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Angela Valamanesh is one of Australia's most intriguing ceramic artists. Her art is aesthetically minimal and cunningly simple, allowing us to interpret universal and ever-perplexing human, animal and organic forms. Valamanesh re-immerses us in the primeval rawness of form and function and, in doing so, the artist succeeds in visualising what many of her contemporaries have avoided - the symbiosis between art and science.
Deceptively simple, Valamanesh's work is often made with elemental substances, natural materials found objects - for example Persian Carpets, an old photo of his grandmother or a pair of worn shoes resonating with cultural and personal associations.
Commemorating the Irish Famine: Memory and the Monument explores the history of the 1840s Irish Famine in visual representation, commemoration and collective memory from the 19th century until the present, across Ireland and the nations of its diaspora, explaining why since the 1990s the Famine past has come to matter so much in our present.
"The work features over 280 works by more than 170 Australian artists drawn from a period of acquisitions which began with the consitution of the MCA in May 1989."--p. 17.