Download Free Anne Cliffords Great Books Of Record Book in PDF and EPUB Free Download. You can read online Anne Cliffords Great Books Of Record and write the review.

Anne Clifford, in her Great Books of Records, places herself within the dynamic 600 year history of the Clifford family. This book is unique, including a wide variety of records that provide an unbroken view into life on the Clifford estates in England, (as well as the borders of Wales,Ireland, and Scotland) for centuries, as well as the family's involvement at the centre of political life. Here we glimpse the lives of simple widows, traders, farmers, and labourers juxtaposed with the adventures of soldiers, lords and ladies, princes and princesses. We see how rebellions,crusades, and foreign wars impacted both the great and the humble. And we witness changes in the practices of justice and custom. In this book Anne Clifford asserts the centrality of women to the success of the Clifford and other noble families, including the monarchy.Anne Clifford writes herself into this history, asserting her own rights to govern the lands of her father after her decades long inheritance dispute. Anne Clifford's composition of the Great Books draws upon medieval traditions and early modern scholarship and builds upon these through theinclusion of biographies of all the Clifford lords and ladies, along with an extended biography of her mother Margaret Russell and her own autobiographical, "The Life of Mee". Those interested in the lives of medieval and early modern women, changes in culture, the effect of the political uponindividuals, and the inspiring life of Anne Clifford will find this a rich and rewarding book.
A History of Early Modern Women's Writing is essential reading for students and scholars working in the field of early modern British literature and history. This collaborative book of twenty-two chapters offers an expansive, multifaceted narrative of British women's literary and textual production in the period stretching from the English Reformation to the Restoration. Chapters work together to trace the contours of a diverse body of early modern women's writing, aligning women's texts with the major literary, political, and cultural currents with which they engage. Contributors examine and take account of developments in critical theory, feminism, and gender studies that have influenced the reception, reading, and interpretation of early modern women's writing. This book explicates and interrogates significant methodological and critical developments in the past four decades, guiding and testing scholarship in this period of intense activity in the recovery, dissemination, and interpretation of women's writing.
Anne Clifford (1590–1676) was a prominent noble woman in the seventeenth century. During her long life she experienced the courts of Elizabeth, James and Charles I. She fought a decades long battle to secure her inheritance of the Clifford lands of the north, providing a spirited and legally robust defense of her rights despite the opposition of powerful men, including James I. She eventually inherited the Clifford lands, and she describes her subsequent struggles to reclaim her authority in these lands still mired in the civil wars. Her autobiographies reveal her joys and griefs within a vivid description of seventeenth-century life. They reveal a personality that was vulnerable and determined; charitable and canny. Her autobiographies provide a window into a vibrant world of seventeenth-century life as lived by this complex and intriguing seventeenth-century woman.
Until recently, Anne Clifford has been known primarily for her Knole Diary, edited by Vita Sackville-West, which recounted her steadfast resistance to the most authoritative figures of her culture, including James I, as she insisted on her right to inherit her father's title and lands. Lucy Hutchinson was known primarily as the biographer of her husband, a Puritan leader during the English Civil Wars. The essays collected here examine not only these texts but, in Clifford's case, her architectural restorations and both the Great Book which she had compiled and the Great Picture which she commissioned, in order to explore the identity she fashioned for herself as a property owner, matriarchal head of her family, patron and historian. In Hutchinson's case, recent scholars have turned their attention to her poetry, her translation of Lucretius and her biblical epic, Order and Disorder, to analyze her contributions to early modern scientific and political writing and to place her work in relation to Milton's Paradise Lost.
Noblewoman, vividly documents both the great and the trivial events of her long life. They cover her life from her childhood days, when she witnessed the funeral of Queen Elizabeth I, to her last months, when she recalled her past from her room in Brougham Castle. Through compiling and transcribing the manuscript records, D.J.H. Clifford here presents in one volume the full range of Lady Anne's life: her active role at court as the Countess of Dorset (residing at Knole in Kent), her turbulent second marriage to the 4th Earl of Pembroke at Wilton Wiltshire, and her final, long-disputed succession to her father's lands in Westmorland and North Yorkshire. The diaries are complemented by explanatory notes, family trees and illustrations. They provide both an important historical record and an intriguing glimpse into the and character of this noble and Christian lady, whose powerful presence is still in evidence today in the monuments and folklore of Westmorland.
Wie aufgeklärt war die europäische Aufklärung im Hinblick auf rechtliche, politische, gesellschaftliche, religiöse und kulturelle Egalitätspostulate für beide Geschlechter, deren Verwirklichung ein ›Zeitalter der Aufklärung‹ allererst in ein ›aufgeklärtes Zeitalter‹ transformieren könnte? Die Beiträge in diesem Band versammeln philosophische, kunstwissenschaftliche, historiographische und philologische (und dabei romanistische wie anglistische und germanistische) Perspektiven auf die Frage, ob und in welcher Weise die Aufklärung tatsächlich feministische Konzepte und Überzeugungen entwickelte.
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
2018 Best Collaborative Project from the Society for the Study of Early Modern Women In the last thirty years scholarship has increasingly engaged the topic of women's alliances in early modern Europe. The Politics of Female Alliance in Early Modern England expands our knowledge of yet another facet of female alliance: the political. Archival discoveries as well as new work on politics and law help shape this work as a timely reevaluation of the nature and extent of women's political alliances. Grouped into three sections--domestic, court, and kinship alliances--these essays investigate historical documents, drama, and poetry, insisting that female alliances, much like male friendship discourse, had political meaning in early modern England. Offering new perspectives on female authors such as the Cavendish sisters, Anne Clifford, Aemilia Lanyer, and Katherine Philips, as well as on male-authored texts such as Romeo and Juliet, The Winter's Tale, Swetnam the Woman-Hater, and The Maid's Tragedy, the essays bring both familiar and unfamiliar texts into conversation about the political potential of female alliances. Some contributors are skeptical about allied women's political power, while others suggest that such female communities had considerable potential to contain, maintain, or subvert political hierarchies. A wide variety of approaches to the political are represented in the volume and the scope will make it appealing to a broad audience.
This remarkable work about women writers in the English Renaissance explodes our notion of the Shakespearean period by drawing us into the lives of four women who were committed to their craft long before anyone ever imagined the possibility of “a room of one’s own.” In an innovative and engaging narrative of everyday life in Shakespeare’s England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the seventeenth century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist who fought for decades against a patriarchy that tried to rob her of her land in one of England’s most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Targoff flings those doors open, revealing the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare’s day.
Early modern autobiographies and diaries provide a unique insight into women's lives and how they remembered, interpreted and represented their experiences. Sharon Seelig analyzes the writings of six seventeenth-century women: diaries by Margaret Hoby and Anne Clifford, more extended narratives by Lucy Hutchinson, Ann Fanshawe, and Anne Halkett, and the extraordinarily varied and self-dramatizing publications of Margaret Cavendish. Combining an original account of the development of autobiography with analysis of the texts, Seelig explores the relation between the writers' choices of genre and form and the stories they chose to tell.