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This is the first volume in the trilogy Dictionaries in the English-Speaking World, 1500-1800, which will offer a new history of lexicography in and beyond the early modern British Isles. The volume explores the dictionaries, wordlists, and glossaries that were compiled and read by speakers of English from the end of the Middle Ages to the year 1600. These include the first printed dictionaries in which English words were collected; the dictionaries of Latin used by all educated English-speakers, from young children to Shakespeare to adult royalty; the dictionaries of modern languages that gave English-speakers access to the languages and cultures of continental Europe; dictionaries and wordlists documenting other languages from Armenian to Malagasy to Welsh; and a great variety of specialized English wordlists. No unified history has ever surveyed this vast, lively, and culturally significant lexicographical output before. The guiding principle of the book, and the trilogy, is that a story about dictionaries must also be a story about human beings. John Considine offers a full and sympathetic account of those who compiled and used these works, and those who supported them financially, paying particular attention to records of dictionary use and its traces in surviving copies. The volume will appeal to all those interested in the languages and literary cultures of the sixteenth-century English-speaking world.
Engaging with histories of the book and of reading, as well as with studies of material culture, this volume explores ’popularity’ in early modern English writings. Is ’popular’ best described as a theoretical or an empirical category in this period? How can we account for the gap between modern canonicity and early modern print popularity? How might we weight the evidence of popularity from citations, serial editions, print runs, reworkings, or extant copies? Is something that sells a lot always popular, even where the readership for print is only a small proportion of the population, or does popular need to carry something of its etymological sense of the public, the people? Four initial chapters sketch out the conceptual and evidential issues, while the second part of the book consists of ten short chapters-a ’hit parade’- in which eminent scholars take a genre or a single exemplar - play, romance, sermon, or almanac, among other categories-as a means to articulate more general issues. Throughout, the aim is to unpack and interrogate assumptions about the popular, and to decentre canonical narratives about, for example, the sermons of Donne or Andrewes over Smith, or the plays of Shakespeare over Mucedorus. Revisiting Elizabethan literary culture through the lenses of popularity, this collection allows us to view the subject from an unfamiliar angle-in which almanacs are more popular than sonnets and proclamations more numerous than plays, and in which authors familiar to us are displaced by names now often forgotten.
"The book trade, she argues, created many intriguing and paradoxical uses for anonymity, even as the authorial name became more marketable. Among ecclesiastical debates, for instance, anonymity worked to conceal identity, but it could also be used to identify the moral character of the author being concealed. In court and coterie circles, meanwhile, authors turned name suppression into a tool for the preservation of social boundaries. Finally, in both print and manuscript, anonymity promised to liberate an authentic female voice, and yet it made it impossible to authenticate the gender of an author. In sum, the writers and book producers who helped to create England's literary culture viewed anonymity as a meaningful and useful practice."--BOOK JACKET.
Lost Books and Printing in London, 1557-1640 is the first attempt to analyse systematically the entries relating to lost books in the Stationers’ Company Register. Books played a fundamental role in early modern society and are key sources for our comprehension of the political, religious, economic and cultural aspects of the age. Over time, the loss of these books has presented a significant barrier to our understanding of the past. The monopoly of the Stationers’ Company centralised book production in England to London with printing jobs carried out by members documented in a Register. Using modern digital approaches to bibliography, Alexandra Hill uses the Register to reclaim knowledge of the English book trade and print culture that would otherwise be lost.