historians – tells the story of how the oppressed became the oppressors; how the new Irish immigrants achieved acceptance among an initially hostile population only by proving that they could be more brutal in their oppression of African Americans than the nativists. This is the story of How the Irish Became White.