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I like to sleep, eat, and act. That's pretty much my life as it stands - I go to sixth form college, concentrate on my lessons (especially drama classes) eat lunch, study some plays and then go home and sleep. Sound familiar? I'm of the teenage breed of British folk and have come to terms with the fact that my life is rather dull. I have no idea what sort of future I will have and can't seem to motivate myself to look for further education courses. Is there any point? Sorry to be a bit of a pessimist but, my glass is often half empty, because I like to drink too.
More than once, Carl Reiner has had friends say, "Hey, Reiner, you ought to write those things down." And at eighty, he finally has. In this funny and engaging memoir, one of the best raconteurs on the planet recalls his life in show business in short comic takes. Reiner tells of how, after answering an ad for free acting classes on his brother Charlie's advice, he forsakes a budding career as a machinist for an acting career. In "Sidney Bechet and His Jazz Band Meet Franz Kafka," he captivates the legendary jazz man and his band with an unusual reading of The Metamorphosis, during a thunderstorm at a Catskills resort in 1942. Reiner also recalls the highlights of the succeeding decades: his first sweaty audition, impersonating a dog impersonating movie stars; his forays into the theater; his work on Your Show of Shows and The Dick Van Dyke Show during TV's golden days; and his long friendship and collaboration with Mel Brooks which gave birth to the Two Thousand Year Old Man. In "A Recipe to Remember," he recites a recipe for cream cheese cookies to a star-studded audience that includes Paul Newman, Leonard Bernstein, and Barbra Streisand. In "The Gourmet Eating Club," he gives an insider's take on the now-legendary group that included Mario Puzo, Joseph Heller, Zero Mostel, and other luminaries. Mary Tyler Moore, Sid Caesar, Mickey Rooney, Johnny Carson, Cary Grant, Dinah Shore, Ann Bancroft, Jean Renoir – the list goes on and on – also appear in what Reiner calls the "literary variety show" that captures the highs and lows of his extraordinary life. Through it all, Reiner displays the wit and warmth that have made him one of the most beloved figures in the entertainment business. This charming memoir will delight anyone who wants a behind-the-scenes look at five decades of Hollywood and television history.
This text on media violence and its effects on children and adolescents explores new findings and key topics such as Internet aggression, viewing violence in sports, and playing violent video games. The author evaluates the role of developmental processes in media violence research and stresses the importance of metholdology in understanding that research. This allows for identification of age-related gaps in the literature and helps students become cirtical consumers of research--from the publisher.
Hogarth is essentially English—brave, straight-forward, manly; never pandering to fashion or fancy. When he had to deal with sin and misery, he met them full in the face, bating no whit of their repulsiveness; and in all his works, wherever a moral is to be drawn, it is a noble and a healthy one. In his merry moods he is irresistibly comic; when he stands forward as a censor of morals, he is terrible in his truth; when he creates a character, it is always human and complete,—a true reflex of the age in which he lived. Times may change, and costumes, but humanity remains much the same. Take any series of the splendid list, and the people who crowd the canvas live and move amongst us with different names and other attire. Such suggestive cognomens as Mary Hackabout are not in use; nor do procuresses haunt such localities as Wood Street in pursuit of their vile calling. The course of fashion, as of empire, has taken its way westward; but the whole story of the Harlot's Progress is as fresh and as applicable to a season in 1873 as it was a hundred and forty years before. Have we not Tom Rakewells in scores among us; and had Hogarth been living now, would he not have interpolated another picture of the degradation attained by the spendthrift when he enters the employment of the moneylender as a decoy to poor flies such as he was himself at the beginning of the chapter? The function of the satirist is still needed, and there is no danger of the works of William Hogarth proving to be out of date. Probably no artist ever told stories so well; certainly no one ever acquired such a reputation, and there is no reason why his splendid monuments should be found only in the libraries of the wealthy. Every one should know something of him besides his moral lessons, since, of all the moral lessons he ever taught, his life formed the most pointed. Fearlessness and honesty were his watchwords from his early career of art, after being released from the silversmith's apprenticeship in 1720 until the day of his death in 1764, when he retired from mundane existence full of years and honours. As Ireland declares him to have asserted, his drawings were meant for the crowd rather than for the critics; and with that intention his book was commenced, the original design being to comprise in one volume "a moral and analytical description of seventy-eight prints;" but as the work advanced, such an amount of anecdote and illustrative comment suggested itself, that he was compelled to adopt the three-volume form which is here followed, with the further addition to which we have alluded, of such a full description and reproduction as the original compiler, from accident or design, omitted. These will be found in the third volume, and include many of the most important and meritorious works of the great artist. It has been found advisable to change the ornamental and sometimes indistinct lettering of the original plates, and to adopt a consistent and uniform style of titles. At the same time the elaborate catalogue compiled by Ireland is preserved, since it is still highly valuable as a chronological list of every effort of Hogarth's hand, although it would be folly to attempt a reproduction of every variation it contains. The system pursued by Ireland and Nichols is followed, and the Publishers venture to congratulate themselves on submitting to the notice of the artistic and literary world, as well as to the public generally, the best and cheapest edition of Hogarth's complete works ever brought forward.
In the Bible, John 21:25 says, “And there are also many other things which Jesus did, which if they were written in detail I suppose that even the world itself would not contain the books which were written.” Inspired by New Testament events, Stories between the Lines explores those “other things” in vivid, entertaining detail. Featuring Lazarus, the apostle Paul’s nephew, the demoniac, and Rhoda, author Nita Barnes also imagines three additional stories of how Jesus might have impacted other young people, one of which revisits the wonder of the Christmas story. All events are cited to keep the reader on track by what actually happened and what the author imagined might have occured. These stories introduce Jesus’s extreme love and saving power to those both familiar and unfamiliar with the Bible and encourages readers to consider the many things Jesus did. Connect and identify with the New Testament in fresh, profound ways with the help of fictionailzed stories pulled right from its pages.
Modernity is made and unmade by the anecdotal. Conceived as a literary genre, a narrative element of criticism, and, most crucially, a mode of historiography, the anecdote illuminates the convergences as well as the fault lines cutting across modern practices of knowledge production. The volume explores uses of the anecdotal in exemplary case studies from the threshold of the early modern to the present.
Real Feature Writing emphasizes story shape and structure by illustrating several distinct types of feature and non-fiction stories, all drawn from the real world. Author Abraham Aamidor presents a collection of distinct non-deadline story types (profile, trend, focus, advocacy, and more), providing an introduction to each story type, a full-text example, a critical analysis of the example, and clear directions for producing similar stories. In this second edition, Aamidor and his guest contributors (all with real-world journalistic experience) demonstrate in clear, honest language how to write features. New for this edition are: *updated examples of feature writing, integrated throughout the text;*a chapter on ethical journalism, which takes a critical look at propaganda;*a chapter on international perspectives, including coverage of issues in the Middle East;*chapters on research, freelancing, content editing, copyediting, and literary journalism. This text is appropriate for upper-level journalism students, and will be a valuable resource for freelance writers and young working journalists needing guidance on writing features.
New York Times Bestseller “We all want to raise children with good values—children who are the opposite of spoiled—yet we often neglect to talk to our children about money. . . . From handling the tooth fairy, to tips on allowance, chores, charity, checking accounts, and part-time jobs, this engaging and important book is a must-read for parents.” — Gretchen Rubin, author of The Happiness Project In the spirit of Wendy Mogel’s The Blessing of a Skinned Knee and Po Bronson and Ashley Merryman’s Nurture Shock, New York Times “Your Money” columnist Ron Lieber delivers a taboo-shattering manifesto that explains how talking openly to children about money can help parents raise modest, patient, grounded young adults who are financially wise beyond their years For Ron Lieber, a personal finance columnist and father, good parenting means talking about money with our kids. Children are hyper-aware of money, and they have scores of questions about its nuances. But when parents shy away from the topic, they lose a tremendous opportunity—not just to model the basic financial behaviors that are increasingly important for young adults but also to imprint lessons about what the family truly values. Written in a warm, accessible voice, grounded in real-world experience and stories from families with a range of incomes, The Opposite of Spoiled is both a practical guidebook and a values-based philosophy. The foundation of the book is a detailed blueprint for the best ways to handle the basics: the tooth fairy, allowance, chores, charity, saving, birthdays, holidays, cell phones, checking accounts, clothing, cars, part-time jobs, and college tuition. It identifies a set of traits and virtues that embody the opposite of spoiled, and shares how to embrace the topic of money to help parents raise kids who are more generous and less materialistic. But The Opposite of Spoiled is also a promise to our kids that we will make them better with money than we are. It is for all of the parents who know that honest conversations about money with their curious children can help them become more patient and prudent, but who don’t know how and when to start.
Discover the Rewards of Homeschooling Your Teen ·Create unlimited learning on a limited budget ·Discover teaching methods for teens with different learning styles ·Utilize the best resources and technology ·Prepare your teen for college, career, and adult life The teen years can be the most exciting time in your child's life. He or she is becoming an independent young adult and beginning to make decisions for the future. Yet growing concern about the negative social pressures, safety, and efficiency of our traditional high schools has prompted many parents just like you to teach their teenagers at home. With Homeschooling: The Teen Years as your guide, you'll discover it's not as daunting a task as you've been led to believe. Using real-life stories from dozens of families, this book reveals the secrets of making homeschooling work for you and your teen. You'll discover how to: ·Work with your teen to create a unique, individual learning experience ·Make coursework interesting, challenging, and fun ·Allow your teen to discover the best vocational path, including selecting a college ·Know when your teen has "completed" high school ·And much more! "Contains three of the most helpful sentences I've ever read on the question of homeschooling: 'Just start.' 'You will make mistakes.' 'No big deal.' What excellent advice! One of the most thoroughly helpful books I've read in years. If you're homeschooling a teenager you'll want—and need—this outstanding book!" — Helen Hegener, managing editor of Home Education Magazine "Am I crazy? Homeschool my teen? But how do I do it, when should I do it, where do I find information, and is this really a good choice? If this sounds like you, stop shopping and start reading. This book provides insights and solutions to questions from A to Z. Highly recommended!" — Cindy Stanley, sponsor of the Homeschooling for Everyone Conferences "Lots of practical tips, examples, and help. I loved the smorgasbord of ideas from other homeschooling parents of teens, showing the wide range of ways to learn and excel." — Judith Waite Allee, coauthor of Homeschooling on a Shoestring