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On June 22, 1954, teenage friends Juliet Hulme-- better known as bestselling mystery writer Anne Perry-- and Pauline Parker went for a walk in a New Zealand park with Pauline's mother, Honorah. When Honorah Parker was found in a pool of blood with the brick used to bludgeon her to death close at hand, Juliet and Pauline confessed to the killing. Their motive: a plan to escape to the United States to become writers, and Honorah's determination to keep them apart. Graham offers a brilliant account of the crime and ensuing trial and shares dramatic revelations about the fates of the young women after their release from prison.
When a doctor is found brutally murdered in the lurid section of London aptly named “Devil’s Acre,” even its most hardened residents are stunned. But shock soon turns to horror when Inspector Thomas Pitt discovers three more bodies with the same gruesome “calling card”: a stab wound in the back and a rather inexpertly executed mutilation. As Pitt and his wife, Charlotte, race against time to find the killer, a treacherous mystery unfolds. And no one, not the lowest brand of ruffian or the most established aristocrat, will escape unscathed.
Until 1994, the world knew Anne Perry as the writer of bestselling crime fiction at the peak of her writing career. But following the release of Peter Jackson’s film Heavenly Creatures, about the sensational 1954 Parker-Hulme murders, came the shocking revelation that Anne Perry began life as Juliet Hulme, the teenager jointly convicted of murdering her friend’s mother. Life would never be the same for Perry. That a convicted murderer had gone on to become a celebrated crime writer with worldwide sales of over 25 million books was tantalizing enough. But with careful analysis of her writing reveals that these were more than simple crime stories; spiritual and philosophical complexities thread their way through Anne Perry’s works. Was Perry, in fact, revealing more about herself in the characters she was creating? Acclaimed biographer Joanne Drayton takes on the challenge of exploring Perry’s writing to uncover her world view and compulsion to write. The famously private Perry agreed to be comprehensively interviewed for the book and has allowed Drayton unparalleled access to her friends, relatives, colleagues and archives.
The “enormously entertaining” (The Wall Street Journal) account of a shocking 1897 murder mystery that “artfully re-create[s] the era, the crime, and the newspaper wars it touched off” (The New York Times) AN EDGAR NOMINEE FOR BEST FACT CRIME • “Fascinating . . . won’t disappoint readers in search of a book like Erik Larson’s The Devil in the White City.”—The Washington Post On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. The police are baffled: There are no witnesses, no motives, no suspects. The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era’s most perplexing murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus, as their rival newspapers the World and the Journal raced to solve the crime. What emerged was a sensational love triangle and an even more sensational trial. The Murder of the Century is a rollicking tale—a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that forever changed newspaper journalism.
Series numbering inferred from series title page.
Someone on posh Callander Square will kill to keep a secret in this “superior” mystery from the New York Times–bestselling author of Twenty-One Days (The San Diego Union-Tribune). When two dead infants are dug up in the Callander Square gardens, the upper-class residents dismiss the burials as the desperate act of a low-born girl and resent the intrusion of Inspector Thomas Pitt into their well-ordered lives. Pitt is not convinced that the case should be so easily dropped. Also intrigued by the mystery, Pitt’s well-born wife, Charlotte, pursues her own investigation into places Thomas would never have access—the parlors and inner chambers of the mansions on the fashionable square. With her sister Emily, Lady Ashworth, who lives on Callander Square, she delves into the lives and secrets of the residents. Thomas and Charlotte, now expecting their first child, form the perfect sleuthing couple. Elegant closets soon spill their skeletons exposing long-hidden secrets—secrets that could lead even the most upright aristocrat to kill. But will Pitt’s keen investigative skills and Charlotte’s insights into the workings of high-class society solve the mystery in time to save the innocent residents of Callander Square from the murderer among them? Callander Square is the 2nd book in the Charlotte and Thomas Pitt Novels, but you may enjoy reading the series in any order. /DIV
A royalist out to save Louis XVI from the guillotine is murdered in this mystery set in revolutionary France by a New York Times–bestselling master. Célie Laurent stands in the convention hall of the French Republic, watching the deputies vote one by one. Most of them have just one word to say: “Death.” As the night wears on, the outcome of the vote moves beyond doubt, and Louis XVI is condemned to the guillotine. Célie will have just four days to save the king’s life. As the Revolution reaches a fever pitch, Célie falls in with a group of royalists who are willing to do whatever it takes to keep France from killing its king. Their plan is daring, but just might work—until the group’s leader is murdered in cold blood. Somewhere among the royalists lies a traitor, and Célie and her friends must find him soon, lest they lose their heads before Louis loses his. From the New York Times–bestselling author of the William Monk and Charlotte and Thomas Pitt series, acclaimed for her atmospheric historical settings, The One Thing More is a fascinating tale of suspense.
A collection of original tales of mystery, intrigue, and murder inspired by the life, times, and work of William Shakespeare features contributions by Jeffery Deaver, Carole Nelson Douglas, Robert Barnard, P.C. Doherty, and other notable writers.
Anna Zarides arrives in Constantinople in 1273 to prove the innocence of her twin brother Justinian, who has been exiled for conspiring to kill a nobleman. Disguising herself as a eunuch named Anastasius, Anna moves freely, using her skills as a physician to get close to key players in her brother's fate. Then she meets Giuiliano Dandolo, a ship's captain conflicted not only by his own mixed heritage, but by his growing feelings for Anastasius.
When Countess Zorah Rostova asks London barrister Sir Oliver Rathbone to defend her against a charge of slander, he is astonished to find himself accepting. For without a shred of evidence, the countess has publicly insisted that the onetime ruler of her small German principality was murdered by his wife, the woman who was responsible for the prince’s exile to Venice twenty years before. Private investigator William Monk and his friend Hester Latterly journey to the City of Water in an attempt verify the countess’s claims, and though the two manage to establish that the prince was indeed murdered, as events unfold the likeliest suspect seems to be Countess Zorah herself.