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Part of a series of luxurious, handy Flame Tree pocket notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap.
Part of a series of exciting and luxurious Flame Tree Sketch Books Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. The thick paper stock makes them perfect for sketching and drawing. These are perfect for personal use and make a dazzling gift. This example features Anne Stokes: Once Upon a Time. In the deep of the forest, where only a slither of moonlight can make it through the trees, a friendship has been born between two unlikely souls. The human walks towards the dragon, risking her life and daring her trust with every step until she is so close. She puts her hand out, and the beautiful creature moves forward to reach her.
National parks are different from other federal lands in the United States. Beginning in 1872 with the establishment of Yellowstone, they were largely set aside to preserve for future generations the most spectacular and inspirational features of the country, seeking the best representative examples of major ecosystems such as Yosemite, geologic forms such as the Grand Canyon, archaeological sites such as Mesa Verde, and scenes of human events such as Gettysburg. But one type of habitat--the desert--fell short of that goal in American eyes until travel writers and the Automobile Age began to change that perception. As the Park Service began to explore the better-known Mojave and Colorado deserts of southern California during the 1920s for a possible desert park, many agency leaders still carried the same negative image of arid lands shared by many Americans--that they are hostile and largely useless. But one wealthy woman--Minerva Hamilton Hoyt, from Pasadena--came forward, believing in the value of the desert, and convinced President Franklin D. Roosevelt to establish a national monument that would protect the unique and iconic Joshua trees and other desert flora and fauna. Thus was Joshua Tree National Monument officially established in 1936, with the area later expanded in 1994 when it became Joshua Tree National Park. Since 1936, the National Park Service and a growing cadre of environmentalists and recreationalists have fought to block ongoing proposals from miners, ranchers, private landowners, and real estate developers who historically have refused to accept the idea that any desert is suitable for anything other than their consumptive activities. To their dismay, Joshua Tree National Park, even with its often-conflicting land uses, is more popular today than ever, serving more than one million visitors per year who find the desert to be a place worthy of respect and preservation. Distributed for George Thompson Publishing
"[...] this is a book to pick up and dream about having a dragon curled up on your lap by the fire in these winter nights." — SFcrowsnest Anne Stokes is a phenomenally popular artist in the field of gothic and magical fantasy, with fans all over the world. Her roots in design and illustration have led to supremely well-crafted paintings that have been licensed for use on all manner of merchandise and her followers eagerly await each new piece. This long-overdue book showcases Anne’s oeuvre in all its glory, accompanied by illuminating text about Anne and her inspirations, techniques and processes. The book is divided into thematic sections covering the full range of subjects that she has portrayed: her early work (like that for Dungeons & Dragons), the dark and the gothic, dragons, unicorns, fairies, mermaids and all that is mystical and magical. From the dark allure of Summon the Reaper to the opalescent beauty of Stargazer, this is a real treat for all fans and anyone who loves fantasy and stunning art in general.
This book covers the topic of microplastics in water and wastewater. The chapters start with introductory issues related to the growing interest in the scientific community on microplastics and the human water cycle and point out where the microplastics could interact with water. The subsequent chapters examine evidence of the microplastic presence in freshwater, such as in both rivers and lakes, in freshwater biota, and hazardous chemicals associated with microplastics in such systems. Another set of chapters discuss the presence of microplastics in wastewater: their sources; their transfer through a wastewater treatment plant; the concentration of microplastics in effluents throughout the world; the plastic biomedia used in wastewater treatment plants and the effect on the surrounding environment of effluent wastewater pipes. These chapters also discuss the sampling methods, the sample treatment and analysis techniques used so far for microplastics in wastewater. Additionally, the presence of microplastics in sewage sludge and in soils irrigated with wastewater or fertilized with sludge are discussed. The possible impact of plastics and their additives on plants, microalgae, and humans are reviewed and presented in a critical way. Finally, a chapter summarizes all the relevant regulations and initiatives that point to the necessity of a global directive for the protection of the environment from plastic and microplastic pollution. The topic of microplastics in freshwater systems and in wastewater has scarcely been studied and requires more attention. Microplastics in Water and Wastewater aims to bring these initial findings to the attention of a broader audience and especially to operators and managers of freshwater and wastewater systems. It will also be helpful to people already aware of the marine debris problem to understand the sources of microplastics in the oceans, from freshwater systems and wastewater treatment plants.
Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Dating back several thousand years, the art of lacquer is one of the most ancient expressions of Asian culture, and this publication provides an overview of the different kinds of methods and materials used in Cambodia, China, India, Korea, Japan, Myanmar, Thailand and Vietnam. The number of people employed in this ancestral art has fallen dramatically throughout Asia in recent decades, and this book considers the challenges to its survival as well as highlighting the importance of documenting past and modern procedures.