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Personal reminiscences of a childhood in Hell's Kitchen, New York's lower West Side, in the early part of this century.
Hell’s Kitchen is among Manhattan’s most storied and studied neighborhoods. A working-class district situated next to the West Side’s middle- and upper-class residential districts, it has long attracted the focus of artists and urban planners, writers and reformers. Now, Joseph Varga takes us on a tour of Hell’s Kitchen with an eye toward what we usually take for granted: space, and, particularly, how urban spaces are produced, controlled, and contested by different class and political forces. Varga examines events and locations in a crucial period in the formation of the Hell’s Kitchen neighborhood, the Progressive Era, and describes how reformers sought to shape the behavior and experiences of its inhabitants by manipulating the built environment. But those inhabitants had plans of their own, and thus ensued a struggle over the very spaces—public and private, commercial and personal—in which they lived. Varga insightfully considers the interactions between human actors, the built environment, and the natural landscape, and suggests how the production of and struggle over space influence what we think and how we live. In the process, he raises incisive questions about the meaning of community, citizenship, and democracy itself.
In the depths of the Maine woods, the wreckage of a plane is discovered. There are no bodies, and no such plane has ever been reported missing, but men both good and evil have been seeking it for a long, long time. What the wreckage conceals is more important than money. It is power: a list of names, a record of those who have struck a deal with the devil. Now a battle is about to commence between those who want the list to remain secret and those for whom it represents a crucial weapon in the struggle against the forces of darkness. The race to secure the prize draws in private detective Charlie Parker, a man who knows more than most about the nature of the terrible evil that seeks to impose itself on the world, and who fears that his own name may be on the list. It lures others, too: a beautiful, scarred woman with a taste for killing; a silent child who remembers his own death; and a serial killer known as the Collector, who sees in the list new lambs for his slaughter. But as the rival forces descend upon this northern state, the woods prepare to meet them, for the forest depths hide other secrets. Someone has survived the crash. Something has survived the crash. And it is waiting. . . .
Christmas time in 1930s New York. After escaping through the chimney of an orphanage in Hell's Kitchen, Richard Blakemore a.k.a. the masked crimefighter known only as the Silencer is mistaken for Santa Claus by one of the children and learns that the orphanage is under siege by both a gang of brutal racketeers and an unscrupulous landlord. Richard vows to help the children and their guardians. However, it turns out that the attacks on the orphanage are only part of a much larger plot, when Richard's quest for justice leads him into the upper echelons of Manhattan's high society. Soon, the Silencer finds himself face to face with one of the most powerful men in the city, while Richard and Constance struggle to save the orphanage and give the children of Hell's Kitchen an unforgettable Christmas. This is a novella of 30000 words or approximately 100 pages in the Silencer series, but may be read as a standalone.
ñThe pain comes not from nostalgia . . . I write because I cannot remember at all,î Carolina Hospital explains in her poem, ñDear TÕa.î HospitalÍs poetry becomes the art of tracing her journey through exile and across both psychological and cultural borders. Hospital left Cuba as a child, accompanying her parents seeking refuge in the U.S. Her creative act of recall, in poems written between 1983 and 2003, the formative years in the poetÍs life, chronicles her search for meaning and identity as a woman and a Latina living in the U.S. Hospital unravels the world around her, the hyphenated man, the vendors outside of the Jos? Marti YMCA in Miami, the rafters who chart violent waters for a dream, and her own family and friends. With stunning and sharp beauty, HospitalÍs poems conjure a community caught between conflicting myths and cultures. She spins a wide range of themes: love and betrayal, motherhood and sacrifice, creation and the quest for faith, and loss of communication. In the end, this poetry memoir provides consolation, for it is in the common condition of exile and yearning to belong that we connect as human beings.
"Martín Espada ....forges a new poetic language."—Dennis Loy Johnson, Pittsburgh Tribune In his sixth collection, American Book Award winner Martín Espada has created a poetic mural. There are conquerors, slaves, and rebels from Caribbean history; the "Mayan astronomer" calmly smoking a cigarette in the middle of a New York tenement fire; a nun staging a White House vigil to protest her torture; a man on death row mourning the loss of his books; and even Carmen Miranda.
A rabbi is killed and a Catholic procession is sprayed with gunfire in this crime thriller in the “beautifully written” Edgar-winning series (The Washington Post). NYPD detective Neil Hockaday has acted on his conscience by reporting a fellow cop for bias and brutality—but there’s a killer on the Manhattan streets who seems to have little concern with morality. First a rabbi is murdered by a shadowy figure right in front of his shocked congregation. Then a group of Catholics is gunned down on Good Friday. Now, while coping with tensions within the force and an ugly act of retaliation, Hock’s also under pressure from a panicked mayor, searching for a suspect whose motives may be rooted in hatred, madness, or dark secrets from decades past . . . “Adcock fills the shell of the detective story to the bursting point with Catholic guilt, self-laceration, and spiritual crisis, with a magnificent starring role for Hell’s Kitchen.” —Kirkus Reviews
Pearl White, William Duncan, William Desmond, Ben Wilson, Walter Miller, Francis Ford, Charles Hutchinson, Jack Dougherty, and Eddie Polo are just a few of the stars to start up a whirlwind of enthusiasm among serial devotees. They offered a thrill-a-minute world of ridiculous plots, weird disguises, hair-raising escapes, hidden treasures, diabolic scientific devices, wild animals, depraved men, runaway trains, and an endless procession of knock-down, drag-out fights. Who could resist? This reference work highlights 446 serial performers who thrilled generations. Each entry includes the performer's birth and death dates, serial credits, major films and details of life before and after the movies.
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.