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Its a collection of reviews of these following books. A short Description: Book : Knife. ( Meditations after an Attempted Murder). Author: Salman Rushdie. Publisher: Penguin. Price : 699 ISBN: 9780670099580 ---------------------------------------- Life is never prosaic. It is always unpredictable. This unpredictable nature was revealed when the author was tried to be killed by a stranger. He was stabbed for fifteen times. But he survived and after a prolonged treatment was able to rediscover love and life amid the thick swath of darkness! A glib flow of thoughts accompanied by the exhaustive use of metaphorical images. A worth reading indeed! - Kunal Roy ----------------------------------------- Book : Anemone Morning and other poems. Author: Gopal Lahiri. Publisher: Penprints. Price : Rs 350. ISBN: 978- 81-967932-1-0 ------------------------------------------ Poetry aids to live our life. The poet's flight of fantasy is revealed strongly as we move from one page to another. Poetry of huge variety. A broad canvas where the different hues of life have intermingled with one another to reach the heart of avid readers. The language is not only simple and lucid, but also fused with rich images. A delightful read for the poetry lovers. - Kunal Roy
Lyrical Ballads and other Poems', by Samuel Taylor Coleridge and William Wordsworth, stands as a monumental anthology in the annals of English literature, marking the dawn of the Romantic era. The collection is revered for its exploration of the rustic life and the profundity of ordinary experiences, conveyed through a rich tapestry of lyrical styles and emotional depth. This anthology is significant not only for its aesthetic achievements but also for the included prose discussing the poets' revolutionary principles on poetry, offering invaluable insights into their creative ethos. The contributing poets, Wordsworth and Coleridge, are titans of English literature whose backgrounds reflect a deep engagement with the natural world, human emotion, and philosophical inquiry. Their collective efforts in this anthology embody the essence of Romanticism, emphasizing emotion, individualism, and the sublime beauty of the natural world. The fusion of their unique perspectives creates a multifaceted exploration of the human condition, expanding the horizons of poetic expression and thought in the late 18th and early 19th centuries. This anthology is a must-read for enthusiasts of English literature, providing a unique opportunity to immerse in the revolutionary visions of Coleridge and Wordsworth. Readers are invited to explore the depths of Romantic poetry, its underpinning philosophies, and its enduring impact on the landscape of literary history. Engaging with this collection promises not just educational value, but a profound personal journey through the heart of human experience as seen through the eyes of two of literatures greatest poets.
Wordsworth & Coleridge: Lyrical Ballads and Other Poems represents a seminal watershed in English literature, marking the dawn of Romanticism with its fervent embrace of nature, emotion, and the individual's interior world. This collection masterfully demonstrates a wide array of literary styles, from the simplicity and directness of the rural ballad to complex meditations on human and natural worlds. It pulses with the radical energy of its time, challenging Enlightenment rationalism and foreshadowing a century deeply concerned with personal and social liberation. The standout pieces defy traditional poetic norms of the era, making the anthology a historic pivot towards modern poetic sensibility. The diverse backgrounds of William Wordsworth and Samuel Taylor Coleridge, though both pivotal figures of the Romantic movement, bring a rich interplay of themes and stylistic approaches to the anthology. Their joint effort not only signifies a close intellectual and artistic collaboration but also reflects the broader historical, cultural, and literary currents of late 18th and early 19th centuries. The melding of Wordsworth's profound connection with nature and Coleridge's innovative symbolic imagination creates a multidimensional exploration of the human condition and our relationship with the natural world. This anthology is an indispensable treasure for readers seeking to immerse themselves in the genesis of Romanticism. It offers a unique lens through which to explore pivotal literary innovations and themes of the era. As such, it beckons not only students and scholars of English literature but anyone intrigued by the transformative power of poetry and its ability to wrestle with timeless questions through the beauty of language. The collection stands as a testament to the enduring relevance and dynamism of Wordsworth and Coleridge's visionary work.
Lyrical Ballads, two collections of poems by William Wordsworth and Samuel Taylor Coleridge are generally considered to have marked the beginning of the English Romantic movement in literature. The immediate effect on critics was modest, but they became and remain a landmark, changing the course of English literature and poetry. Most of the poems in the 1798 edition were written by Wordsworth, with Coleridge contributing only five poems to the collection, including one of his most famous works, "The Rime of the Ancient Mariner". A second edition was published in 1800, in which Wordsworth included additional poems and a preface detailing the pair's avowed poetical principles. Contents: Anima Poetae (By Samuel Taylor Coleridge) Essays, Letters, and Notes about the Principles of Poetry (By William Wordsworth) LYRICAL BALLADS, WITH A FEW OTHER POEMS (1798) LYRICAL BALLADS, WITH OTHER POEMS (1800) Samuel Taylor Coleridge (1772 – 1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. William Wordsworth (1770 –1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798).
Poetry. Latino/Latina Studies. Translated from the Spanish by Rosa Alcala & Monica de la Torre. "Lila Zemborain brings into relationship the viscera of the body and the spill of the universe in tense compositions that blur distinctions between lyric and prose poetry, between science and eros"--Forrest Gander. And Jonathan Skinner notes, "Alcala and de la Torre's deft and calm translations offer a superb guide into the hanging gardens of a new, and very old, poetic landscape."
Winner of the C. Hugh Holman Award A central figure in twentieth-century American literature, Robert Penn Warren (1905–1989) was appointed by the Library of Congress as the first Poet Laureate of the United States in 1985. Although better known for his fiction, especially his novel All the King’s Men, it is mainly his poetry—spanning sixty years, fifteen volumes of verse, and a wide range of styles—that reveals Warren to be one of America’s foremost men of letters. In this indispensable volume, John Burt, Warren’s literary executor, has assembled every poem Warren ever published (with the exception of Brother to Dragons), including the many poems he published in The Fugitive and other magazines, as well as those that appeared in his small press works and broadsides. Burt has also exhaustively collated all of the published versions of Warren’s poems—which, in some cases, appeared as many as six different times with substantive revisions in every line—as well as his typescripts and proofs. And since Warren never seemed to reread any of his books without a pencil in his hand, Burt has referred to Warren’s personal library copies. This comprehensive edition also contains textual notes, lists of emendations, and explanatory notes. Warren was born and raised in Guthrie, Kentucky, where southern agrarian values and a predilection for storytelling were ingrained in him as a young boy. By 1925, when he graduated from Vanderbilt University, he was already the most promising of that exceptional set of poets and intellectuals known as the Fugitives. Warren devoted most of the 1940s and 1950s to writing prose and literary criticism, but from the late 1950s he composed primarily poetry, with each successive volume of verse that he penned demonstrating his rigorous and growing commitment to that genre. The mature visionary power and technical virtuosity of his work in the 1970s and early 1980s emanated from his strongly held belief that “only insofar as the work [of art] establishes and expresses a self can it engage us.” Many of Warren’s later poems, which he deemed “some of my best,” rejoice in the possibilities of old age and the poet’s ability for “continually expanding in a vital process of definition, affirmation, revision, and growth, a process that is the image, we may say, of the life process.”
A bilingual edition of one of the most important German poets of the twentieth century This is the most comprehensive English translation of the work of Günter Eich, one of the greatest postwar German poets. The author of the POW poem "Inventory," among one of the most famous lyrics in the German language, Eich was rivaled only by Paul Celan as the leading poet in the generation after Gottfried Benn and Bertolt Brecht. Expertly translated and introduced by Michael Hofmann, this collection gathers eighty poems, many drawn from Eich's later work and most of them translated here for the first time. The volume also includes the original German texts on facing pages. As an early member of "Gruppe 47" (from which Günter Grass and Heinrich Böll later shot to prominence), Eich (1907-72) was at the vanguard of an effort to restore German as a language for poetry after the vitriol, propaganda, and lies of the Third Reich. Short and clear, these are timeless poems in which the ominousness of fairy tales meets the delicacy and suggestiveness of Far Eastern poetry. In his late poems, he writes frequently, movingly, and often wryly of infirmity and illness. "To my mind," Hofmann writes, "there's something in Eich of Paul Klee's pictures: both are homemade, modest in scale, immediately delightful, inventive, cogent." Unjustly neglected in English, Eich finds his ideal translator here.