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"I adored Anita, as did the entire fashion and literary world. She was four feet nine inches of lithe, slender, dramatic chic."—Carol Channing "This book celebrates a character as memorable as any Anita Loos created in her writing. She was an indomitable, wise-cracking prodigy who not only helped create Hollywood, but managed to survive it."—John Sayles "If we can't have the wonderful Anita Loos-smart, witty, literate and fun- writing today's Hollywood movies, at least we can get reacquainted with her and her work through this delightful book. Filled with previously unpublished material, it shows that while gentlemen may have preferred blondes, everyone else in town wisely preferred the irresistible Ms. Loos."—Kenneth Turan, film critic for the Los Angeles Times "This is a wonderful book about a talented, fascinating, and groundbreaking woman. Her life epitomizes a certain era in show business and describes a Hollywood in which few women were allowed to rise to the top. Anita Loos did and we were all the beneficiaries. I loved the book!"—Peter Duchin "Not only is it valuable to have these delightful Anita Loos pieces, but the biographical chapters are fascinating too."—Kevin Brownlow, author of David Lean: A Biography
Romantic history of girl who prefers a saxophone player to a millionaire as told by Lorelai.
Lorelei Lee is just a little girl from Little Rock who takes the world by storm to teach its gentlemen that "kissing your hand may make you feel very very good but a diamond and sapphire bracelet lasts forever." Anita Loos first published the diaries of the gold-digging blonde in 1925, forging a new archetype for the modern world.
Intertwines the stories of rock star and vampire Lestat, beautiful twins haunted by a gruesome tragedy, and Akasha, mother of all vampires, who dreams of godhood.
Elmer Bliss, nave and implacably optimistic champion of the Southern Californian way, uses his newspaper column to defend the movie world's indiscretions from the scandal sheets. As Tinseltown parties end in murder, Elmer innocently runs sunny accounts of the stars' wholesome lives. His crowning moment comes as Miss Viola Lake, Hollywood's favorite clean-cut starlet, is about to be accused of drug abuse and sexual promiscuity during a murder trial that threatens to blow the lid off the film colony. With his good intentions at the ready, Elmer leaps, like a matinee idol, to Viola's protection. With intimate ease, Anita Loos sets up a fondly sardonic and devastatingly funny tour of the glorious artifice and excess that is Hollywood: tasteless fashions, bizarre religious sects, mass murder, sex, divorce, extravagant morals.
As mass media burgeoned in the years between the first and second world wars, so did another phenomenon—celebrity. Beginning in Hollywood with the studio-orchestrated transformation of uncredited actors into brand-name stars, celebrity also spread to writers, whose personal appearances and private lives came to fascinate readers as much as their work. Women, Celebrity, and Literary Culture between the Wars profiles seven American, Canadian, and British women writers—Dorothy Parker, Anita Loos, Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and E. M. Delafield—who achieved literary celebrity in the 1920s and 1930s and whose work remains popular even today. Faye Hammill investigates how the fame and commercial success of these writers—as well as their gender—affected the literary reception of their work. She explores how women writers sought to fashion their own celebrity images through various kinds of public performance and how the media appropriated these writers for particular cultural discourses. She also reassesses the relationship between celebrity culture and literary culture, demonstrating how the commercial success of these writers caused literary elites to denigrate their writing as "middlebrow," despite the fact that their work often challenged middle-class ideals of marriage, home, and family and complicated class categories and lines of social discrimination. The first comparative study of North American and British literary celebrity, Women, Celebrity, and Literary Culture between the Wars offers a nuanced appreciation of the middlebrow in relation to modernism and popular culture.
In 1931, a young woman writer living in Germany was inspired by Anita Loos's Gentlemen Prefer Blondes to describe pre-war Berlin and the age of cinematic glamour through the eyes of a woman. The resulting novel, The Artificial Silk Girl, became an acclaimed bestseller and a masterwork of German literature, in the tradition of Christopher Isherwood's Berlin Stories and Bertolt Brecht's Three Penny Opera. Like Isherwood and Brecht, Keun revealed the dark underside of Berlin's "golden twenties" with empathy and honesty. Unfortunately, a Nazi censorship board banned Keun's work in 1933 and destroyed all existing copies of The Artificial Silk Girl. Only one English translation was published, in Great Britain, before the book disappeared in the chaos of the ensuing war. Today, more than seven decades later, the story of this quintessential "material girl" remains as relevant as ever, as an accessible new translation brings this lost classic to light once more. Other Press is pleased to announce the republication of The Artificial Silk Girl, elegantly translated by noted Germanist Kathie von Ankum, and with a new introduction by Harvard professor Maria Tatar.
This prepublication typed manuscript of American screen writer and author Anita Loos's (1893-1981) autobiography A Girl Like I (1966) bears typed and handwritten editorial markings. Some of the pencil notations are in Loos's hand.
Draws on personal letters, journals, and interviews with family members and colleagues to capture the life and times of Frances Marion.
A chronicle of the life of the acclaimed Broadway actress traverses five decades in show business and reveals her personal challenges involving her heritage and her father's alcoholism.