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This book explores the vast array of animals that populate detective fiction. If the genre begins, as is widely supposed, with Edgar Allan Poe’s “Murders in the Rue Morgue” (1841), then detective fiction’s very first culprit is an animal. Animals, moreover, consistently appear as victims, clues, and companions, while the abstract conception of animality is closely tied to the idea of criminality. Although it is often described as an essentially conservative form, detective fiction can unsettle the binary of human and animal to intersect with developing concerns in animal studies: animal agency, the ethical complexities of human/animal interaction, the politics and literary aesthetics of violence, and animal metaphor. Gathering its 14 essays into sections on ontologies, ethics, politics, and forms, Animals in Detective Fiction provides a compelling and nuanced analysis of the central role creatures play in this enduringly popular and continually morphing literary form.
THE FIRST COZY MYSTERY IN THE BELOVED NEW YORK TIMES BESTSELLING CAT WHO SERIES! The world of modern art is a mystery to many. But for Jim Qwilleran, it turns into a mystery of another sort when his assignment for The Daily Fluxion leads down the path to murder. A stabbing in an art gallery, vandalized paintings, a fatal fall from a scaffolding—this is not at all what Qwilleran expects when he turns his reporter talents to art. But Qwilleran and his newly found partner, Koko the brilliant Siamese cat, are in their element—sniffing out clues and confounding criminals intent on mayhem and murder. This riveting beginning to the Cat Who series is the perfect cozy mystery for cat lovers to start sleuthing!
A witty philosophical murder mystery with a charming twist: the crack detectives are sheep determined to discover who killed their beloved shepherd. On a hillside near the cozy Irish village of Glennkill, a flock of sheep gathers around their shepherd, George, whose body lies pinned to the ground with a spade. George has cared devotedly for the flock, even reading them books every night. Led by Miss Maple, the smartest sheep in Glennkill (and possibly the world), they set out to find George’s killer. The A-team of investigators includes Othello, the “bad-boy” black ram; Mopple the Whale, a Merino who eats a lot and remembers everything; and Zora, a pensive black-faced ewe with a weakness for abysses. Joined by other members of the richly talented flock, they engage in nightlong discussions about the crime, wild metaphysical speculations, and embark on reconnaissance missions into the village, where they encounter some likely suspects. Along the way, the sheep confront their own all-too-human struggles with guilt, misdeeds, and unrequited love. Funny, fresh, and endearing, it introduces a wonderful new breed of detectives to Canadian readers.
This book explores the vast array of animals that populate detective fiction. If the genre begins, as is widely supposed, with Edgar Allan Poe’s “Murders in the Rue Morgue” (1841), then detective fiction’s very first culprit is an animal. Animals, moreover, consistently appear as victims, clues, and companions, while the abstract conception of animality is closely tied to the idea of criminality. Although it is often described as an essentially conservative form, detective fiction can unsettle the binary of human and animal to intersect with developing concerns in animal studies: animal agency, the ethical complexities of human/animal interaction, the politics and literary aesthetics of violence, and animal metaphor. Gathering its 14 essays into sections on ontologies, ethics, politics, and forms, Animals in Detective Fiction provides a compelling and nuanced analysis of the central role creatures play in this enduringly popular and continually morphing literary form.
In Lonesome Animals, Arthur Strawl, a tormented former lawman, is called out of retirement to hunt a serial killer with a sense of the macabre who has been leaving elaborately carved bodies of Native Americans across three counties. As the pursuit ensues, Strawl's own dark and violent history weaves itself into the hunt, shedding light on the remains of his broken family: one wife taken by the river, one by his own hand; an adopted Native American son who fancies himself a Catholic prophet; and a daughter, whose temerity and stoicism contrast against the romantic notions of how the west was won. In the vein of True Gritand Blood Meridian, Lonesome Animals is a western novel reinvented, a detective story inverted for the west. It contemplates the nature of story and heroism in the face of a collapsing ethos –not only of Native American culture, but also of the first wave of white men who, through the battle against the geography and its indigenous people, guaranteed their own destruction. But it is also about one man's urgent, elegiac search for justice amidst the craven acts committed on the edges of civilization.
In what "The New York Times" calls "a striking, ambitious first novel" Hooper brilliantly portrays a young woman reluctant to conform to the world of adults. Kate Byrne is having an affair with the father of her most gifted fourth grader, whose disturbing drawings may foretell her future.
The first book in the Shady Hollow series, in which we are introduced to the village of Shady Hollow, a place where woodland creatures live together in harmony—until a curmudgeonly toad turns up dead and the local reporter has to solve the case. Reporter Vera Vixen is a relative newcomer to Shady Hollow. The fox has a nose for news, so when she catches wind that the death might be a murder, she resolves to get to the bottom of the case, no matter where it leads. As she stirs up still waters, the fox exposes more than one mystery, and discovers that additional lives are in jeopardy. Vera finds more to this town than she ever suspected. It seems someone in the Hollow will do anything to keep her from solving the murder, and soon it will take all of Vera’s cunning and quickness to crack the case. A VINTAGE CRIME/BLACK LIZARD ORIGINAL
"'Okay listen up everyone,' I said, zipping up my high visibility jacket. 'It will be most effective to comb the local area by taking a village each.' I told my team as I traced my finger across the map. My experience as a former copper was invaluable for our search. We weren't looking for a missing person though - we had a dog to find." Any pet owner knows the agonising panic when their beloved furry family member goes missing, but Tom Watkins, former policeman turned pet detective, is on hand to reunite our animal companions with their owners. From recording the owner's voice to lure cats from their hiding place, to organising a fly-over to raise the profile of missing Toby the terrier, from emptying the contents of the owner's vacuum to tempt in the missing animal with the scent, to organising a Crimewatch-style reconstruction of a dog-snatching on national TV, Tom will do whatever it takes to get the nation's pets home, safe and sound. The Real Pet Detective is the story of 20 years of missing pets, their owners and Tom's team of expert pet investigators.
“Both a mystery and a survival story, here is a novel written with a naturalist’s eye for detail and an unrelenting pace. It reminded me of the best of Nevada Barr." —James Rollins, #1 New York Times bestselling author of The Last Odyssey The first book in a thrilling series featuring an intrepid wildlife biologist who's dedicated to saving endangered species...and relies on her superior survival skills to thwart those who aim to stop her. While studying wolverines on a wildlife sanctuary in Montana, biologist Alex Carter is run off the road and threatened by locals determined to force her off the land. Undeterred in her mission to help save this threatened species, Alex tracks wolverines on foot and by cameras positioned in remote regions of the preserve. But when she reviews the photos, she discovers disturbing images of an animal of a different kind: a severely injured man seemingly lost and wandering in the wilds. After searches for the unknown man come up empty, local law enforcement is strangely set on dismissing the case altogether, raising Alex’s suspicions. Then another invasive predator trespasses onto the preserve. The hunter turns out to be another human—and the prey is the wildlife biologist herself. Alex realizes too late that she has seen too much—she's stumbled onto a far-reaching illegal operation and now has become the biggest threat. In this wild and dangerous landscape, Alex’s life depends on staying one step ahead—using all she knows about the animal world and what it takes to win the brutal battle for survival.
The power of stories to raise our concern for animals has been postulated throughout history by countless scholars, activists, and writers, including such greats as Thomas Hardy and Leo Tolstoy. This is the first book to investigate that power and explain the psychological and cultural mechanisms behind it. It does so by presenting the results of an experimental project that involved thousands of participants, texts representing various genres and national literatures, and the cooperation of an internationally-acclaimed bestselling author. Combining psychological research with insights from animal studies, ecocriticism and other fields in the environmental humanities, the book not only provides evidence that animal stories can make us care for other species, but also shows that their effects are more complex and fascinating than we have ever thought. In this way, the book makes a groundbreaking contribution to the study of relations between literature and the nonhuman world as well as to the study of how literature changes our minds and society. "As witnessed by novels like Black Beauty and Uncle Tom’s Cabin, a good story can move public opinion on contentious social issues. In Human Minds and Animal Stories a team of specialists in psychology, biology, and literature tells how they discovered the power of narratives to shift our views about the treatment of other species. Beautifully written and based on dozens of experiments with thousands of subjects, this book will appeal to animal advocates, researchers, and general readers looking for a compelling real-life detective story." - Hal Herzog, author of Some We Love, Some We Hate, Some We Eat : Why It’s So Hard To Think Straight About Animals