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Angkor, like Borobudur in Indonesia or Vat Phra Kaeo in Thailand, is one of the most important shrines of Buddhist art in all Asia. Angkor is among the treasures of Humanity's Heritage, under the protection of UNESCO. Angkor's temple, built in one of the most populous cities of the 11th century, is a prime example of religious art, but its ""bas reliefs"" also depict events in the lives of kings and their courts, wars and scenes from the everyday life of the common people. Between the 7th and 14th centuries, Khmer art, primarily sculpture, is characterized by perfection of line and monumental size. Profoundly influenced by Indian Art, it is nonetheless original and of obvious refinement. Long out of print, this volume is inspired, in part, by a revival of interest in Cambodian art. It presents the architectural treasures and splendid sculptures of a civilization that drew on Indian and Chinese influences to create a uniquely Cambodian art.
The thousand-year artistic legacy of Cambodia includes some of the world's mostbeautiful works of art and architecture. This richly illustrated volume, published to coincide with an exhibition organized by the National Gallery of Art and the Réunion des Musées Nationnaux, examines the powerful and original Khmer culture that flourished on the mainland of Southeast Asia between 600 and 1600 A.D. Centered on the northern shores of Cambodia's Great Lake, the Tonle Sap, and extending westward into eastern Thailand, the civilization reached its apogee in the early twelfth century with the construction of the Temple of Angkor. Embracing both Buddhist and Hindu traditions, the sculpture ranges from monumental works in sandstone representing gods and goddesses, guardians, female dancers, and legendary creatures, to refined ritual and ceremonial bronzes. Essays by an international group of scholars together with narrative discussions of each of the works illustrated provide a fascinating introduction to a culture that is still relatively unknown.
A translation of Professor Boisselier's original work. This monograph discusses twenty-four sculptures representative of Khmer art. Includes brief chapters on the history and religions of Cambodia as background for understanding the discussion of the statuary itself, as well as beautiful black-and-white reproductions and a glossary.
Cambodia’s turbulent history makes the richness and fragility of its architectural and artistic legacy strikingly apparent. World-famous, breathtaking sites such as Angkor Wat, Banteay Srei and Preah Vihear have tended to overshadow a wealth of lesser-kno
A panoramic tour of Cambodian history traces its rediscovery in the mid-nineteenth century and what the latest findings have revealed about Khmer civilization, documenting such periods as the five-century part-Hindu, part-Buddhist empire, the gradual abandonment of Angkor, and the move of the capital downriver to the Phnom Penh area. Reprint.
The Khmer empire, which at its height covered the whole of present-day Cambodia and most of Thailand, flourished over 500 years. At its heart was Angkor Wat, the largest religious monument in the world, built during the reign of the Khmer king Suryavarman II, in the first half of the twelfth century. The temple was dedicated to Vishnu, and its magnificent architecture mirrored in microcosm the entire Hindu universe. To enhance its sacred nature, over 600 meters of bas-reliefs were carved on the walls of the third enclosure illustrating battles and processions, Heavens and Hells and the creation myth. Following the great success of Vittorio Roveda's Khmer Mythology , which unraveled the stories and significance of the relief carvings of numerous Khmer, the author returns to Angkor Wat to examine the magnificent carvings of the long galleries, the corner pavilions, pediments, lintels, as well as the lesser-known sculpted tapestry reliefs. The gradual reading of the reliefs as pages of an ancient book unravel the religious and secular symbolism with which Angkor Wat was imbued by the Khmers in the XII century. Aided by the photography of Jaroslav Poncar, Vittorio Roveda reveals the iconographic intricacies of this magnificent temple as never before.
A remarkable group of seven bronze figures was unearthed in Kampong Cham province, Cambodia, in 2006. This book celebrates the collaborative efforts of the Cambodian and US museums to restore and interpret these important images, and also the accomplishments of Khmer bronze casters from the fourth century BCE to the fourteenth century CE.