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Angelita lives a protected life in a small mountain village in Andalucia. Reaching adolescence, and angered by hostile gossip about her father and restrictions on visiting him in Madrid, she commits a crime against the community, and is imprisoned.
Vargas-Cetina, a native Yucatecan and trova musician, offers ethnographic insight into the local music scene. With family connections, she embedded herself as a trovadora, and her fieldwork--singing, playing the guitar in a trova group, and extensively researching the genre and talking with fellow enthusiasts and experts--ensued. Trova, like other types of artistic endeavors, is the result of collaboration and social milieu. She describes the dedicated trova clubs, cultural institutions, the Yucatecan economy of agricultural exports, and identity politics that helped the music come about and have maintained it today. --Publisher description.
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. Contributors to this significant volume cover artists and topics such as Billy Bragg, punk, Fun-da-Mental, Willie King and the Liberators, Hedwig and the Angry Inch, the Anti-Death Penalty movement, benefit concerts, benefit albums, Gil Scott-Heron, Bruce Springsteen, Wounded Knee and Native American political resistance, Tori Amos, Joni Mitchell, as well as human rights in relation to feminism. A second volume covers World Music.
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. Contributors to this significant volume cover artists and topics such as Billy Bragg, punk, Fun-da-Mental, Willie King and the Liberators, Hedwig and the Angry Inch, the Anti-Death Penalty movement, benefit concerts, benefit albums, Gil Scott-Heron, Bruce Springsteen, Wounded Knee and Native American political resistance, Tori Amos, Joni Mitchell, as well as human rights in relation to feminism. A second volume covers World Music.
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination, and the right to self-legislation have long been at the forefront of popular music's approach to human rights. In Eastern Europe, where states often tried to control music, the hundreds of thousands of Estonians who gathered in Tallinn between 1987 and 1991 are a part of the ""singing revolutions"" that encouraged a sense of national consciousness, which had years earlier been crushed when Soviet policy.
Angelita Silverwing's famous angel academy has just re-opened after the summer holidays. It is the first day for lots of new students and there is excitement in the air. There is never a dull moment at the academy and the action begins when Angelita brings her new students on a flying lesson. When the mischievous Flora Fluffyfeather's wings take on a life of their own, the adventure truly takes off. Join Flora Fluffyfeathers on his mystery journey to far away places and enchanted clouds, where he befriends gnomes, fairies and magicians.Readers are brought on an exciting and fun roller coaster trip with Flora Fluffyfeathers, while also getting to know his other feathered friends, at the academy. Glamorous Gloria Glitterwings and Dolly Dancing Shoes are always up to mischief while Candy Cuddlewings is always at the ready with a hug. Skillful Shaun, on the other hand, enjoys perfecting his flying skills. Get to know all the angels at the academy and join in on the first, of many, of their delightful adventures. Readers are invited to draw impressions of the story in inter-active drawing spaces.A must read for all fun-loving and adventurous children!
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
The Mapuche are the most numerous, most vocal and most politically involved indigenous people in modern Chile. Their ongoing struggles against oppression have led to increasing national and international visibility, but few books provide deep historical perspective on their engagement with contemporary political developments. Building on widespread scholarly debates about identity, history and memory, Joanna Crow traces the complex, dynamic relationship between the Mapuche and the Chilean state from the military occupation of Mapuche territory during the second half of the nineteenth century through to the present day. She maps out key shifts in this relationship as well as the intriguing continuities. Presenting the Mapuche as more than mere victims, this book seeks to better understand the lived experiences of Mapuche people in all their diversity. Drawing upon a wide range of primary documents, including published literary and academic texts, Mapuche testimonies, art and music, newspapers, and parliamentary debates, Crow gives voice to political activists from both the left and the right. She also highlights the growing urban Mapuche population. Crow's focus on cultural and intellectual production allows her to lead the reader far beyond the standard narrative of repression and resistance, revealing just how contested Mapuche and Chilean histories are. This ambitious and revisionist work provides fresh information and perspectives that will change how we view indigenous-state relations in Chile.
The only story for young readers of the legendary Chilean songwriter and activist who became a symbol of peace amidst the brutality of Augusto Pinochet's regime. On September 11, 1973, in Santiago de Chile, Augusto Pinochet took power and installed a dictatorship in place of the democratic government of President Salvador Allende. That day Victor Jara, a young songwriter and activist, poet and playwright is arrested and imprisoned with hundreds of other people in the Santiago stadium because of his association with the socialist opposition. His hands, so crucial to playing music, are broken by one of Pinochet's soldiers. He is executed in the stadium days later, but his protest songs will continue to resound to this day, as does his defiance in singing, "Venceremos," We Will Overcome, in the stadium. Pinochet will die at an advanced age without having answered for his crimes that were committed in an effort to crush dissent. But we celebrate the brave and defiant artists and activists like Victor Jara who help us to remember our humanity in the face of oppressive dictatorships.
This first novel chronicles the colorful lives of the residents within the brick and limestone walls of one very exclusive address--980 Park Avenue.