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Animal Grace explores the human-animal relationship as a path to enlightenment. Randour calls for readers to examine how their lives intersect with members of other species and ensure that those interactions are based on compassion and respect.
In the bestselling tradition of Inside of a Dog and Marley & Me, a smart, illuminating, and entertaining read on why the dog-human relationship is unique--and possibly even "spiritual." Dr. Andrew Root's search for the canine soul began the day his eight-year-old son led the family in a moving Christian ritual at the burial service for Kirby, their beloved black lab. In the coming weeks, Root found himself wondering: What was this thing we'd experienced with this animal? Why did the loss hurt so poignantly? Why did his son's act seem so right in its sacramental feel? In The Grace of Dogs, Root draws on biology, history, theology, cognitive ethology (the study of animal minds), and paleontology to trace how in our mutual evolution, humans and dogs have so often helped each other to become more fully ourselves. Root explores questions like: Do dogs have souls? Is it accurate to say that dogs "love" us? What do psychology and physiology say about why we react to dogs in the way that we do? The Grace of Dogs paints a vivid picture of how, beyond sentimentality, the dog-human connection can legitimately be described as "spiritual"--as existing not for the sake of gain, but for the unselfish desire to be with and for the other, and to remind us that we are persons worthy of love and able to share love. In this book for any parent whose kids have asked if they'll see Fido in Heaven, or who has looked their beloved dog in the face and wondered what's going on in there, Dr. Root delivers an illuminating and heartfelt read that will change how we understand man's best friend.
Readers will learn about the migration of five different Pacific salmon species, why and when they migrate, how far they migrate, and where they migrate.
This book offers a new paradigm for reading and appreciating animals in literature and addresses how human culture views animals in poetry. Part one sets up a theoretical overview and posits some aesthetic and ethical ideals for transposing animals into art, while part two presents a more focused practical application of these ideals in one strain of animal poetry (as seen in the works of Marianne Moore, José Emilio Pacheco, Gary Snyder, Pattiann Rogers and others). The poetry analyzed in the book is respectfully and non-invasively insightful into animals; it is tinged with a distancing, and a kind of spiritual awe, regarding their existence.
Animal Visions considers how literature responds to the harms of anthropocentricism, working with Emily Brontë’s Wuthering Heights (1847) and various adaptations of this canonistic novel to show how posthumanist dream writing unsettles the privileging of the human species over other species. Two feminist and post-Freudian responses, Kathy Acker’s poem “Obsession” (1992) and Anne Carson’s “The Glass Essay” (1997) most strongly extend Brontë’s dream writing in this direction. Building on the trope of a ludic Cathy ghost who refuses the containment of logic and reason, these and other adaptations offer the gift of a radical peri-hysteria. This emotional excess is most clearly seen in Kate Bush’s music video “Wuthering Heights” (1978) and Peter Kosminsky’s film Wuthering Heights (1992). Such disturbances make space for a moor love that is particularly evident in Jane Urquhart’s novel Changing Heaven (1989) and, to a lesser extent Sylvia Plath’s poem, “Wuthering Heights” (1961). Brontë’s Wuthering Heights and its most productive afterings make space for co-affective relations between humans and other animal beings. Andrea Arnold’s film Wuthering Heights (2011) and Luis Buñuel’s Abismos de Pasión (1954) also highlight the rupturing split gaze of non-acting animals in their films. In all of these works depictions of intra-active and entangled responses between animals show the potential for dynamic and generative multispecies relations, where the human is one animal amongst the kin of the world.
This volume is the first comprehensive guide to current research on animals, animality, and human-animal relations in literature. To reflect the history of literary animal studies to date, its primary focus is literary prose and poetry in English, while also accommodating emergent discussions of the full range of media and contexts with which literary studies engages, especially film and critical theory. User-friendly language, references, even suggestions for further readings are included to help newcomers to the field understand how it has taken shape primarily through recent decades. To further aid teachers, sections are organized by conventions of periodization, and chapters address a range of canonical and popular texts. Bookended by sections devoted to the field’s conceptual foundations and new directions, the volume is designed to set an agenda for literary animal studies for decades to come.
Winner of the (Inaugural) 2022 National Book Foundation Science + Literature Award From a celebrated Chickasaw writer, a spiritual meditation, in prose and poetry, on our relationship to the animal world, in an illustrated gift package. Concerned that human lives and the natural world are too often defined by people who are separated from the land and its inhabitants, Indigenous writer and environmentalist Linda Hogan depicts her own intense relationships with animals as an example we all can follow to heal our souls and reconnect with the spirit of the world. From her modest forest home in Colorado, and venturing throughout the region, especially to her beloved Oklahoma, she introduces us to horses, packrats, snakes, mountain lions, elks, wolves, bees, and so many others whose presence has changed her life. In this illuminating collection of essays and poems, lightly sprinkled with elegant drawings, Hogan draws on many Native nations’ ancient stories and spiritual traditions to show us that the soul exists in those delicate places where the natural world extends into human consciousness—in the mist of morning, the grass that grew a little through the night, the first warmth of this morning’s sunlight. Altogether, this beautifully packaged gift is a reverential reminder for all of us to witness and appreciate the radiant lives of animals.
From the interactive clockwork world of geology, tides, Northwest weather, and snow, to the hidden roles of dirt, stream life, and mosses and lichens, Pulitzer Prize winning writer William Dietrich explores the natural splendors of the Pacific Northwest. His topics include alder and cedar; jellyfish, geoducks, crabs, and killer whales; mosquitoes and spiders; gulls, crows, and bald eagles; and sea otters, coyotes, raccoons, possums, deer, and cougars. This informative and engaging selection of natural history essays is adapted from articles published in the Seattle Times magazine, Pacific Northwest. A native Washingtonian, Dietrich has watched the Northwest double in population during his lifetime. Our rapidly changing view of nature is an underlying theme throughout his wide-ranging essays, as is the timely and essential question of how best to share and conserve the natural world that drew us to the region in the first place. Not a field guide nor an environmental policy book, Natural Grace is intended as a primer for people who are curious about the environment they live in and the pressures upon it. "We only care about what we know," says the author. "I’ve concluded that enthusiasm and commitment begin from learning just how marvelous this region is: Passion has to precede purpose." And there is much to marvel over. Dietrich has unearthed fascinating and unexpected facts about his subjects, and he has a gift for expressing complex information in clear and vivid language. He asks intriguing questions and makes good use of interviews with Northwest scientists and experts to convey current and historic attitudes and economic realities, and to consider where we go from here. For more information about the author go to: http://www.williamdietrich.com/
This book explores the vast array of animals that populate detective fiction. If the genre begins, as is widely supposed, with Edgar Allan Poe’s “Murders in the Rue Morgue” (1841), then detective fiction’s very first culprit is an animal. Animals, moreover, consistently appear as victims, clues, and companions, while the abstract conception of animality is closely tied to the idea of criminality. Although it is often described as an essentially conservative form, detective fiction can unsettle the binary of human and animal to intersect with developing concerns in animal studies: animal agency, the ethical complexities of human/animal interaction, the politics and literary aesthetics of violence, and animal metaphor. Gathering its 14 essays into sections on ontologies, ethics, politics, and forms, Animals in Detective Fiction provides a compelling and nuanced analysis of the central role creatures play in this enduringly popular and continually morphing literary form.