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Nanette's idea of escaping life backfires on her when she discovers she's a guardian angel, and the only way to earn her wings is to prevent young Vera from taking her own life.
In My Double Life 1 Nicholas Hagger told of his four years’ service and double life as an undercover British intelligence agent during the Cold War (there revealed for the first time). Lost in a dark wood like Dante following his encounters with Gaddafi’s Libya and the African liberation movements, he found Reality on a ‘Mystic Way’ of loss, purgation and illumination, perceived the universe as a unity and had 16 experiences of the metaphysical Light. In My Double Life 2 he continues the story. He received new powers, coped with fresh ordeals, acquired three schools, renovated a historic house, and had 76 further experiences of the metaphysical Light. He founded a new philosophy of Universalism and new approaches to contemporary history, international statecraft and world literature. He produced nearly 1,500 poems, over 300 classical odes, five verse plays, two poetic epics, over a thousand short stories – and 40 books that include innovative literary, historical and philosophical works. His vision of Universalism in seven disciplines is like a rainbow with seven bands overarching seven hills. He produced nearly 1,500 poems, over 300 classical odes, five verse plays, two poetic epics, over a thousand short stories – and 40 books that include innovative literary, historical and philosophical works. His vision of Universalism in seven disciplines is like a rainbow with seven bands overarching seven hills.
This volume brings together articles on various aspects of the intellectual and social histories of Islamicate societies and of the traditions and contexts that contributed to their formation and evolution. Written by leading scholars who span three generations and who cover such diverse fields as Late Antique Studies, Islamic Studies, Classics, and Jewish Studies, the volume is a testament to the breadth and to the sustained, deep impact of the corpus of the honoree, Professor Patricia Crone. Contributors are: David Abulafia, Asad Q. Ahmed, Karen Bauer, Michael Cooperson, Hannah Cotton, David M. Eisenberg, Khaled El-Rouayheb, Matthew S. Gordon, Gerald Hawting, Judith Herrin, Robert Hoyland, Bella Tendler Krieger, Margaret Larkin, Maria Mavroudi, Christopher Melchert, Pavel Pavlovitch, David Powers, Chase Robinson, Behnam Sadeghi, Adam Silverstein, Devin Stewart, Guy Stroumsa, D. G. Tor, Kevin van Bladel, David J. Wasserstein, Chris Wickam, Joseph Witztum, F. W. Zimmermann
As we enter the second decade of the twenty-first century, environmental concerns dominate the media headlines, from rampant poverty in the developing world to nuclear accidents in industrialized nations. How did human civilization arrive at its current predicaments, and what can we do to temper our habits of mind and mitigate society’s environmentally (and socially) destructive behaviors? The field of ecocriticism (also sometimes called “environmental criticism”) attempts to grapple with such issues. A branch of literary and cultural studies that essentially began in North America in the 1970s, ecocriticism is currently one of the most quickly developing areas of environmental research and teaching. The Future of Ecocriticism: New Horizons brings together thirty-two of the latest articles in the field, including work by some of the leading scholars from around the world. Although ecocriticism has been particularly active in North America, Western Europe, and East Asia, important studies of traditional environmental thought, environmental communication strategies, and environmental aesthetics have begun to emerge in every region of this world. This new book, co-edited by three prominent Turkish scholars and a leading American ecocritic, offers a special cluster of Turkish ecocriticism, with a focus on environmental stories and ideas in this culture that bridges Europe and Asia. Another unique feature of The Future of Ecocriticism: New Horizons is the concluding dialogue among the four editors about the current state of the field.
Schaffer (English, Queens College, City U. of New York) analyzes the complex dialogue between male and female aesthetes in late Victorian England, exploring the heretofore insufficiently recognized role that women such as Lucas Malet, Ouida, and others played in this influential late Victorian literary movement. Annotation copyrighted by Book News, Inc., Portland, OR