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Like Bohr, Einstein and Heisenberg, Wolfgang Pauli was not only a Nobel laureate and one of the creators of modern physics, but also an eminent philosopher of modern science. This is the first book in English to include all his famous articles on physics and epistemology. They were actually translated during Pauli's lifetime by R. Schlapp and are now edited and annotated by Pauli's former assistant Ch. Enz. Pauli writes about the philosophical significance of complementarity, about space,time and causality, symmetry and the exclusion principle, but also about therole of the unconscious in modern science. His famous article on Kepler is included as well as many historical essays on Bohr, Ehrenfest,and Einstein as well as on the influence of the unconscious on scientific theories. The book addresses not only physicists, philosophers and historians of science, but also the general public.
This collection focuses on the intellectual development of the sciences, their relationships with technology, and their place in culture in general including a proposed realignment of science, technology, and art.
It is now a century ago that one of the icons of modern physics published some of the most influential scientific papers of all times. With his work on relativity and quantum theory, Albert Einstein has altered the field of physics forever. It should not come as a surprise that looking back at Einstein's work, one needs to rethink the whole scope of physics, before and after his time. This books aims to provide a perspective on the history of modern physics, spanning from the late 19th century up to today. It is not an encyclopaedic work, but it presents the groundbreaking and sometimes provocative main contributions by Einstein as marking the line between ‘old’ and ‘new’ physics, and expands on some of the developments and open issues to which they gave rise. This presentation is not meant as a mere celebration of Einstein’s work, but as a critical appraisal which provides accurate historical and conceptual information. The contributing authors all have a reputation for working on themes related to Einstein’s work and its consequences. Therefore, the collection of papers gives a good representation of what happened in the 100 years after Einstein’s landmark Annalen der Physik articles. All people interested in the field of physics, history of science and epistemology could benefit from this book. An effort has been made to make the book attractive not only to scientists, but also to people with a more basic knowledge of mathematics and physics.
Pursues the development of physics from Galileo and Newton to Einstein and the founders of quantum mechanics.
Die avancierten Kunstschaffenden haben seit jeher innovativen Erfindungen aus dem Bereich der Naturwissenschaften zu den Themen Licht und Perspektive für ihre Darstellungen eingesetzt und dabei nachweislich sogenannte Sehapparate verwendet. Seit Anfang der zwanziger Jahre des 20. Jahrhunderts setzten sich Künstler wie Marcel Duchamp mit Scheinbewegungen auseinander. Aufbauend auf diesen frühen Ideen und künstlerischen Experimenten kam besonders die Scheinkontur durch die Beschäftigung mit Scheinräumlichkeit zu neuem Interesse, vor allem vonseiten der Vertreter der kinetischen Kunst und der Op-Art. Seeing Motion gibt einen Überblick entlang einer historischen Linie, die sich zwischen den Theorien der experimentellen visuellen Wahrnehmungsforschung (Hermann Helmholtz, Ernst Mach, Sigmund Exner, Wilhelm Stern, Vittorio Benussi, Max Wertheim, George Stratton, Ivo Kohler) bis hin zur apparativen Kunst (Alfons Schilling) sowie zur elektronisch-digitalen Kunst (Jeffrey Shaw, Peter Weibel) abzeichnet.