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Contains color artwork by Andy Warhol.
A unique 360‐degree view of an incomparable 20th-century American artist One of the most emulated and significant figures in modern art, Andy Warhol (1928-1987) rose to fame in the 1960s with his iconic Pop pieces. Warhol expanded the boundaries by which art is defined and created groundbreaking work in a diverse array of media that includes paintings, sculptures, prints, photographs, films, and installations. This ambitious book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production--from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhol's work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhol's response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today.
Now available in paperback, the first comprehensive survey of portraits made by Andy Warhol (1928-87), one of the most popular artists of the twentieth century
Warhol offers his observations of love, beauty, fame, work, and art and discusses the continuous play and display of his many fetishes.
In the 1960s, Andy Warhol’s paintings redefined modern art. His films provoked heated controversy, and his Factory was a hangout for the avant-garde. In the 1970s, after Valerie Solanas’s attempt on his life, Warhol become more entrepreneurial, aligning himself with the rich and famous. Bob Colacello, the editor of Warhol’s Interview magazine, spent that decade by Andy’s side as employee, collaborator, wingman, and confidante. In these pages, Colacello takes us there with Andy: into the Factory office, into Studio 54, into wild celebrity-studded parties, and into the early-morning phone calls where the mysterious artist was at his most honest and vulnerable. Colacello gives us, as no one else can, a riveting portrait of this extraordinary man: brilliant, controlling, shy, insecure, and immeasurably influential. When Holy Terror was first published in 1990, it was hailed as the best of the Warhol accounts. Now, some two decades later, this portrayal retains its hold on readers—as does Andy’s timeless power to fascinate, galvanize, and move us.
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In the last decade before his death in 1987, Warhol continued to produce mesmerising works at an astounding pace. Influenced by the most prominent artists of the 1980s, including Basquiat, Haring, Schnabel and Clemente, Warhol experimented with a combination of painting and silk-screening to develop an extraordinary vocabulary of images that traversed a variety of genres. The result is a remarkable output, collected here in this companion to a touring exhibition. This catalogue delves into the range of works Warhol was creating during his last years, including his abstract paintings, collaborations, portraits and his final self-portraits. Essays round out this compelling look at an artist whose most fecund period may have been in his last years. AUTHOR: Joseph D. Ketner holds the Lois and Henry Foster Chair of Contemporary Art at Emerson College in Boston, Massachusetts. He was formerly director of the Rose Art Museum at Brandeis University and chief curator at the Milwaukee Art Museum. ILLUSTRATIONS 150 colour & 50 x b/w
Dedicated to Andy Warhol?s portraits of women from the early 1960s through the 1980s, 'Warhol Women' considers the artist?s feminine subjects as a means to examining his prescient understanding of the myths and ideals inherent to constructions of gender, aesthetics, and power. Fully illustrated and featuring five trifolds and a tipped-on cover, the catalogue includes Brett Gorvy?s interview with Corice Arman, wherein she discusses her experiences sitting for two portraits by Warhol; poetry by Warhol Superstar John Giorno; and a comprehensive selection of the source images and Polaroids Warhol used to create each portrait. In a series of newly commissioned essays, Blake Gopnik discusses the women essential to Warhol's development as an artist, Lynne Tillman examines his complicated relationship with his doting mother, and Alison M. Gingeras writes on women that held diverse and vital roles throughout Warhol's career, from Ethel Scull and Edie Sedgwick, to Brigid Berlin, Pat Hackett, and more.
"Photo Revolution: Andy Warhol to Cindy Sherman will investigate how and why the 1960s and '70s became a vital era for the ascension of photography to the status of fine art, arguing that critical to the acceptance of both Pop Art and fine photography was a newfound acceptance of multiples. Prior to Pop Art, art media that produced "copies," like in prints and photographs, were perpetually undervalued compared to "original" objects like paintings. However, with the appropriation of photo-based imagery by artists like Andy Warhol and Tom Wesselmann, Pop Art and photography developed a symbiotic relationship as Pop Art certified the aesthetic importance of photography through its appropriation. Using a variety of media derived mostly from the Worcester Art Museum's permanent collection, Photo Revolution: Andy Warhol to Cindy Sherman investigates Pop Art, Conceptual Art, and emerging photo-based art forms, primarily through the lens of photography. It seeks to illustrate how photographs leap from second-tier status to the driving force behind contemporary art production with the emergence of artists like Cindy Sherman, Nan Goldin, and Martha Rosler. The book will also illustrate how photography became entrenched in art production globally, as seen in the photomontages of British conceptual artist John Stezaker, conceptual work by Polish video artist and photographer Andrej Paruzel, and in the work of Japanese documentary photographer Hiromi Tuschida"--