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In Endless Andness, Mieke Bal pioneers a new understanding of the political potential of abstract art which does not passively yield its meaning to the viewer but creates it anew - an art perceived not only through the retina but experienced viscerally. In this book, the third of her companion volumes on art's political agency, Bal explores perception through an intense engagement with the work of Belgian sculptor Ann Veronica Janssens. In a series of vividly-recalled encounters with Janssen's practice over a number of years, Balpresents a new conception of embodied perception - art experienced in a body conjured into participation and transformed by the experience. From Janssens' 'mist room' works and the CorpsNoir sculptures through to the fugitive, porous Aerogel, Bal traces an art which eludes the subject-object distinction to alter our ideas about the potential of political art in abstract and figurative forms. Enticing us simultaneously to lose ourselves and to come home, the tenuous materiality of installation art empowers those who live in the permanently lost and migratoryc ondition that characterizes contemporary experience. In celebrating and interrogating the work of this prolific and innovative artist, Mieke Baltransforms our understanding of non-representational art to create a new awareness of perception and performance in the shared spaces of our world.
A fascinating offshoot of minimalism, Light and Space art emerged in California in the 1970s and continues to be influential today. Another Minimalism traces the growth and development of the school, with its interest in site-specific installation, color, immateriality, and situationist and participatory art--all in all a very different kind of minimalism from the austere, mathematical abstractions that the term usually calls to mind. Looking at the work of major contemporary artists like Tacita Dean, Olafur Eliasson, Carol Bove, and Spencer Finch, Feldman rewrites the story of minimalism's impact on later artists, revealing the powerful but largely unrecognized influence of West Coast artists like Robert Irwin, James Turrell, and Maria Nordman. Richly illustrated, Another Minimalism offers a convincing new angle on the work and legacy of key twentieth-century artists.
'Women's Work is Never Done' brings together the twenty most important essays by internationally acclaimed art critic and curator Catherine de Zegher. Together with Gerald McMaster, de Zegher has been appointed artistic director of this year's 18th Biennale of Sydney. Her essays on female artists, which have now been collected for the first time, cover a period of thirteen years. Over the years De Zegher's essays launched and consolidated the careers of such artists as Joelle Tuerlinckx, Ann Veronica Janssens, Eva Hesse and Bracha L. Ettinger. Thanks to De Zegher, these artists are now wildly acclaimed and acknowledged in the art world for their cutting edge, groundbreaking artistic activism that has shaped female artistic practice from the late 19th century onwards.
The most exciting contemporary visual arts event in the Asia-Pacific region, the 18th Biennale of Sydney, will take place from 27 June - 16 September 2012. This full-colour catalogue provides a comprehensive overview of the exhibition, its artists and the ideas that inform it.
'The Absent Museum' is a large thematic exhibition that explores the absence of museums in public debates today. What relation can exist between historical awareness and aesthetic commitment? How can artists maintain the tension between globalisation's paradoxes and history's turbulences, and their individual sensibilities and voices? Works and new productions by around 49 artists - both contemporary and those active in the recent past - map what is at stake for museums and the societies that inspire them.
Metamorphosis is a central theme of contemporary creativity, investigated by artists, stylists, designers, philosophers and craftsmen who have crossed the rigid fences of their respective disciplines in search of their changing inclusiveness. With a pioneering spirit, Bulgari also explores them in their different meanings: symbolic, creative and artistic. The protagonist of the narration is the snake, an emblem of regeneration in all cultures and an icon of the goldsmith mastery of the Rome maison from the 1940s to today.0In symbolic metamorphoses, the reptile embodies the archetype of transformation and renewal that refers to the dualism of life, while in the creative ones its seductive spell has deeply inspired material culture, from ancient clothing to contemporary fashion, from primitive jewelry to the Bulgari collections which celebrate it as a symbol, myth, creative theme, and personal ornament.0Lastly, on the artistic side, Bulgari asked five artists to represent their own idea of ??metamorphosis: Refik Anadol, Ann Veronica Janssens, Azuma Makoto, Daan Roosegaard, and Vincent Van Duysen have thus interpreted them through the poetics of their respective artistic languages, with surprising, heterogeneous and powerful results, further proof of their being the most revolutionary and profound act in the life of a person, a society or a culture. 00Exhibition: Galleria d'Arte Moderna, Milan, Italy (04.-10.092.2021).
With his installations, Ugo Rondinone creates personal dreamscapes. In his retrospective exhibition at the Museum Boijmans Van Beuningen in Rotterdam, the artist presented Vocabulary of Solitude, an arrangement of his works inspired by the color spectrum. Clowns, clocks, candles, shoes, windows, light bulbs and rainbows: they are recognizable images that speak to all of us. These symbols excite free-association and memories. The forty-five clowns with their different postures represent activities of everyday life, at the same time expressing the anguish of human solitude: be, breathe, sleep, dream, wake, rise, sit, hear, look, think, stand, walk, pee, shower, dress, drink, fart, shit, read, laugh, cook, smell, taste, eat, clean, write, daydream, remember, cry, nap, touch, feel, moan, enjoy, float, love, hope, wish, sing, dance, fall, curse, yawn, undress, lie. This is the first of a four-chapter publication series by Ugo Rondinone.
'Glass: Virtual, Real' is a unique publication that explores the increasing use of glass in contemporary art as a relatively new artistic medium in the broader context of art history. Sculptor and educator Koen Vanderstukken investigates how postmodern art has brought glass to the forefront as a breakthrough art medium due to its intriguing qualities. The book explores the impact of glass on the contemporary art scene, focusing on how artists are using the medium in exciting ways in their practices. This section includes works by contemporary artists such as Gerhard Richter, Josiah Mcelheny, Mona Hatoum, Fred Wilson, Jan Fabre, Wim Delvoye, Joseph Kosuth, Dani Karavan, Ann Veronica Janssens, Dan Graham, Dustin Yellin, Javier Perez, James Carpenter, Olafur Eliasson, Koen Vanmechelen and many more. Providing fascinating insight into the impact of glass as a medium on contemporary art, this book will appeal to historians, educators, students, artists and academics.
Space Shifters features 20 leading international artists whose work addresses the intersections of perception, sculptural space and architecture.Beginning with the pioneering use of innovative sculptural materials in the 1960s, the exhibition (and this accompanying catalogue) explore the ways in which artworks engage or alter the viewer's perception of the surrounding architecture.The development of these concerns is traced over the course of the past four decades and concludes with artworks from the present day.Artists include: Jeppe Hein, Alicja Kwade, Roni Horn, Richard Wilson, Anish Kapoor, Yayoi Kusama, and Felix Gonzalez-Torres, among others.Published on the occasion of the exhibition, Space Shifters at Hayward Gallery, London (26 September 2018 - 1 June 2019).
Jutta Koether's translucent color fields, expressive brushstrokes and female subjects--as well as her use of poetry, art history and Mylar--can make her seem like a feminist answer to the Cologne art scene, a counterpart to artists like Martin Kippenberger, Sigmar Polke and Albert Oehlen. In fact, she is a central contemporary painter in her own right, as well as a performance artist, a musician and a critic. She collaborates musically with Sonic Youth's Kim Gordon and Television's Tom Verlaine, contributes regularly to Artforum and the respected German culture magazine Spex, and teaches in Bard College's MFA program--and has recently shown her work at Reema Spaulings Fine Art and Thomas Erben Gallery in New York. Koether's work, which the New York Times has called "vibrant" and "intriguing," was a standout in the 2006 Whitney Biennial. This look back documents the artist's oeuvre from the mid-80s forward, with an extensive selection of images.