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Reveals surprising new dimensions of Galt's short novels Glenfell, Andrew of Padua, and The OmenReproduces the texts of Glenfell (1820), Andrew of Padua (1820), and The Omen (1825), making these virtually unknown works available to modern readers while setting them into the context in which they were first published and readProvides a comprehensive introduction by the editor which reveals how these novels came to be written, their contemporary reception, and their significance within Galt's life and careerOffers full annotations which explain Galt's diverse geographical, historical, literary, and philosophical contexts and allusionsThis volume brings together three short novels that reveal the diversity of Galt's creative abilities. Glenfell is his first publication in the style of Scottish fiction for which he would become best known; Andrew of Padua, the Improvisatore is a unique synthesis of his experiences with theatre, educational writing, and travel; The Omen is a haunting gothic tale. With their easily readable scope and their vivid themes, each of the tales has a distinct charm. They cast light on significant phases of Galt's career as a writer and reveal his versatility in experimenting with themes, genres, and styles.
This bibliography provides the first complete and copy-based record of the production of new English fiction in the period 1810-1829. The main listings include 2,256 entries, all but forty of which are based on examination of a first edition of the actual novel described. As a result of ten years of Anglo-German co-operation the bibliography makes especial use of the recently discovered collection of English novels of Schloss Corvey in Germany, whose holdings in English fiction 1796-1834 almost certainly exceed those held by any other library. This book also includes an extensive historical introduction by Peter Garside that offers a comprehensive overview of the main aspects of production, marketing and reception of fiction in the Romantic era.