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Since early times in Ireland and nearby Celtic lands, the Irish harp and its music have captivated musicians and audiences alike. Numerous historical aspects, such as the function of the harper at Tara, the seat of ancient Irish kings, is explored in this comprehensive history of the harp of Ireland. Through the ages, the harp has been a symbol of the lyrical nature of Ireland and the Irish people. This book explores the reawakening of this beautiful instrument in Ireland and around the world in the mid-twentieth century and beyond, touching on the quite recent development of the popular Folk and Celtic harps of today.
The island of Ireland, north and south, has produced a great diversity of writing in both English and Irish for hundreds of years, often using the memories embodied in its competing views of history as a fruitful source of literary inspiration. Placing Irish literature in an international context, these two volumes explore the connection between Irish history and literature, in particular the Rebellion of 1798, in a more comprehensive, diverse and multi-faceted way than has often been the case in the past. The fifty-three authors bring their national and personal viewpoints as well as their critical judgements to bear on Irish literature in these stimulating articles. The contributions also deal with topics such as Gothic literature, ideology, and identity, as well as gender issues, connections with the other arts, regional Irish literature, in particular that of the city of Limerick, translations, the works of Joyce, and comparisons with the literature of other nations. The contributors are all members of IASIL (International Association for the Study of Irish Literatures). Back to the Present: Forward to the Past. Irish Writing and History since 1798 will be of interest to both literary scholars and professional historians, but also to the general student of Irish writing and Irish culture.
This invaluable collection of Irish song is enriched by a 100-page preface and followed by 151 Irish airs arranged for piano, with songs' Irish names, authors, and dates of composition.
O'Carolan: King of the Blind � Cearbhall�in: R� na nDall The Songs and Music of Turlough O'Carolan, by Chad McAnally. A collection of new settings of 33 pieces and 5 songs of Ireland's legendary blind harper (1670-1738). The music was edited from early sources and arranged in the style of his age for the Irish harp, for other melody instruments and three pieces scored for small ensemble. Includes five songs with his original lyrics in the Irish language with English translations of the song texts. Also includes an introduction to the composer's life and work, a discussion of the basis of the harp arrangements, a useful guide to notation, to the old Irish playing techniques and notes on the historical background of the pieces.