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Animal Subjects identifies a new understanding of animals in modernist literature and science. Drawing on Darwin's evolutionary theory, British writers and scientists of the late nineteenth and early twentieth centuries began to think of animals as subjects dwelling in their own animal worlds. Both science and literature aimed to capture the complexity of animal life, and their shared attention to animals pulled the two disciplines closer together. It led scientists to borrow the literary techniques of fiction and poetry, and writers to borrow the observational methods of zoology. Animal Subjects tracks the coevolution of literature and zoology in works by H. G. Wells, Aldous Huxley, D. H. Lawrence, Virginia Woolf, and modern scientists including Julian Huxley, Charles Elton, and J. B. S. Haldane. Examining the rise of ecology, ethology, and animal psychology, this book shows how new, subject-centered approaches to the study of animals transformed literature and science in the modernist period.
Animal Subjects finds a new understanding of animal life in the literature and science of the early twentieth century.
Animal Subjects: An Ethical Reader in a Posthuman World (WLU Press, 2008) challenged cultural studies to include nonhuman animals within its purview. While the “question of the animal” ricochets across the academy and reverberates within the public sphere, Animal Subjects 2.0 builds on the previous book and takes stock of this explosive turn. It focuses on both critical animal studies and posthumanism, two intertwining conversations that ask us to reconsider common sense understandings of other animals and what it means to be human. This collection demonstrates that many pressing contemporary social problems—how and why the oppression and exploitation of our species persist—are entangled with our treatment of other animals and the environment. Decades into the interrogation of our ethical and political responsibilities toward other animals, fissures within the academy deepen as the interest in animal ethics and politics proliferates. Although ideological fault lines have inspired important debates about how to address the very material concerns informing these theoretical discussions, Animal Subjects 2.0 brings together divergent voices to suggest how to foster richer human–animal relations, and to cultivate new ways of thinking and being with the rest of animalkind. This collection demonstrates that appreciation of difference, not just similarity, is necessary for a more inclusive and compassionate world. Linking issues of gender, disability, culture, race, and sexuality into species, Animal Subjects 2.0 maps vibrant developments in the emergent fields of critical animal studies and posthumanist thought.
Human beings' responsibility to and for their fellow animals has become an increasingly controversial subject. This book provides a provocative overview of the many different perspectives on the issues of animal rights and animal welfare in an easy-to-use encyclopedic format. Original contributions, from over 125 well-known philosophers, biologists, and psychologists in this field, create a well-balanced and multi-disciplinary work. Users will be able to examine critically the varied angles and arguments and gain a better understanding of the history and development of animal rights and animal protectionist movements around the world. Outstanding Reference Source Best Reference Source
Roaming the natural and urban world with a camera for over 16 years, often alone, on foot and keeping a low profile, Ed Panar has repeatedly been caught in the act of photography--not by other people, but by a random assortment of familiar animals: cows, cats, frogs, dogs, turtles, deer, geese. The animal sees Ed; Ed sees the animal. An unspoken message passes between them. If the photographer is lucky, the moment is captured on film, cataloged and tagged for future reference. In Animals That Saw Me (Volume One), Panar brings together the first collection of his most surprising and unexpected encounters with ordinary beasts--a brief, beautifully deadpan field study of the uncanny moment of recognition between species. What exactly have these animals seen? Panar's photographs serve as a reminder that we must appear at least as strange to them as they do to us.
Explores the frontiers of research on animal cognition and emotion, offering a surprising examination into the hearts and minds of wild and domesticated animals.
This resource offers a survey of the animal rights movement.
This textbook provides a full overview of human-animal studies. It focuses on the conceptual construction of animals in American culture and the way in which it reinforces and perpetuates hierarchical human relationships rooted in racism, sexism, and class privilege.
The Oxford Handbook of Animal Studies tackles the infamous "animal question" how can humans rethink and reconfigure their relationships with other animals? Over the course of five sections and thirty chapters, the contributors investigate issues and concepts central to understanding our current relationship with other animals and the potential for coexistence in an ecological community of living beings.
Introductions to each chapter explain the issues, as well as the arguments that surround them, and a general introduction to the volume thoroughly explains how to use the book. Each entry contains the following information: author, title, edition, series title, location of publisher, name of publisher, number of pages, year of publication, and International Standard Book Number. Annotations include the most important information available to help the researcher, including web sites that contain not only the full text of the book when available, but also excerpts and articles or interviews by the author; short quotations from the books; and short descriptions and summaries of the books. All the information provided allows students to locate exactly what they need, while encouraging them to explore other issues and differing viewpoints.