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A unique anthology of articles and essays to inspire animal-themed creative writing.
Writing begins with unconscious feelings of something that insistently demands to be responded to, acted upon, or elaborated into a new entity. Writers make things that matter—treaties, new species, software, and letters to the editor—as they interact with other humans of all kinds. As they write, they also continually remake themselves. In The Animal Who Writes, Cooper considers writing as a social practice and as an embodied behavior that is particularly important to human animals. The author argues that writing is an act of composing enmeshed in nature-cultures and is homologous with technology as a mode of making.
Combining recent insights from animal studies, critical plant studies and the new materialisms, Danielle Sands reads fiction and philosophy alongside each other to propose a method of thinking of and with animals that draws on a bestiary of affects. She challenges the claim that empathy should be primary mode of engagement with nonhuman life. Instead, she looks at the stories that we tell, and are told, by insects - beings at the edges of animal life. The indifference, even disgust, that these creatures evoke in us forms the basis for a new ethics not limited by empathy. Along the way she encounters fiction writers Yann Martel, Karen Joy Fowler, Han Kang and Jim Crace beside the philosophy of Graham Harman, Donna Haraway, Jacques Derrida and Roger Caillois.
This text contributes to the growing field of human-animal studies by examining the human impulse evidenced inblogs, social networking sites, video games, comic books, and animal welfare literature to ventriloquize the animal voice.
Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
The intertwined story of a cougar and a man that portrays the strength, vulnerability, and consciousness of two top predators. Not since Life of Pi have we encountered such transcendence or walked so fully in the footsteps of a big cat. The “Old Woman” lives in the wild, searching for food, raising her cubs, and avoiding the two-legged creatures who come into her territory. But she is more than an animal — she is a mythic creature who haunts the lives and the dreams of men. Joseph Brandt has been captivated by the mountain lion’s legend since childhood, and one day he steps into the forest to seek her out. A classic in the making, The Hunter and the Old Woman is a mesmerizing portrait of two animals united by a shared destiny.
"Throughout the book, the passions and sincerity of animal advocates are captured with immense respect…the story becomes unstoppable." — Animal Legal Defense Fund The Tourist Trail is at once a romance, an adventure story, an environmental polemic, and a keen study of just how animalistic humans are. —Phoebe Literary Journal The Tourist Trail will challenge your perceptions of villains and innocent victims, and make you question whose side you’re on as each character grapples with his or her own authenticity, with what’s worth fighting for, and faces the realization that no matter how fast you run, you can never escape from yourself. — IndieReader Throughout the book, the passions and sincerity of animal advocates are captured with immense respect…the story becomes unstoppable. — Animal Legal Defense Fund Biologist Angela Haynes is accustomed to dark, lonely nights as one of the few humans at a penguin research station in Patagonia. She has grown used to the cries of penguins before dawn, to meager supplies and housing, to spending most of her days in one of the most remote regions on earth. What she isn’t used to is strange men washing ashore, which happens one day on her watch. The man won’t tell her his name or where he came from, but Angela, who has a soft spot for strays, tends to him, if for no other reason than to protect her birds and her work. When she later learns why he goes by an alias, why he is a refugee from the law, and why he is a man without a port, she begins to fall in love—and embarks on a journey that takes her deep into Antarctic waters, and even deeper into the emotional territory she thought she’d left behind. Against the backdrop of the Southern Ocean, The Tourist Trail weaves together the stories of Angela as well as FBI agent Robert Porter, dispatched on a mission that unearths a past he would rather keep buried; and Ethan Downes, a computer tech whose love for a passionate animal rights activist draws him into a dangerous mission.
Birds are disappearing. Birds are nature's essential workers, and they are crucial members of ecosystems around the world. Hummingbirds pollinate our flowers; cardinals munch on beetles, grasshoppers, and other pests that damage crops; owls eat rodents that can spread disease; vultures clean up roadkill and other waste. Beyond their practical aspects, birds bring us joy through their songs and beautiful feathers. But since 1970, nearly 30 percent of all birds in the United States and Canada have vanished. Scientists are scrambling to figure out what may be causing such a drastic decline. The answer: humans. City lights and tall glass skyscrapers disorient migrating birds. Domesticated cats prowling outdoors kill billions of birds each year. Pesticides contaminate fish and insects, which are then consumed by birds of prey. And climate change might disrupt and even wipe out feeding grounds for entire species. Discover the vast impacts birds have on ecosystems, food systems, and human communities, and learn more about what scientists are doing to protect them. “Never have my astonishment, wonder, and admiration been so stirred as when I have witnessed these birds drop from their course like meteors from heaven.” —Simon Pokagon, Potawatomi tribal leader “In pushing other species to extinction, humanity is busy sawing off the limb on which it is perched.” — American biologist Paul R. Ehrlich “There’s something everyone can do in their lives and in their communities to make it a better place for birds and people.” — Gary Langham, chief scientist, National Audubon Society
"Dog lovers and neuroscientists should both read this important book." -- Dr. Temple Grandin What is it like to be a dog? A bat? Or a dolphin? To find out, neuroscientist and bestselling author Gregory Berns and his team did something nobody had ever attempted: they trained dogs to go into an MRI scanner -- completely awake -- so they could figure out what they think and feel. And dogs were just the beginning. In What It's Like to Be a Dog, Berns takes us into the minds of wild animals: sea lions who can learn to dance, dolphins who can see with sound, and even the now extinct Tasmanian tiger. Berns's latest scientific breakthroughs prove definitively that animals have feelings very much like we do -- a revelation that forces us to reconsider how we think about and treat animals. Written with insight, empathy, and humor, What It's Like to Be a Dog is the new manifesto for animal liberation of the twenty-first century.