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Ann Arbor might have become just another small Michigan village had it not been for one crucial event: its designation as the home of the University of Michigan in 1837. Its subsequent development into a thriving cultural and intellectual community was marked by its extraordinary architecture, from the grand 1878 courthouse to the exquisite original university buildings and fashionable East Huron Street. The expansion of the town and university, the arrival of the automobile, and frequent fires began atransformation of Ann Arbor that led to the tragic demolition of some of its most remarkable structures. Lost Ann Arbor is a tribute to these long-lost treasures and the 19th century way of life that accompanied them.
Ann Arbor might have become just another small Michigan village had it not been for one crucial event: its designation as the home of the University of Michigan in 1837. Its subsequent development into a thriving cultural and intellectual community was marked by its extraordinary architecture, from the grand 1878 courthouse to the exquisite original university buildings and fashionable East Huron Street. The expansion of the town and university, the arrival of the automobile, and frequent fires began atransformation of Ann Arbor that led to the tragic demolition of some of its most remarkable structures. Lost Ann Arbor is a tribute to these long-lost treasures and the 19th century way of life that accompanied them.
Patti F. Smith is the author of Downtown Ann Arbor and A History of the People's Food Co-op Ann Arbor. She has written for CraftBeer.com, West Suburban Living, Concentrate, Mittenbrew, The Ann, AADL's Pulp blog and the Ann Arbor Observer. A frequent public speaker around town, Patti curated HERsay (an all-woman variety show) and Grown Folks Reading (story time for grownups) and tells stories at Ignite, Nerd Nite, Tellabration and Telling Tales Out of School. She is a commissioner for the Public Art Commission and the Recreation Advisory Commission, a teacher of history for Rec & Ed and a storyteller in the Ann Arbor Storytellers' Guild. Britain Woodman lives in Ann Arbor, Michigan. A fascination with how the same brands and concepts fit into different communities led him to document them, first in in photographs and then in long-form writing. This writing led to speaking and, ultimately, to authoring this volume with Ann Arbor's preeminent living historian, Patti F. Smith. Ideally, he would be out visiting every city's beloved, vanishing places, but working on this book was cool too.
First published in 1968, Yesterday’s Tomorrows elucidates on the favourite occupation of man: forecasting the future. By man’s predictions, he mirrors his own wish-fulfilments, displacements, projections, denials, evasions and withdrawals. These predications can take the form of countries of the imagination, ‘mirror worlds’ like Rabelais’ Ever-Ever lands or the Erewhon of Butler. Alternatively, they may spring from panic, reflecting fear rather than hope, often manifesting themselves, in our technological age, as reports of ‘flying saucers’ or invasions from another planet. In either form, they provide philosophers, scientists, doctors and sociologists with material for evaluating man’s future needs, offering both criticism of our present society, plans for our future, and release from tension and disequilibrium. Professor Armytage shows in this book how such ‘visions’ can, and do, refresh minds for renewed grappling with the present by arming them with ideas for man’s future needs. He indicates that, out of an apparent welter of futuristic fantasies, a constructive debate about tomorrow is emerging, providing us with operational models of what tomorrow could be. This book will hold special interest for students of philosophy and of English literature.
At thirty-one, Ellen Barrett has already won a Pulitzer prize. Sadly, though, her skill as a journalist far surpasses her ability to sort out her troubled past, so she's less than eager to return to picturesque Petoskey, Michigan, for her beloved father's funeral. When she most needs comfort, her husband is distant and her siblings antagonistic -- and the solace an old sweetheart offers is almost too much to resist. In the end, going home to the shores of Little Traverse Bay is an emotional and spiritual journey for Ellen -- a rediscovery of what is truly important and eternal in her life.
A sweeping reassessment of our longing for the past, from the rise of “retro” to the rhetoric of Brexit and Trump. Nostalgia has a bad reputation. Its critics dismiss it as mere sentimentality or, worse, a dangerous yearning for an imagined age of purity. And nostalgia is routinely blamed for trivializing the past and obscuring its ugly sides. In Yesterday, Tobias Becker offers a more nuanced and sympathetic view. Surveying the successive waves of nostalgia that swept the United States and Europe after the Second World War, he shows that longing for the past is more complex and sometimes more beneficial than it seems. The current meaning of “nostalgia” is surprisingly recent: until the 1960s, it usually just meant homesickness, in keeping with the original Greek word. Linking popular culture to postwar politics in the United States, Great Britain, and Germany, Becker explains the shift in meaning. He also responds to arguments against nostalgia, showing its critics as often shortsighted in their own ways as they defend an idea of progress no less naïve than the wistfulness they denounce. All too often, nostalgia itself is criticized, as if its merit did not depend on which specific past one longs for. Taking its title from one of the most popular songs of all time, and grounded in extensive research, Yesterday offers a rigorous and entertaining perspective on divisive issues in culture and politics. Whether we are revisiting, reviving, reliving, reenacting, or regressing, and whether these activities find expression in politics, music, fashion, or family history, nostalgia is inevitable. It is also powerful, not only serving to define the past but also orienting us toward the future we will create.
In 1969, the world was shocked by a series of murders committed by Charles Manson and his “family” of followers. Although the defendants were sentenced to death in 1971, their sentences were commuted to life with parole in 1972; since 1978, they have been regularly attending parole hearings. Today all of the living defendants remain behind bars. Relying on nearly fifty years of parole hearing transcripts, as well as interviews and archival materials, Hadar Aviram invites readers into the opaque world of the California parole process—a realm of almost unfettered administrative discretion, prison programming inadequacies, high-pitched emotions, and political pressures. Yesterday’s Monsters offers a fresh longitudinal perspective on extreme punishment.
Bringing together prominent transatlantic film and media scholars, Was It Yesterday? explores the impact of nostalgia in twenty-first century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history. Considering such films and television shows as La La Land, Westworld, Stranger Things, and American Hustle, the contributors demonstrate how audiences have spent more time over the last decade living in various pasts.