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Presents papers from an international meeting of specialists from a variety of disciplines sharing an interest in trace elements. The papers are organized into broad categories covering such topics as trace element interactions in the food supply and nutrition; trace elements and genetic regulation; trace elements in pregnancy and lactation; assessment of trace element status; kinetic modelling; trace elements in the environment and food supply; trace elements, brain function, and behaviour; membrane function and cell signalling; analytical, experimental, and isotopic techniques; ethics of trace element research; defining trace element requirements of infants; trace element intervention studies; trace elements and animal production, free-radical mediated disease, and food and nutrition policy; analytical quality control; infection and immune function; trace element binding proteins; trace elements in growth and metabolism; mechanisms of trace element toxicity; and metabolic and physiological consequences of trace element deficiencies.
This book explores the so-called "British Invasion" of DC Comics’ Vertigo imprint, which played an important role in redefining the mainstream comics industry in the US during the early 1990s. Focusing on British creators within Vertigo, this study traces the evolution of the line from its creation in 1993 to its demise in 2019. Through an approach grounded in cultural history, the book disentangles the imprint’s complex roots, showing how editors channelled the potential of its British writers at a time of deep-seated economic and cultural change within the comics industry, and promoted a sense of cohesion across titles that defied categories. The author also delves into lesser-known aspects of the Invasion, exploring less-canonical periods and creators that are often eclipsed by Vertigo’s early star writers. An innovative contribution on a key element of comic book history, this volume will appeal both to researchers of Vertigo scholarship and to fans of the imprint. It will also be an essential read for those interested in transatlantic collaborations and exchanges in the entertainment industry, processes of cultural legitimation and cultural hierarchies, and to anyone working on the representation of national and social identities.
A union list of serials commencing publication after Dec. 31, 1949.
When Canadian authors win prestigious literary prizes, from the Governor General's Literary Award to the Man Booker Prize, they are celebrated not only for their achievements, but also for contributing to this country's cultural capital. Discussions about culture, national identity, and citizenship are particularly complicated when the honorees are immigrants, like Michael Ondaatje, Carol Shields, or Rohinton Mistry. Then there is the case of Yann Martel, who is identified both as Canadian and as rootlessly cosmopolitan. How have these writers' identities been recalibrated in order to claim them as 'representative' Canadians? Prizing Literature is the first extended study of contemporary award winning Canadian literature and the ways in which we celebrate its authors. Gillian Roberts uses theories of hospitality to examine how prize-winning authors are variously received and honoured depending on their citizenship and the extent to which they represent 'Canadianness.' Prizing Literature sheds light on popular and media understandings of what it means to be part of a multicultural nation.
‘Empire and the Animal Body: Violence, Identity and Ecology in Victorian Adventure Fiction’ develops recent work in animal studies, eco-criticism and postcolonial studies to reassess the significance of exotic animals in Victorian adventure literature. Depictions of violence against animals were integral to the ideology of adventure literature in the late nineteenth and early twentieth centuries. However, the evolutionary hierarchies on which such texts relied were complicated by developing environmental sensitivities and reimaginings of human selfhood in relation to animal others. As these texts hankered after increasingly imperilled areas of wilderness, the border between human and animal appeared tense, ambivalent and problematic.
Western conceptions of objectivity and individuality have resulted in a readier appreciation of the worth of the animals and nature than has been recognized. This provocative book takes issue with the popular view that the Western cultural tradition, in contrast to Eastern and Aboriginal traditions, has encouraged attitudes of domination and exploitation towards nature, particularly animals. Preece argues that the Western tradition has much to commend it, and that descriptions of Aboriginal and Oriental orientations have often been misleadingly rosy, simplified and codified according to current fashionable concepts. Animals and Nature is the result of six years' intensive study into comparative religion, literature, philosophy, anthropology, mythology and animal welfare science.