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love is forgiveness, Ironic love triangle, A childhood lost, and memories regain
“Go back to where you came from, you terrorist!” This is just one of the many warm, lovely, and helpful tips that Wajahat Ali and other children of immigrants receive on a daily basis. Go back where, exactly? Fremont, California, where he grew up, but is now an unaffordable place to live? Or Pakistan, the country his parents left behind a half-century ago? Growing up living the suburban American dream, young Wajahat devoured comic books (devoid of brown superheroes) and fielded well-intentioned advice from uncles and aunties. (“Become a doctor!”) He had turmeric stains under his fingernails, was accident-prone, suffered from OCD, and wore Husky pants, but he was as American as his neighbors, with roots all over the world. Then, while Ali was studying at University of California, Berkeley, 9/11 happened. Muslims replaced communists as America’s enemy #1, and he became an accidental spokesman and ambassador of all ordinary, unthreatening things Muslim-y. Now a middle-aged dad, Ali has become one of the foremost and funniest public intellectuals in America. In Go Back to Where You Came From, he tackles the dangers of Islamophobia, white supremacy, and chocolate hummus, peppering personal stories with astute insights into national security, immigration, and pop culture. In this refreshingly bold, hopeful, and uproarious memoir, Ali offers indispensable lessons for cultivating a more compassionate, inclusive, and delicious America.
Tara is a girl of action, who has newly achieved what she had always desired. Her freedom sets her on a journey, on which she experiences love and witnesses the disasters love can cause. In a moment, she gains it all and loses it all. Will her love stand the test of the time?
This book offers solutions to anyone who has felt victimized, ostracized or left behind by life. Surprising as it may sound, many people take comfort in their own misery. Feeling too good for too long (or even feeling good at all) can be scary for people, explains Anne Katherine. "Achievement creates anxiety. Intimacy leads to fear. Happiness produces uneasiness. Pleasure causes pain. The solution to this dilemma: what feels good has to be stopped. I call this an addiction to misery." Katherine's fascination and perspective book provides immediate assistance to those people who think they might be making choices that keep them at a "carefully calibrated level of existence--beneath bliss and above despair."
Tick. Tock. The clock is ticking. Successful author Anjali Singh wants to live the American Dream, to own a house, get married and have children but the men in her life are too career focused to settle down. Tired of waiting for Mr. Right, she takes charge of her own destiny and decides have a baby on her own. So when Anjali's charming new neighbor, Tom, seems determined to play house, she's tempted to put her plans on hold. Easy going high school dropout Tom Keller has an ambitious goal, to become a successful business owner. Out to prove himself, he buys an auto body shop. When an exotic Indian woman moves in next door, seemingly immune to his charm, Tom decides he's ready for both challenges. But when Tom’s business is plagued with one problem after another, he sinks his time, energy and money into saving his business. Time is running out for Tom to convince her to have a baby the old fashioned way. With him.
Art cinema in Bengal has a considerable reputation with masters like Satyajit Ray, Ritwik Ghatak and Mrinal Sen establishing a reputation for originality and artistic integrity. Poet and filmmaker Buddhadeb Dasgupta upholds this tradition with his sensitive films which have won critical kudos and awards at national and international film festivals. With his very first feature film, Duratwa, in 1978, Buddhadeb Dasgupta was considered a filmmaker to watch; Satyajit Ray found the film poetic . Two decades and 10 feature films later, he has lived up to his earlier promise, continuing to win recognition at film festivals and establishing his reputation as a sensitive and serious filmmaker. By way of an introduction to his cinema, this volume takes a close look at his feature films, tracing significant themes and motifs through the oeuvre. A complete filmography and list of published works are also included.
This book initiates the discussion between psychoanalysis and recent humanist and social scientific interest in a fundamental contemporary topic – the nonhuman. The authors question where we situate the subject (as distinct from the human) in current critical investigations of a nonanthropoentric universe. In doing so they unravel a less-than-human theory of the subject; explore implications of Lacanian teachings in relation to the environment, freedom, and biopolitics; and investigate the subjective enjoyments of and anxieties over nonhumans in literature, film, and digital media. This innovative volume fills a valuable gap in the literature, extending investigations into an important and topical strand of the social sciences for both analytic and pedagogical purposes.
A Good Morning America and PureWow Best Book of January A Goodreads Buzziest Book of the New Year A January Indie Next Pick & Debutiful Most Anticipated Book of 2023 “A marvel.” —Kevin Wilson “Funny, moving, and often deliciously cynical.” —Tiphanie Yanique After living in the US for years, Maneka Roy returns home to India to mourn the loss of her mother and finds herself in a new world. The booming city of Hrishipur where her father now lives is nothing like the part of the country where she grew up, and the more she sees of this new, sparkling city, the more she learns that nothing—and no one—here is as it appears. Ultimately, it will take an unexpected tragic event for Maneka and those around her to finally understand just how fragile life is in this city built on aspirations. Written from the perspectives of ten different characters, Oindrila Mukherjee’s incisive debut novel explores class divisions, gender roles, and stories of survival within a society that is constantly changing and becoming increasingly Americanized. It’s a story about India today, and people impacted by globalization everywhere: a tale of ambition, longing, and bitter loss that asks what it really costs to try and build a dream.
Ananda Devi: Feminism, Narration and Polyphony is the first full-length monograph devoted to Ananda Devi, a dynamic contemporary Francophone writer. Recipient of Prix Louis-Guilloux and Prix Télévision Suisse Romande du Roman, she is described by many as a prototype of a new generation of Mauritian writers. This book analyses Devi’s unconventional polyphonic narratives, particularly, her strategies that allow marginalized narrators to disrupt androcentric and dominant structures of narrative construction, thereby creating hybrid magical spaces for feminine expression. Drawing on the notion of feminist narratology that investigates the relation between gender and narrative, this book focuses on a wide range of Western and non-Western narrative strategies such as plot and plotlessness, narrative metalepsis, pluritemporality, multisubjectivity, myths, folktales and magic. It also demonstrates how her texts become the point of convergence of the West and the non-West, the feminine and the androcentric, the real and the extra-real as muted discourses resurface and traditional distinctions between categories are blurred in favor of alternate and new possibilities. As this book is interdisciplinary in its approach, it will appeal to a broad range of audience from those interested in Contemporary Francophone and Indian-Ocean Literature to scholars in Women’s Writing, Post-Colonial Studies, and Narratology.