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The last witchcraft trial in German-speaking countries was held in 1782 in Eveline Hasler's home canton of Glarus in Switzerland. A servant woman, Anna Goeldin, was accused of having bewitched a child of the physician household in which she worked, making it crippled and spit pins. The accused confessed under torture, was sentenced by the city council and executed. Sources show that the trial provoked great controversy in Europe even at the time. The courts in Glarus were ridiculed and criticized by more enlightened cities in Switzerland and Germany. In her novel with its beautiful simple language, Hasler tells Anna Goeldin's story and trial. With the means of fiction, Hasler attempts to explain how a witchcraft trial could come to take place in the heart of Europe during the heyday of the Enlightenment. The novel was first published in 1982 and also draws parallels to women's fight for equal rights two hundred years later. This novel is a bestseller in German-speaking countries, has been translated into several languages, and made into a feature film by Gertrud Pinkus. The translation by Mary Bryant has won an Arts and Humanities Initiative Award at the University of Iowa. Eveline Hasler (born in 1933) was trained as a teacher of History and turned to writing children's books, fiction, and historical fiction. She is the recipient of many awards, among them the Switzerland Award for Juvenile Fiction (1978), Honors by the City of Zurich (1988), Schubart Award (1989), Droste Award (1994), and Justinus Kerner Award (1999).
A translation of Eveline Hasler’s novel, Die Vogelmacherin— literally “The Bird-Maker Girl”—this book tells the story of three children who were prosecuted for witchcraft in seventeenth-century Europe. Challenging strict boundaries between fiction and history, Hasler’s novel draws on trial records and other archival sources that document the legal cases against these children. While the original work offers a detailed portrait of political and religious violence, Maierhofer goes a step further by providing essential context for the novel. Her wide-ranging introduction and meticulous annotations illuminate the relevance and wider significance of Hasler’s writing. For the first time in English, this book brings Hasler’s traumatic history of witchcraft trials to life, exposing the violence of a culture shaped by fear, authoritarian power, and ideals of conformity.
This captivating history of medicine traces healing practices from the Stone Age to modern times, highlighting ancient knowledge and plant-based treatments. This absorbing history of medicine takes the reader on a sweeping journey, revealing that Western medicine has its origins not only in the academic tradition of doctors and pharmacists, but in the healing lore of Paleolithic hunters and gatherers, herding nomads, and the early sedentary farmers. Anthropologist and ethnobotanist Wolf D. Storl vividly describes the many ways that ancient peoples have used the plants in their immediate environment, along with handed-down knowledge and traditions, to treat the variety of ailments they encountered in daily life.
This chronological reference compendium traces accusations, punishments, and the investigation of occultism from sorcery inquiries in 323 BCE Athens to the modern day. The text provides detailed information on actual hearings, torture, and death sentences for cases both famous and unknown. Primary sources--media, correspondence, adjudication--reveal the appalling injustices of government, church, and mobs toward the accused. Extensive appendices include a glossary, chronology of examples, and a list of legal proceedings, their locations, and outcomes.
The historical novel is a genre which has enjoyed widespread popularity in Germany from its beginnings in the eighteenth century. At that time, increased literacy among the middle and lower classes had resulted in a greater demand for reading material aimed at a general audience. Because of its educational and entertaining characteristics, the historical novel quickly became a dominant genre among other forms of popular literature. To this day, it constitutes a major sector on the German book market and is, together with popular TV series, documentaries, and museum exhibits, an important part of German Geschichtskultur. This collection of essays looks at aesthetic and thematic continuities, as well as changes in the development of the genre in Germany from the late eighteenth century to the present, and gives insights into the novels’ political and socio-cultural implications. The articles investigate historical novels from writers such as Benedikte Naubert, the ‘mother’ of German historical fiction, nineteenth-century popular writers Georg Ebers and Hermann Sudermann, modern writers such as Alfred Döblin, Hermann Hesse, and Hermann Broch, post-Wende works such as those by Thomas Brussig, Christa Wolf, and Ingo Schulze, and contemporary historical fiction by Sabine Weigand, Eveline Hasler and Petra Durst-Benning.
" As a religious sect, the Anabaptists were seen to practice unusual rituals and follow an eccentric set of beliefs. One story, for instance, purports that an Anabaptist prophet, claiming to have visited heaven, persuaded his followers to run naked through the streets of Amsterdam. Eradicating the Devil's Minions investigates these beliefs in the context of Reformation Europe, a time in which persecution, religious intolerance, and witch-hunting were rampant. Focusing primarily on the Habsburg-controlled regions of Europe, Gary K. Waite argues that the persecution of Anabaptists did not go hand-in-hand with the outbreak of witch-hunts in the mid-sixteenth century. Rather, as distrust of Anabaptists predated the first major witch panic of 1562–63, Waite suggests that the virulent propaganda against Anabaptist heretics helped convince governments of the existence of a diabolical threat. Although Anabaptists rejected religious magic, they were consistently demonized by Catholic and Lutheran polemicists. Eradicating the Devil's Minions is an investigation into the roots of religious intolerance in Reformation Europe, and a unique examination of mass hysteria and social extremism. "
Witchcraft is a subject that fascinates us all, and everyone knows what a witch is - or do they? From childhood most of us develop a sense of the mysterious, malign person, usually an old woman. Historically, too, we recognize witch-hunting as a feature of pre-modern societies. But why do witches still feature so heavily in our cultures and consciousness? From Halloween to superstitions, and literary references such as Faust and even Harry Potter, witches still feature heavily in our society. In this Very Short Introduction Malcolm Gaskill challenges all of this, and argues that what we think we know is, in fact, wrong. Taking a historical perspective from the ancient world to contemporary paganism, Gaskill reveals how witchcraft has meant different things to different people and that in every age it has raised questions about the distinction between fantasy and reality, faith and proof. Telling stories, delving into court records, and challenging myths, Gaskill examines the witch-hunts of the sixteenth and seventeenth centuries, and explores the reinvention of witchcraft - as history, religion, fiction, and metaphor. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
"The historical novel is a genre which has enjoyed widespread popularity in Germany from its beginnings in the eighteenth century. At that time, increased literacy among the middle and lower classes had resulted in a greater demand for reading material aimed at a general audience. Because of its educational and entertaining characteristics, the historical novel quickly became a dominant genre among other forms of popular literature. To this day, it constitutes a major sector on the German book market and is, together with popular TV series, documentaries, and museum exhibits, an important part of German Geschichtskultur.This collection of essays looks at aesthetic and thematic continuities, as well as changes in the development of the genre in Germany from the late eighteenth century to the present, and gives insights into the novels' political and socio-cultural implications. The articles investigate historical novels from writers such as Benedikte Naubert, the 'mother' of German historical fiction, nineteenth-century popular writers Georg Ebers and Hermann Sudermann, modern writers such as Alfred D�blin, Hermann Hesse, and Hermann Broch, post-Wende works such as those by Thomas Brussig, Christa Wolf, and Ingo Schulze, and contemporary historical fiction by Sabine Weigand, Eveline Hasler and Petra Durst-Benning."