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Steeplechasing provides a long, colorful history of the sport and gives behind the scenes portraits of the horses, people and places of the chase.
Upon first consideration, sport and art seem to occupy separate, even opposing, realms--sport, associated with physical prowess, and art, with the highest reaches of the human mind. But because sport is such a powerful metaphor for so many human experiences, it has found its way into artistic traditions all over the world. Part One of this book provides a basic understanding of sport as symbol. Part Two gives attention to animals as adversaries and traces the origins of sporting art back to the hunt. Part Three considers humans competing against humans in combat sports, ball games, stick-and-ball games, and racquet sports, as well as in warfare. Part Four concentrates on contesting with oneself in races and sports of grace and beauty such as gymnastics, figure skating and ice dancing. The book concludes with a discussion of the athlete's relationships to society.
Ellen Emmet Rand (1875-1941) was one of the most important and prolific portraitists in the United States in the first decades of the twentieth century. She negotiated her career, reputation, family, and finances in modern and commercially savvy ways-revealing the complex negotiations needed to balance these competing pressures. Engaging with newly available archival documents and featuring scholars with radically different approaches to visual culture, this edited collection not only seeks to interrogate the meaning of Rand's portraits and her career, but indeed to rethink gender, art, race, business, and modernism in the twentieth century.
This book advances current literature on the role and place of animals in sport and society. It explores different forms of sporting spaces, examines how figures of animals have been used to racialize the human athlete, and encourages the reader to think critically about animal ethics, animals in space, time and place, and the human-animal relationship. The chapters highlight persistent dichotomies in the use of and collaboration with animals for sport, and present strategies for moving forward in the study of interspecies relations.
Philip R. Goodwin (18811935), a contemporary and friend of Charles Russell, was a well-known artist in the early twentieth century. His illustrations and oil and watercolor paintings of wildlife, cowboys, lumberjacks, fishermen, and hunters graced calendars and the covers of magazines, including National Sportsman and the Saturday Evening Post. In 1903, at the beginning of his career, he illustrated the first edition of Jack Londons Call of the Wild. In 1919 he created an illustration for Winchester know as Horse and Rider, which is one of the most enduring and recognized western advertising images ever designed. Philip R. Goodwin (18811935), a contemporary and friend of Charles Russell, was a well-known artist in the early twentieth century. His illustrations and oil and watercolor paintings of wildlife, cowboys, lumberjacks, fishermen, and hunters graced calendars and the covers of magazines, including National Sportsman and the Saturday Evening Post. In 1903, at the beginning of his career, he illustrated the first edition of Jack Londons Call of the Wild. In 1919 he created an illustration for Winchester know as Horse and Rider, which is one of the most enduring and recognized western advertising images ever designed.