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Like a lovingly guided midnight tour, this book covers the seductive shadows of the most fascinating horror films and melodramas from the 1930s and 1940s. From the bloody censorship battles behind 1935's Bride of Frankenstein, to the sexual controversies of 1941's Dr. Jekyll and Mr. Hyde and the gruesome Nazi atrocities of 1943's Women in Bondage, this book delves into newly excavated research to tell the behind-the-scenes sagas of some of Hollywood's most frightening films. Peek behind the scenes, revel in on-the-set anecdotes and get a look at the script notes illuminating characters like WereWolf of London, Richard III, Panther Woman and Rasputin. Included are profiles of the performers and filmmakers who made the nightmares feel all too real in the darkened theaters of yesteryear, and an examination of the factors that have kept these films popular so many decades later.
(Applause Books). There has been a great change in the last twenty years to actor auditions, which now require the demonstration of enormous flexibility. The actor is often expected to show more range than ever before, and often several shorter audition speeches are asked for instead of one or two longer ones. To stay at the top of his or her game, the Shakespearean actor needs more knowledge of what makes the play tick, especially since the early plays demand a different style from the later ones. Each genre (comedy, history, tragedy) has different requirements. No current monologue book deals directly with the bulk of these concerns. One More unto the Speech, Dear Friends now fills that gap. This three volume set will help actors discover the extra details of humanity that the original folio texts automatically offer. Of Shakespeare's 37 plays, only Pericles is not included. In the trilogy of books there are over 900 separate audition possibilities. This represents about 600 more monologues than are available in any other series. There are four parts to each speech: * A background giving context and approximate timing; * A modern text version; * The original folio version; * Commentary to explain the differences between the two texts including full discussion of the devices peculiar to that speech's genre, the age and gender of the character, and more.