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A famous legend surrounding the creation of Anna Karenina tells us that Tolstoy began writing a cautionary tale about adultery and ended up by falling in love with his magnificent heroine. It is rare to find a reader of the book who doesn't experience the same kind of emotional upheaval: Anna Karenina is filled with major and minor characters who exist in their own right and fully embody their mid-nineteenth-century Russian milieu, but it still belongs entirely to the woman whose name it bears, whose portrait is one of the truest ever made by a writer.
The greatest novelist of all time retells the greatest story ever told, the life of Jesus Christ, in The Gospel in Brief—Leo Tolstoy’s riveting, novelistic integration of the four Gospels into a single, twelve-chapter narrative. Virtually unknown to English readers until now, Dustin Condren’s groundbreaking translation from the Russian opens a precious new world of Tolstoy’s masterful literary talent to fans of War and Peace and Anna Karenina.
1910. Anna Karenina and War and Peace have made Leo Tolstoy the world's most famous author. But fame comes at a price. In the tumultuous final year of his life, Tolstoy is desperate to find respite, so leaves his large family and the hounding press behind and heads into the wilderness. Too ill to venture beyond the tiny station of Astapovo, he believes his last days will pass in isolation. But as we learn through the journals of those closest to him, the battle for Tolstoy's soul will not be a peaceful one. Jay Parini introduces, translates and edits this collection of Tolstoy's autobiographical writing, diaries, and letters related to the last year of Tolstoy's life published to coincide with the 2009 film of Parini's novel The Last Station: A Novel of Tolstoy's Final Year.
Equality in Liberty and Justice is an integrated collection of essays in political philosophy, divided into two parts. The first examines (classically) liberal ideas-the ideas of the Founding Fathers of the American republic-and some of the applications and the rejections of such ideas in our contemporary world. Among other questions about liberty and responsibility it considers, in the context of the imprisonment and psychiatric treatment of dissidents in the psychiatric hospitals of the former Soviet Union, Plato's suggestion that all delinquency is an expression of mental disease.The second part examines the relations and the lack of relations between old fashioned, without prefix or suffix, justice and what is called by its promoters social justice. It therefore presses such questions as "Equal outcomes or equal justice?" and "Enemies of poverty or of inequality?"Equality in Liberty and Justice was originally published before the winning of the Cold War and the collapse of the Soviet Empire. This second edition updates the arguments of the previous editor and draws present day moral conclusions. This book will appeal to those for whom the classical liberal and conservative debates still have great meaning. Flew might well be the most significant sunthesizer of Tocqueville and Mill.
Originally published in 1885, What I Believe is part of series of books by novelist Leo Tolstoy that outline his personal interpretation of Christian theology. After a midlife crisis at age 50, he began to believe in the moral teachings of Christianity, while rejecting mysticism and organized religion. He believed that pacifism and poverty were the paths to enlightenment. His precepts of nonviolence even influenced Mohandas Gandhi. Students of religion, political science, and literature alike will gain new understanding from the ideas presented in this book. Students of literature will get to understand more deeply one of the greatest novelist in history, while those interested in religion and politics can see how Tolstoy's philosophy came to influence the world at large. Russian writer COUNT LEV ("LEO") NIKOLAYEVICH TOLSTOY (1828-1910) is best known for his novels War and Peace (1869) and Anna Karenina (1877).
A famous legend surrounding the creation of Anna Karenina tells us that Tolstoy began writing a cautionary tale about adultery and ended up by falling in love with his magnificent heroine. It is rare to find a reader of the book who doesn't experience the same kind of emotional upheaval: Anna Karenina is filled with major and minor characters who exist in their own right and fully embody their mid-nineteenth-century Russian milieu, but it still belongs entirely to the woman whose name it bears, whose portrait is one of the truest ever made by a writer.