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Illuminates Britain's literary field during the 1820s as a decade of improvisation, speculation and rapid cultural change.
Reveals surprising new dimensions of Galt's short novels Glenfell, Andrew of Padua, and The OmenReproduces the texts of Glenfell (1820), Andrew of Padua (1820), and The Omen (1825), making these virtually unknown works available to modern readers while setting them into the context in which they were first published and readProvides a comprehensive introduction by the editor which reveals how these novels came to be written, their contemporary reception, and their significance within Galt's life and careerOffers full annotations which explain Galt's diverse geographical, historical, literary, and philosophical contexts and allusionsThis volume brings together three short novels that reveal the diversity of Galt's creative abilities. Glenfell is his first publication in the style of Scottish fiction for which he would become best known; Andrew of Padua, the Improvisatore is a unique synthesis of his experiences with theatre, educational writing, and travel; The Omen is a haunting gothic tale. With their easily readable scope and their vivid themes, each of the tales has a distinct charm. They cast light on significant phases of Galt's career as a writer and reveal his versatility in experimenting with themes, genres, and styles.
This volume offers a revaluation of the work of Romantic-era Scottish writer John Galt. Galt traveled throughout the Mediterranean and Atlantic worlds and founded the Canadian city of Guelph while remaining in touch with local cultures and politics in Scotland and England. He wrote fiction, drama, and biography based on his personal observations of life and in ways that associated him with the “theoretical” or “conjectural” methods of Scottish Enlightenment historiographers. Galt’s insights into the societies he inhabited and visited, his perceptions of political extremism and class conflict, his attitudes toward community building and progress, his convictions about determinism and historical revisionism, his strategies for manipulating literary genres and readers’ responses, and his ambivalence about the value of literature deserve consideration in light of new thinking in our own fields about what constitutes social knowledge and viable ways to represent it. The essays in this volume examine Galt’s work in light of the convergence of literature, history, and social theory in Scottish Enlightenment and Romantic-era culture and in our own interdisciplinary environment. Discussing Galt’s work and significance in the many areas, genres, and contexts in which he figures, they broaden the circle of contacts with whom we associate Galt, moving from expected comparisons with contemporaries Walter Scott and James Hogg to unexpected links with such later authors and social thinkers as George Douglas Brown and Harriet Martineau. Moreover, these essays expand the repertoire of works studied, offering the first extended analyses of Eben Erskine, Rothelan, and the Travels and Observations of Hareach, the Wandering Jew along with new readings of Annals of the Parish, Bogle Corbet, and Ringan Gilhaize. Overall, the essays draw out the implications of Galt’s practices and relations as a journalist, dramatist, critic, biographer, and novelist, developing grounded conjectures about their significance in Galt’s time and our own.
This book argues that Romantic-era writers used the figure of the minstrel to imagine authorship as a social, responsive enterprise unlike the solitary process portrayed by Romantic myths of the lone genius. Simpson highlights the centrality of the minstrel to many important literary developments from the Romantic era through to the 1840s.
The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities
On 15 October 1838, the body of a thirty-six-year-old woman was found in Cape Coast Castle, West Africa, a bottle of Prussic acid in her hand. She was one of the most famous English poets of her day: Letitia Elizabeth Landon, known by her initials 'L.E.L.' What was she doing in Africa? Was her death an accident, as the inquest claimed? Or had she committed suicide, or even been murdered? To her contemporaries, she was an icon, hailed as the 'female Byron', admired by Elizabeth Barrett Browning, Heinrich Heine, the young Bronte sisters and Edgar Allan Poe. However, she was also a woman with secrets, the mother of three illegitimate children whose existence was subsequently wiped from the record. After her death, she became the subject of a cover-up which is only now unravelling. Too scandalous for her reputation to survive, Letitia Landon was a brilliant woman who made a Faustian pact in a ruthless world. She embodied the post-Byronic era, the 'strange pause' between the Romantics and the Victorians. This new investigation into the mystery of her life, work and death excavates a whole lost literary culture.
This is the first and only guide to Scottish Romanticism. It captures the best of critical debate as well as presenting exciting new approaches to a distinctively Scottish Romanticism in literary theory, religious studies, music and song and the thematic